Kite's ups and downs notation: Difference between revisions
→41-EDO example: added a circle-of-5ths analysis |
|||
| Line 1,354: | Line 1,354: | ||
A few minor exceptions arise with the -i notes. Conventionally, M7 + 5th = A4, and indeed Ta + 5th = Pa. But Ti + 5th = Fi not Pi. Likewise Fa + 4th = Tha, a minor 7th as expected, but Fi + 4th = Ti not Thi. These exceptions are not an issue as long as you remember that there is no Pi or Thi in the solfege | A few minor exceptions arise with the -i notes. Conventionally, M7 + 5th = A4, and indeed Ta + 5th = Pa. But Ti + 5th = Fi not Pi. Likewise Fa + 4th = Tha, a minor 7th as expected, but Fi + 4th = Ti not Thi. These exceptions are not an issue as long as you remember that there is no Pi or Thi in the solfege | ||
The same rule for 4ths and 5ths also holds for plain major 2nds. Keep the vowel, and change the consonant as expected. Ra + M2 = Ma. Again, aug/dim intervals must be renamed: Po + M2 = Sha + M2 = Fla. But beware, this rule breaks down for major and mid 7ths | The same rule for 4ths and 5ths also holds for plain major 2nds. Keep the vowel, and change the consonant as expected. Ra + M2 = Ma. Again, aug/dim intervals must be renamed: Po + M2 = Sha + M2 = Fla. But beware, this rule breaks down for major and mid 7ths, due to the lack of aug and mid 8ves. | ||
* Tu + M2 = Ri | * Tu + M2 = Ri | ||