Kite Guitar Scales: Difference between revisions

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=== The seven diatonic modes ===

Generalizing major and minor to 41edo is fairly straightforward. The dorian and locrian modes don't translate well. The other five ya modes are formed from this collection of notes:

<tt>

D ----- A ----- E ----- B

\ / \ / \ / \

^F ---- ^C ---- ^G ---- ^D~~ ~~</tt>Five of the seven za modes are formed from this collection:<tt>

^F ---- ^C ---- ^G ---- ^D

</tt>Five of the seven za modes are formed from this collection:

<tt>

------- ------- -------

\ / \ / \ / \

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vF \ / vC \ / vG \ / vD \

D ----- A ----- E ----- B

~~ ~~</tt>In both cases, the D is dual. But the two dorian scales and the two locrian scales are not from these lattices, and are not actually modes of the other scales.

</tt>In both cases, the D is dual. But the two dorian scales and the two locrian scales are not from these lattices, and are not actually modes of the other scales.

To be consistent, the two dorian scales should have a dual tonic. To avoid this, and to provide all six triads, there are ''two'' dual notes. Note that the 6th of the updorian scale can be downed. Note that this dual-ness affects the step sizes, and 7467-746 can become 7467-656. Thus the moves vary.

@@ Line 486: / Line 486: @@
 === The seven diatonic modes ===
 Generalizing major and minor to 41edo is fairly straightforward. The dorian and locrian modes don't translate well. The other five ya modes are formed from this collection of notes:
+<tt>
     D ----- A ----- E ----- B
      \     / \     / \     / \
       \   /   \   /   \   /   \
        \ /     \ /     \ /     \
-       ^F ---- ^C ---- ^G ---- ^D<br></tt>Five of the seven za modes are formed from this collection:<tt>
+       ^F ---- ^C ---- ^G ---- ^D
+</tt>Five of the seven za modes are formed from this collection:
+<tt>
      ------- ------- -------
      \     / \     / \     / \
@@ Line 496: / Line 499: @@
    vF  \ / vC  \ / vG  \ / vD  \
         D ----- A ----- E ----- B
-<br></tt>In both cases, the D is dual. But the two dorian scales and the two locrian scales are not from these lattices, and are not actually modes of the other scales.
+</tt>In both cases, the D is dual. But the two dorian scales and the two locrian scales are not from these lattices, and are not actually modes of the other scales.
 To be consistent, the two dorian scales should have a dual tonic. To avoid this, and to provide all six triads, there are ''two'' dual notes. Note that the 6th of the <u>up</u>dorian scale can be <u>downed</u>. Note that this dual-ness affects the step sizes, and 74<u>67</u>-<u>74</u>6 can become 74<u>67</u>-<u>65</u>6. Thus the moves vary.