41edo: Difference between revisions

Wikispaces>Andrew_Heathwaite
**Imported revision 172522089 - Original comment: **
Wikispaces>Andrew_Heathwaite
**Imported revision 175449441 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2010-10-21 14:04:10 UTC</tt>.<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2010-11-01 16:08:28 UTC</tt>.<br>
: The original revision id was <tt>172522089</tt>.<br>
: The original revision id was <tt>175449441</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The //41 equal temperament//, often abbreviated 41-tET, 41-EDO, or 41-ET, is the scale derived by dividing the octave into 41 equally-sized steps. Each step represents a frequency ratio of 29.27 cents, an interval close in size to 64/63, the [[http://en.wikipedia.org/wiki/Septimal_comma|septimal comma]]. 41-ET can be seen as a tuning of the [[http://en.wikipedia.org/wiki/Schismatic_temperament|Garibaldi temperament]] &lt;ref&gt;[http://x31eq.com/schismic.htm "Schismic Temperaments "], ''Intonation Information''.&lt;/ref&gt; , the [[http://en.wikipedia.org/wiki/Schismatic_temperament|miracle temperament]], &lt;ref&gt;[http://x31eq.com/decimal_lattice.htm "Lattices with Decimal Notation"], ''Intonation Information''.&lt;/ref&gt; the [[http://en.wikipedia.org/wiki/Magic_temperament|magic temperament]] and the valentine (41&amp;26) temperament. It is the second smallest equal temperament (after [[29edo]]) whose perfect fifth is closer to just intonation than that of 12-ET, and is the seventh [[http://www.research.att.com/%7Enjas/sequences/A117538|Zeta integral tuning]] after 31. The latter has to do with the fact that it can deal with the 11-limit fairly well, and the 13-limit perhaps close enough for government work, though its 13/10 is 14 cents sharp.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The //41 equal temperament//, often abbreviated 41-tET, 41-EDO, or 41-ET, is the scale derived by dividing the octave into 41 equally-sized steps. Each step represents a frequency ratio of 29.27 cents, an interval close in size to 64/63, the [[http://en.wikipedia.org/wiki/Septimal_comma|septimal comma]]. 41-ET can be seen as a tuning of the [[http://en.wikipedia.org/wiki/Schismatic_temperament|Garibaldi temperament]] &lt;ref&gt;[http://x31eq.com/schismic.htm "Schismic Temperaments "], ''Intonation Information''.&lt;/ref&gt; , the [[http://en.wikipedia.org/wiki/Schismatic_temperament|miracle temperament]], &lt;ref&gt;[http://x31eq.com/decimal_lattice.htm "Lattices with Decimal Notation"], ''Intonation Information''.&lt;/ref&gt; the [[http://en.wikipedia.org/wiki/Magic_temperament|magic temperament]] and the valentine (41&amp;26) temperament. It is the second smallest equal temperament (after [[29edo]]) whose perfect fifth is closer to just intonation than that of 12-ET, and is the seventh [[http://www.research.att.com/%7Enjas/sequences/A117538|Zeta integral tuning]] after 31. The latter has to do with the fact that it can deal with the 11-limit fairly well, and the 13-limit perhaps close enough for government work, though its 13/10 is 14 cents sharp.
==Harmonic Scale==
41edo is the first edo to do some justice to Mode 8 of the [[OverToneSeries|harmonic series]], which Dante Rosati calls the "[[overtone scales|Diatonic Harmonic Series Scale]]," consisting of overtones 8 through 16 (sometimes made to repeat at the octave).
|| Overtones in "Mode 8": || 8 || 9 || 10 || 11 || 12 || 13 || 14 || 15 || 16 ||
|| ...as JI Ratio from 1/1: || 1/1 || 9/8 || 5/4 || 11/8 || 3/2 || 13/8 || 7/4 || 15/8 || 2/1 ||
|| ...in cents: || 0 || 203.9 || 386.3 || 551.3 || 702.0 || 840.5 || 968.8 || 1088.3 || 1200.0 ||
|| Nearest degree of 41edo: || 0 || 7 || 13 || 19 || 24 || 29 || 33 || 37 || 41 ||
|| ...in cents: || 0 || 204.9 || 380.5 || 556.1 || 702.4 || 848.8 || 965.9 || 1082.9 || 1200.0 ||
While each overtone of Mode 8 is approximated within a reasonable degree of accuracy, the steps between the intervals are not uniquely represented. (41edo is, after all, a temperament.)
