7L 2s: Difference between revisions

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7-EDO can be thought of as a degenerate tuning, yielding a totally equal heptatonic scale that is equally diatonic and anti-diatonic.

The next EDO supporting Mavila is 9-EDO, which can be thought of as the first mavila EDO (and the first EDO in general) differentiating between ~~4:5:6~~ major and ~~10:12:15~~ minor chords. This is fairly interesting, as there is no real equivalent in meantone terms. It is larger than the "diatonic" sized MOS, but smaller than the 16-tone "chromatic" MOS. It is best thought of as a "superdiatonic" scale. The fifth is 667 cents.

The next EDO supporting Mavila is 9-EDO, which can be thought of as the first mavila EDO (and the first EDO in general) differentiating between major and minor chords. This is fairly interesting, as there is no real equivalent in meantone terms. It is larger than the "diatonic" sized MOS, but smaller than the 16-tone "chromatic" MOS. It is best thought of as a "superdiatonic" scale. The fifth is 667 cents.

It is also supported by 16-EDO, which is probably the most common tuning for mavila. This can be thought of as the first EDO offering the potential for chromatic mavila harmony, similar to 12-EDO for meantone. This is also the usual setting for the aforementioned Armodue theory, although the Armodue theory can easily be extended to larger mavila scales such as mavila[23]. The fifth is 675 cents.

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 -EDO can be thought of as a degenerate tuning, yielding a totally equal heptatonic scale that is equally diatonic and anti-diatonic.
-The next EDO supporting Mavila is 9-EDO, which can be thought of as the first mavila EDO (and the first EDO in general) differentiating between 4:5:6 major and 10:12:15 minor chords. This is fairly interesting, as there is no real equivalent in meantone terms. It is larger than the "diatonic" sized MOS, but smaller than the 16-tone "chromatic" MOS. It is best thought of as a "superdiatonic" scale. The fifth is 667 cents.
+The next EDO supporting Mavila is 9-EDO, which can be thought of as the first mavila EDO (and the first EDO in general) differentiating between major and minor chords. This is fairly interesting, as there is no real equivalent in meantone terms. It is larger than the "diatonic" sized MOS, but smaller than the 16-tone "chromatic" MOS. It is best thought of as a "superdiatonic" scale. The fifth is 667 cents.
 It is also supported by 16-EDO, which is probably the most common tuning for mavila. This can be thought of as the first EDO offering the potential for chromatic mavila harmony, similar to 12-EDO for meantone. This is also the usual setting for the aforementioned Armodue theory, although the Armodue theory can easily be extended to larger mavila scales such as mavila[23]. The fifth is 675 cents.