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If one should be so bold as to treat the syntonic comma as a musical interval in its own right as opposed to tempering it out, one can easily use it in melodies as either an [[Wikipedia:Appoggiatura|appoggitura]], an [[Wikipedia:Acciaccatura|acciaccatura]], or a quick passing tone. Furthermore, it is also very easy to exploit in [[comma pump]] modulations, as among the [[Meantone comma pump examples|known examples]] of this kind of thing are familiar-sounding chord progressions. | If one should be so bold as to treat the syntonic comma as a musical interval in its own right as opposed to tempering it out, one can easily use it in melodies as either an [[Wikipedia:Appoggiatura|appoggitura]], an [[Wikipedia:Acciaccatura|acciaccatura]], or a quick passing tone. Furthermore, it is also very easy to exploit in [[comma pump]] modulations, as among the [[Meantone comma pump examples|known examples]] of this kind of thing are familiar-sounding chord progressions. | ||
According to [http://untwelve.org/interviews/golden.html this interview], Monroe Golden's ''Incongruity'' uses just-intonation chord progressions that exploit this comma. | According to [http://untwelve.org/interviews/golden.html this interview] {{dead link}}, Monroe Golden's ''Incongruity'' uses just-intonation chord progressions that exploit this comma. | ||
== Relations to other Superparticular Ratios == | == Relations to other Superparticular Ratios == | ||