7\41 (7 degrees of 41edo) (203.9 cents) stands in for just ratio 9/8 (203.9 cents) -- a close match.
6\41 (175.6 cents) stands in for both 10/9 (182.4 cents) and 11/10 (165.0 cents).
5\41 (146.3 cents) stands in for both 12/11 (150.6 cents) and 13/12 (138.6 cents).
4\41 (117.1 cents) stands in for 14/13 (128.3 cents), 15/14 (119.4 cents), and 16/15 (111.7 cents).
The scale in 41, as adjacent steps, thus goes: 7 6 6 5 5 4 4 4.


==Nonoctave Temperaments==  
==Nonoctave Temperaments==  
Line 81: Line 99:
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;41edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The &lt;em&gt;41 equal temperament&lt;/em&gt;, often abbreviated 41-tET, 41-EDO, or 41-ET, is the scale derived by dividing the octave into 41 equally-sized steps. Each step represents a frequency ratio of 29.27 cents, an interval close in size to 64/63, the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_comma" rel="nofollow"&gt;septimal comma&lt;/a&gt;. 41-ET can be seen as a tuning of the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Schismatic_temperament" rel="nofollow"&gt;Garibaldi temperament&lt;/a&gt; &lt;!-- ws:start:WikiTextRefRule:1:&amp;amp;lt;ref&amp;amp;gt;[http://x31eq.com/schismic.htm &amp;amp;quot;Schismic Temperaments &amp;amp;quot;], ''Intonation Information''.&amp;amp;lt;/ref&amp;amp;gt; --&gt;&lt;sup id="cite_ref-1" class="reference"&gt;&lt;a href="#cite_note-1"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;!-- ws:end:WikiTextRefRule:1 --&gt; , the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Schismatic_temperament" rel="nofollow"&gt;miracle temperament&lt;/a&gt;, &lt;!-- ws:start:WikiTextRefRule:3:&amp;amp;lt;ref&amp;amp;gt;[http://x31eq.com/decimal_lattice.htm &amp;amp;quot;Lattices with Decimal Notation&amp;amp;quot;], ''Intonation Information''.&amp;amp;lt;/ref&amp;amp;gt; --&gt;&lt;sup id="cite_ref-2" class="reference"&gt;&lt;a href="#cite_note-2"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;!-- ws:end:WikiTextRefRule:3 --&gt; the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Magic_temperament" rel="nofollow"&gt;magic temperament&lt;/a&gt; and the valentine (41&amp;amp;26) temperament. It is the second smallest equal temperament (after &lt;a class="wiki_link" href="/29edo"&gt;29edo&lt;/a&gt;) whose perfect fifth is closer to just intonation than that of 12-ET, and is the seventh &lt;a class="wiki_link_ext" href="http://www.research.att.com/%7Enjas/sequences/A117538" rel="nofollow"&gt;Zeta integral tuning&lt;/a&gt; after 31. The latter has to do with the fact that it can deal with the 11-limit fairly well, and the 13-limit perhaps close enough for government work, though its 13/10 is 14 cents sharp.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;41edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The &lt;em&gt;41 equal temperament&lt;/em&gt;, often abbreviated 41-tET, 41-EDO, or 41-ET, is the scale derived by dividing the octave into 41 equally-sized steps. Each step represents a frequency ratio of 29.27 cents, an interval close in size to 64/63, the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_comma" rel="nofollow"&gt;septimal comma&lt;/a&gt;. 41-ET can be seen as a tuning of the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Schismatic_temperament" rel="nofollow"&gt;Garibaldi temperament&lt;/a&gt; &lt;!-- ws:start:WikiTextRefRule:1:&amp;amp;lt;ref&amp;amp;gt;[http://x31eq.com/schismic.htm &amp;amp;quot;Schismic Temperaments &amp;amp;quot;], ''Intonation Information''.&amp;amp;lt;/ref&amp;amp;gt; --&gt;&lt;sup id="cite_ref-1" class="reference"&gt;&lt;a href="#cite_note-1"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;!-- ws:end:WikiTextRefRule:1 --&gt; , the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Schismatic_temperament" rel="nofollow"&gt;miracle temperament&lt;/a&gt;, &lt;!-- ws:start:WikiTextRefRule:3:&amp;amp;lt;ref&amp;amp;gt;[http://x31eq.com/decimal_lattice.htm &amp;amp;quot;Lattices with Decimal Notation&amp;amp;quot;], ''Intonation Information''.&amp;amp;lt;/ref&amp;amp;gt; --&gt;&lt;sup id="cite_ref-2" class="reference"&gt;&lt;a href="#cite_note-2"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;!