2ed13/10: Difference between revisions

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m Eliora moved page Square root of 13 over 10 to 2ed13/10: This is discussing the tuning system resulted by dividing 13/10 in two, not an interval of (13/10)^(1/2).
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=13:10=
==13:10==


[[13/10|13:10]], as a frequency ratio, measures approximately 454.2 cents. It lies in the extremely xenharmonic and ambiguous territory between the perceptual category of a "third" and that of a "fourth" (see [[Interseptimal|interseptimal]]). It appears in the [[OverToneSeries|overtone series]] between the tenth and thirteen overtones.
[[13/10|13:10]], as a frequency ratio, measures approximately 454.2 cents. It lies in the extremely xenharmonic and ambiguous territory between the perceptual category of a "third" and that of a "fourth" (see [[Interseptimal|interseptimal]]). It appears in the [[OverToneSeries|overtone series]] between the tenth and thirteen overtones.
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The "square root of 13:10", then, means an interval which logarithmically bisects 13:10. It's an irrational number which measures, in cents, about 227.1.
The "square root of 13:10", then, means an interval which logarithmically bisects 13:10. It's an irrational number which measures, in cents, about 227.1.


=sqrt 13:10 as a scale=
==2ed13/10 as a scale==


"The square root of 13:10" can also refer to the scale that is produced by repeatedly stacking the interval "the square root of 13:10". It is an [[edonoi|EDONOI]], or "equal division of a nonoctave interval," and as such, it does not contain a perfect octave (2:1). It is also [[macrotonal|macrotonal]], since the smallest step, at 227.1 cents, is larger than a semitone.
"The square root of 13:10" can also refer to the scale that is produced by repeatedly stacking the interval "the square root of 13:10". It is an [[edonoi|EDONOI]], or "equal division of a nonoctave interval," and as such, it does not contain a perfect octave (2:1). It is also [[macrotonal|macrotonal]], since the smallest step, at 227.1 cents, is larger than a semitone.