27edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-05 04:35:09 UTC</tt>.

: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-05 04:57:20 UTC</tt>.

: The original revision id was <tt>~~234325322~~</tt>.

: The original revision id was <tt>234326678</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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Assuming however pure octaves, 27 has a fifth sharp by slightly more than nine cents and a 7/4 sharp by slightly less, and the same 400 cent major third as 12edo, sharp 13 2/3 cents. The result is that 6/5, 7/5 and especially 7/6 are all tuned more accurately than this.

27edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with 22edo tempering out ~~245/243 (~~allegedly a Bohlen-Pierce comma~~, yet hear it turns up anyway)~~ as well as 64/63, so that they both support superpyth temperament, with quite sharp "superpythagorean" fifths giving a sharp 9/7 in place of meantone's 5/4.

27edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with [[22edo]] tempering out the allegedly Bohlen-Pierce comma 245/243 as well as 64/63, so that they both support superpyth temperament, with quite sharp "superpythagorean" fifths giving a sharp 9/7 in place of meantone's 5/4.

Though the 7-limit tuning of 27edo is not highly accurate, it nonetheless is the smallest equal division to represent the 7 odd limit both consistently and distinctly--that is, everything in the 7-limit [[Diamonds|diamond]] is uniquely represented by a certain number of steps of 27 equal.

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Assuming however pure octaves, 27 has a fifth sharp by slightly more than nine cents and a 7/4 sharp by slightly less, and the same 400 cent major third as 12edo, sharp 13 2/3 cents. The result is that 6/5, 7/5 and especially 7/6 are all tuned more accurately than this.

27edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with 22edo tempering out ~~245/243 (~~allegedly a Bohlen-Pierce comma~~, yet hear it turns up anyway)~~ as well as 64/63, so that they both support superpyth temperament, with quite sharp &quot;superpythagorean&quot; fifths giving a sharp 9/7 in place of meantone's 5/4.

27edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with <a class="wiki_link" href="/22edo">22edo</a> tempering out the allegedly Bohlen-Pierce comma 245/243 as well as 64/63, so that they both support superpyth temperament, with quite sharp &quot;superpythagorean&quot; fifths giving a sharp 9/7 in place of meantone's 5/4.

Though the 7-limit tuning of 27edo is not highly accurate, it nonetheless is the smallest equal division to represent the 7 odd limit both consistently and distinctly--that is, everything in the 7-limit <a class="wiki_link" href="/Diamonds">diamond</a> is uniquely represented by a certain number of steps of 27 equal.

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-05 04:35:09 UTC</tt>.<br>
+: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-05 04:57:20 UTC</tt>.<br>
-: The original revision id was <tt>234325322</tt>.<br>
+: The original revision id was <tt>234326678</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 12: / Line 12: @@
 Assuming however pure octaves, 27 has a fifth sharp by slightly more than nine cents and a 7/4 sharp by slightly less, and the same 400 cent major third as 12edo, sharp 13 2/3 cents. The result is that 6/5, 7/5 and especially 7/6 are all tuned more accurately than this.
-edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with 22edo tempering out 245/243 (allegedly a Bohlen-Pierce comma, yet hear it turns up anyway) as well as 64/63, so that they both support superpyth temperament, with quite sharp "superpythagorean" fifths giving a sharp 9/7 in place of meantone's 5/4.
+edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with [[22edo]] tempering out the allegedly Bohlen-Pierce comma 245/243 as well as 64/63, so that they both support superpyth temperament, with quite sharp "superpythagorean" fifths giving a sharp 9/7 in place of meantone's 5/4.
 Though the 7-limit tuning of 27edo is not highly accurate, it nonetheless is the smallest equal division to represent the 7 odd limit both consistently and distinctly--that is, everything in the 7-limit [[Diamonds|diamond]] is uniquely represented by a certain number of steps of 27 equal.
@@ Line 74: / Line 74: @@
 Assuming however pure octaves, 27 has a fifth sharp by slightly more than nine cents and a 7/4 sharp by slightly less, and the same 400 cent major third as 12edo, sharp 13 2/3 cents. The result is that 6/5, 7/5 and especially 7/6 are all tuned more accurately than this.&lt;br /&gt;
 &lt;br /&gt;
-edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with 22edo tempering out 245/243 (allegedly a Bohlen-Pierce comma, yet hear it turns up anyway) as well as 64/63, so that they both support superpyth temperament, with quite sharp &amp;quot;superpythagorean&amp;quot; fifths giving a sharp 9/7 in place of meantone's 5/4. &lt;br /&gt;
+edo, with its 400 cent major third, tempers out the diesis of 128/125, and also the septimal comma, 64/63 (and hence 126/125 also.) These it shares with 12edo, making some relationships familiar, and as a consequence they both support augene temperament. It shares with &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; tempering out the allegedly Bohlen-Pierce comma 245/243 as well as 64/63, so that they both support superpyth temperament, with quite sharp &amp;quot;superpythagorean&amp;quot; fifths giving a sharp 9/7 in place of meantone's 5/4. &lt;br /&gt;
 &lt;br /&gt;
 Though the 7-limit tuning of 27edo is not highly accurate, it nonetheless is the smallest equal division to represent the 7 odd limit both consistently and distinctly--that is, everything in the 7-limit &lt;a class="wiki_link" href="/Diamonds"&gt;diamond&lt;/a&gt; is uniquely represented by a certain number of steps of 27 equal.&lt;br /&gt;