-- ws:end:WikiTextRefRule:3 --&gt; the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Magic_temperament" rel="nofollow"&gt;magic temperament&lt;/a&gt; and the valentine (41&amp;amp;26) temperament. It is the second smallest equal temperament (after &lt;a class="wiki_link" href="/29edo"&gt;29edo&lt;/a&gt;) whose perfect fifth is closer to just intonation than that of 12-ET, and is the seventh &lt;a class="wiki_link_ext" href="http://www.research.att.com/%7Enjas/sequences/A117538" rel="nofollow"&gt;Zeta integral tuning&lt;/a&gt; after 31. The latter has to do with the fact that it can deal with the 11-limit fairly well, and the 13-limit perhaps close enough for government work, though its 13/10 is 14 cents sharp.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Nonoctave Temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Nonoctave Temperaments&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Harmonic Scale"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Harmonic Scale&lt;/h2&gt;
41edo is the first edo to do some justice to Mode 8 of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;harmonic series&lt;/a&gt;, which Dante Rosati calls the &amp;quot;&lt;a class="wiki_link" href="/overtone%20scales"&gt;Diatonic Harmonic Series Scale&lt;/a&gt;,&amp;quot; consisting of overtones 8 through 16 (sometimes made to repeat at the octave).&lt;br /&gt;
&lt;br /&gt;
 
 
&lt;table class="wiki_table"&gt;
    &lt;tr&gt;
        &lt;td&gt;Overtones in &amp;quot;Mode 8&amp;quot;:&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;10&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;11&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;12&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;13&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;14&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;15&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;16&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;...as JI Ratio from 1/1:&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1/1&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;9/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;5/4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;11/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;3/2&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;13/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;7/4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;15/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;2/1&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;...in cents:&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;203.9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;386.3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;551.3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;702.0&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;840.5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;968.8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1088.3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1200.0&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Nearest degree of 41edo:&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;13&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;19&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;24&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;29&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;33&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;37&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;41&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;...in cents:&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;204.9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;380.5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;556.1&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;702.4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;848.8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;965.9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1082.9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1200.0&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;
 
&lt;br /&gt;
While each overtone of Mode 8 is approximated within a reasonable degree of accuracy, the steps between the intervals are not uniquely represented. (41edo is, after all, a temperament.)&lt;br /&gt;
&lt;br /&gt;
