5L 3s: Difference between revisions
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'''5L 3s''' | '''5L 3s''' refers to the structure of octave-equivalent [[MOS]] scales with generators ranging from 2\5 (two degrees of [[5edo]] = 480¢) to 3\8 (three degrees of [[8edo]] = 450¢). In the case of 8edo, L and s are the same size; in the case of 5edo, s becomes so small it disappears (and all that remains are the five equal L's). | ||
5L 3s is a distorted diatonic, because it has one extra small step compared to diatonic ([[5L 2s]]): for example, the Ionian diatonic mode LLsLLLs can be distorted to the Dylathian oneirotonic mode LLsLLsLs. | |||
Any edo with an interval between 450¢ and 480¢ has | Any edo with an interval between 450¢ and 480¢ has a 5L 3s scale. [[13edo]] is the smallest edo with a (non-degenerate) 5L 3s oneirotonic scale and thus is the most commonly used 5L 3s tuning. | ||
5L 3s has a pentatonic MOS subset [[3L 2s]] (SLSLL), and in this context we call this the ''oneiro-pentatonic'' or oneiro[5]. When viewed as a chord (with undetermined voicing) we call it the Oneiro Core Pentad. (Note: [[3L 5s]] scales also have 3L 2s subsets.) | 5L 3s has a pentatonic MOS subset [[3L 2s]] (SLSLL), and in this context we call this the ''oneiro-pentatonic'' or oneiro[5]. When viewed as a chord (with undetermined voicing) we call it the Oneiro Core Pentad. (Note: [[3L 5s]] scales also have 3L 2s subsets.) | ||
== Names == | |||
The [[TAMNAMS]] system uses the name '''oneirotonic''' (/oʊnaɪrəˈtɒnɪk/ ''oh-ny-rə-TON-ik'' or /ənaɪrə-/ ''ə-ny-rə-'') or 'oneiro' for short. The name ''oneirotonic'' (from Greek ''oneiros'' 'dream') was coined by [[Cryptic Ruse]] after the Dreamlands in H.P. Lovecraft's Dream Cycle mythos. | |||
'Father' is sometimes also used, but it's a misnomer, as [[father]] is technically a temperament, not a generator range. A more correct way to say it would be 'father[8]' or 'father octatonic' | |||
== Notation== | == Notation== | ||
The notation used in this article is J Ultharian (LsLLsLsL) = JKLMNOPQJ, with reference pitch N = 261.6255653 Hz, unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".) Ultharian has been chosen as the default mode because we want to carry over the diatonic idea of sharpening the second-to-last degree to get the leading tone for minor keys and the sharpened "Vmaj", and we also have the "sharp V" for the oneiromajor tonality by default. | The notation used in this article is J Ultharian (LsLLsLsL) = JKLMNOPQJ, with reference pitch N = 261.6255653 Hz, unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".) Ultharian has been chosen as the default mode because we want to carry over the diatonic idea of sharpening the second-to-last degree to get the leading tone for minor keys and the sharpened "Vmaj", and we also have the "sharp V" for the oneiromajor tonality by default. |