53edo: Difference between revisions

Wikispaces>guest
**Imported revision 330095780 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 330519056 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2012-05-04 13:23:33 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-05-05 17:30:35 UTC</tt>.<br>
: The original revision id was <tt>330095780</tt>.<br>
: The original revision id was <tt>330519056</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[http://en.wikipedia.org/wiki/53_equal_temperament|Wikipeda article about 53edo]]
[[http://en.wikipedia.org/wiki/53_equal_temperament|Wikipeda article about 53edo]]
=Linear temperaments=
[[List of edo-distinct 53et rank two temperaments]]


=Just Approximation=  
=Just Approximation=  
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[[@http://andrewheathwaite.bandcamp.com/track/elf-dine-on-ho-ho|Elf Dine on Ho Ho]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2005%20Elf%20Dine%20on%20Ho%20Ho.mp3|play]] and [[@http://andrewheathwaite.bandcamp.com/track/spun|Spun]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2008%20Spun.mp3|play]] by [[xenharmonic/Andrew Heathwaite|Andrew Heathwaite]]</pre></div>
[[@http://andrewheathwaite.bandcamp.com/track/elf-dine-on-ho-ho|Elf Dine on Ho Ho]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2005%20Elf%20Dine%20on%20Ho%20Ho.mp3|play]] and [[@http://andrewheathwaite.bandcamp.com/track/spun|Spun]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2008%20Spun.mp3|play]] by [[xenharmonic/Andrew Heathwaite|Andrew Heathwaite]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;53edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:8:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:8 --&gt;&lt;!-- ws:start:WikiTextTocRule:9: --&gt;&lt;a href="#Theory"&gt;Theory&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:9 --&gt;&lt;!-- ws:start:WikiTextTocRule:10: --&gt; | &lt;a href="#Just Approximation"&gt;Just Approximation&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:10 --&gt;&lt;!-- ws:start:WikiTextTocRule:11: --&gt; | &lt;a href="#Intervals"&gt;Intervals&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:11 --&gt;&lt;!-- ws:start:WikiTextTocRule:12: --&gt; | &lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:12 --&gt;&lt;!-- ws:start:WikiTextTocRule:13: --&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;53edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:10:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:10 --&gt;&lt;!-- ws:start:WikiTextTocRule:11: --&gt;&lt;a href="#Theory"&gt;Theory&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:11 --&gt;&lt;!-- ws:start:WikiTextTocRule:12: --&gt; | &lt;a href="#Linear temperaments"&gt;Linear temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:12 --&gt;&lt;!-- ws:start:WikiTextTocRule:13: --&gt; | &lt;a href="#Just Approximation"&gt;Just Approximation&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:13 --&gt;&lt;!-- ws:start:WikiTextTocRule:14: --&gt; | &lt;a href="#Intervals"&gt;Intervals&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:14 --&gt;&lt;!-- ws:start:WikiTextTocRule:15: --&gt; | &lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;
&lt;!-- ws:end:WikiTextTocRule:13 --&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Theory&lt;/h1&gt;
&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Theory&lt;/h1&gt;
  The famous &lt;em&gt;53 equal division&lt;/em&gt; divides the octave into 53 equal comma-sized parts of 22.642 cents each. It is notable as a &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/5-limit"&gt;5-limit&lt;/a&gt; system, a fact apparently first noted by Isaac Newton, tempering out the schisma, 32805/32768, the kleisma, 15625/15552, the amity comma, 1600000/1594323 and the semicomma, 2109375/2097152. In the 7-limit it tempers out 225/224, 1728/1715 and 3125/3087, the marvel comma, the gariboh, and the orwell comma. In the 11-limit, it tempers out 99/98 and 121/120, and is the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/optimal%20patent%20val"&gt;optimal patent val&lt;/a&gt; for &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Nuwell%20family"&gt;Big Brother&lt;/a&gt; temperament, which tempers out both, as well as 11-limit &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Semicomma%20family"&gt;orwell temperament&lt;/a&gt;, which also tempers out the 11-limit comma 176/175. In the 13-limit, it tempers out 169/168 and 245/243, and gives the optimal patent val for &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Marvel%20family"&gt;athene temperament&lt;/a&gt;. It is the eighth &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists"&gt;zeta integral edo&lt;/a&gt; and the 16th &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/prime%20numbers"&gt;prime&lt;/a&gt; edo, following &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/47edo"&gt;47edo&lt;/a&gt; and coming before &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/59edo"&gt;59edo&lt;/a&gt;.&lt;br /&gt;
  The famous &lt;em&gt;53 equal division&lt;/em&gt; divides the octave into 53 equal comma-sized parts of 22.642 cents each. It is notable as a &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/5-limit"&gt;5-limit&lt;/a&gt; system, a fact apparently first noted by Isaac Newton, tempering out the schisma, 32805/32768, the kleisma, 15625/15552, the amity comma, 1600000/1594323 and the semicomma, 2109375/2097152. In the 7-limit it tempers out 225/224, 1728/1715 and 3125/3087, the marvel comma, the gariboh, and the orwell comma. In the 11-limit, it tempers out 99/98 and 121/120, and is the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/optimal%20patent%20val"&gt;optimal patent val&lt;/a&gt; for &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Nuwell%20family"&gt;Big Brother&lt;/a&gt; temperament, which tempers out both, as well as 11-limit &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Semicomma%20family"&gt;orwell temperament&lt;/a&gt;, which also tempers out the 11-limit comma 176/175. In the 13-limit, it tempers out 169/168 and 245/243, and gives the optimal patent val for &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Marvel%20family"&gt;athene temperament&lt;/a&gt;. It is the eighth &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists"&gt;zeta integral edo&lt;/a&gt; and the 16th &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/prime%20numbers"&gt;prime&lt;/a&gt; edo, following &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/47edo"&gt;47edo&lt;/a&gt; and coming before &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/59edo"&gt;59edo&lt;/a&gt;.&lt;br /&gt;
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&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/53_equal_temperament" rel="nofollow"&gt;Wikipeda article about 53edo&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/53_equal_temperament" rel="nofollow"&gt;Wikipeda article about 53edo&lt;/a&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Just Approximation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Just Approximation&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Linear temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Linear temperaments&lt;/h1&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2053et%20rank%20two%20temperaments"&gt;List of edo-distinct 53et rank two temperaments&lt;/a&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Just Approximation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Just Approximation&lt;/h1&gt;
  53edo provides excellent approximations for the classic 5-limit &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/just"&gt;just&lt;/a&gt; chords and scales, such as the Ptolemy-Zarlino &amp;quot;just major&amp;quot; scale.&lt;br /&gt;
  53edo provides excellent approximations for the classic 5-limit &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/just"&gt;just&lt;/a&gt; chords and scales, such as the Ptolemy-Zarlino &amp;quot;just major&amp;quot; scale.&lt;br /&gt;


