7L 2s: Difference between revisions

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25edo also contains mavila, although the tuning is 672 cents and hence very flat, even flatter than 16edo. The major third is 384¢, close to a just [[5/4]] and the minor third is 288¢, close to a just [[13/11]].
25edo also contains mavila, although the tuning is 672 cents and hence very flat, even flatter than 16edo. The major third is 384¢, close to a just [[5/4]] and the minor third is 288¢, close to a just [[13/11]].
The fifths of mavila are very flat - 16edo (675.0 cents) and 23edo (678.3 cents) are typical tunings, and the optimal 5-limit tuning is 679.8 cents. As a result, mavila is best played with specialized timbres: either timbres with a lot of rolloff (such as marimba, sine waves, ocarina, etc), or timbres with detuned partials (such as Gamelan or Timbila instruments), etc.


Mavila defines a tuning "spectrum", similarly to the meantone spectrum. The fifth of 7edo (~686 cents) is often thought of as a dividing line between diatonic and mavila: if the fifth is flatter than this, it will generate anti-diatonic scales but ''not'' [[7L 2s]] superdiatonic scales (it will generate [[2L 7s]] instead), and if it is sharper than this, it will generate diatonic scales. The fifth of 9edo is also often thought of as the other tuning endpoint on the mavila spectrum.
Mavila defines a tuning "spectrum", similarly to the meantone spectrum. The fifth of 7edo (~686 cents) is often thought of as a dividing line between diatonic and mavila: if the fifth is flatter than this, it will generate anti-diatonic scales but ''not'' [[7L 2s]] superdiatonic scales (it will generate [[2L 7s]] instead), and if it is sharper than this, it will generate diatonic scales. The fifth of 9edo is also often thought of as the other tuning endpoint on the mavila spectrum.