7\41 (7 degrees of 41edo) (203.9 cents) stands in for just ratio 9/8 (203.9 cents) -- a close match.&lt;br /&gt;
6\41 (175.6 cents) stands in for both 10/9 (182.4 cents) and 11/10 (165.0 cents).&lt;br /&gt;
5\41 (146.3 cents) stands in for both 12/11 (150.6 cents) and 13/12 (138.6 cents).&lt;br /&gt;
4\41 (117.1 cents) stands in for 14/13 (128.3 cents), 15/14 (119.4 cents), and 16/15 (111.7 cents).&lt;br /&gt;
&lt;br /&gt;
The scale in 41, as adjacent steps, thus goes: 7 6 6 5 5 4 4 4.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Nonoctave Temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Nonoctave Temperaments&lt;/h2&gt;
  Taking every third degree of 41edo produces a scale extremely close to &lt;a class="wiki_link" href="/88cET"&gt;88cET&lt;/a&gt; or 88-cent equal temperament (or the 8th root of 3:2). Likewise, taking every fifth degree produces a scale very close to the equal-tempered &lt;span class="wiki_link_new"&gt;&lt;a class="wiki_link" href="/BP"&gt;Bohlen-Pierce&lt;/a&gt;&lt;/span&gt;&lt;a class="wiki_link" href="/BP"&gt; Scale&lt;/a&gt; (or the 13th root of 3). See chart:&lt;br /&gt;
  Taking every third degree of 41edo produces a scale extremely close to &lt;a class="wiki_link" href="/88cET"&gt;88cET&lt;/a&gt; or 88-cent equal temperament (or the 8th root of 3:2). Likewise, taking every fifth degree produces a scale very close to the equal-tempered &lt;span class="wiki_link_new"&gt;&lt;a class="wiki_link" href="/BP"&gt;Bohlen-Pierce&lt;/a&gt;&lt;/span&gt;&lt;a class="wiki_link" href="/BP"&gt; Scale&lt;/a&gt; (or the 13th root of 3). See chart:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Line 1,035: Line 1,181:
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Links&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Links&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/41_equal_temperament" rel="nofollow"&gt;Wikipedia article on 41edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Magic22%20as%20srutis#magic22assrutis"&gt;Magic22 as srutis&lt;/a&gt; describes a possible use of 41edo for &lt;a class="wiki_link" href="/indian"&gt;indian&lt;/a&gt; music.&lt;/li&gt;&lt;li&gt;see also &lt;a class="wiki_link" href="/Magic%20family"&gt;Magic family&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextReferencesRule:1396: --&gt;&lt;hr class="references" /&gt;&lt;ol class="references"&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/41_equal_temperament" rel="nofollow"&gt;Wikipedia article on 41edo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Magic22%20as%20srutis#magic22assrutis"&gt;Magic22 as srutis&lt;/a&gt; describes a possible use of 41edo for &lt;a class="wiki_link" href="/indian"&gt;indian&lt;/a&gt; music.&lt;/li&gt;&lt;li&gt;see also &lt;a class="wiki_link" href="/Magic%20family"&gt;Magic family&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextReferencesRule:1574: --&gt;&lt;hr class="references" /&gt;&lt;ol class="references"&gt;
&lt;li id="cite_note-1"&gt;&lt;a href="#cite_ref-1"&gt;^&lt;/a&gt; [&lt;a class="wiki_link_ext" href="http://x31eq.com/schismic.htm" rel="nofollow"&gt;http://x31eq.com/schismic.htm&lt;/a&gt; &amp;quot;Schismic Temperaments &amp;quot;], ''Intonation Information''.&lt;/li&gt;
&lt;li id="cite_note-1"&gt;&lt;a href="#cite_ref-1"&gt;^&lt;/a&gt; [&lt;a class="wiki_link_ext" href="http://x31eq.com/schismic.htm" rel="nofollow"&gt;http://x31eq.com/schismic.htm&lt;/a&gt; &amp;quot;Schismic Temperaments &amp;quot;], ''Intonation Information''.&lt;/li&gt;
&lt;li id="cite_note-2"&gt;&lt;a href="#cite_ref-2"&gt;^&lt;/a&gt; [&lt;a class="wiki_link_ext" href="http://x31eq.com/decimal_lattice.htm" rel="nofollow"&gt;http://x31eq.com/decimal_lattice.htm&lt;/a&gt; &amp;quot;Lattices with Decimal Notation&amp;quot;], ''Intonation Information''.&lt;/li&gt;
&lt;li id="cite_note-2"&gt;&lt;a href="#cite_ref-2"&gt;^&lt;/a&gt; [&lt;a class="wiki_link_ext" href="http://x31eq.com/decimal_lattice.htm" rel="nofollow"&gt;http://x31eq.com/decimal_lattice.htm&lt;/a&gt; &amp;quot;Lattices with Decimal Notation&amp;quot;], ''Intonation Information''.&lt;/li&gt;
&lt;/ol&gt;&lt;!-- ws:end:WikiTextReferencesRule:1396 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;/ol&gt;&lt;!-- ws:end:WikiTextReferencesRule:1574 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>