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The perfect fifth is almost perfectly equal to the just interval 3/2, with only a 0.07 cent difference! 53EDO is practically equal to an extended Pythagorean. The 14- and 17- degree intervals are also very close to 6/5 and 5/4 respectively, and so 5-limit tuning can also be closely approximated. In addition, the 43-degree interval is only 4.8 cents away from the just ratio 7/4, so 53EDO can also be used for 7-limit harmony, tempering out the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/septimal%20kleisma"&gt;septimal kleisma&lt;/a&gt;, 225/224.&lt;br /&gt;
The perfect fifth is almost perfectly equal to the just interval 3/2, with only a 0.07 cent difference! 53EDO is practically equal to an extended Pythagorean. The 14- and 17- degree intervals are also very close to 6/5 and 5/4 respectively, and so 5-limit tuning can also be closely approximated. In addition, the 43-degree interval is only 4.8 cents away from the just ratio 7/4, so 53EDO can also be used for 7-limit harmony, tempering out the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/septimal%20kleisma"&gt;septimal kleisma&lt;/a&gt;, 225/224.&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Intervals&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Intervals&lt;/h1&gt;
   
   


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&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Compositions&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Compositions&lt;/h1&gt;
  &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/prelude1-53.mp3" rel="nofollow"&gt;Bach WTC1 Prelude 1 in 53&lt;/a&gt; by Bach and &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Mykhaylo%20Khramov"&gt;Mykhaylo Khramov&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/prelude1-53.mp3" rel="nofollow"&gt;Bach WTC1 Prelude 1 in 53&lt;/a&gt; by Bach and &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Mykhaylo%20Khramov"&gt;Mykhaylo Khramov&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/fugue1-53.mp3" rel="nofollow"&gt;Bach WTC1 Fugue 1 in 53&lt;/a&gt; by Bach and Mykhaylo Khramov&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/fugue1-53.mp3" rel="nofollow"&gt;Bach WTC1 Fugue 1 in 53&lt;/a&gt; by Bach and Mykhaylo Khramov&lt;br /&gt;