5L 3s: Difference between revisions
m →Tuning ranges: removed most references to oneiro temperaments |
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Hypohard oneirotonic tunings (with generator between 5\13 and 7\18) have step ratios between 2/1 and 3/1. | Hypohard oneirotonic tunings (with generator between 5\13 and 7\18) have step ratios between 2/1 and 3/1. | ||
Hypohard oneirotonic can be considered "meantone oneirotonic". This is because | Hypohard oneirotonic can be considered "meantone oneirotonic". This is because these tunings share the following features with [[meantone]] diatonic tunings: | ||
* The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). Thus | * The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). Thus these tunings can be viewed as tempering out [[81/80]] like meantone does. | ||
* The major mosthird (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third. | * The major mosthird (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third. | ||
EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]]. | EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]]. | ||
* 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all | * 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all hypohard tunings. | ||
* 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | * 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | ||
* 31edo is very close to the 2.9.5.21 POTE tuning, and can be used to make the major mos3rd a near-just 5/4. | * 31edo is very close to the 2.9.5.21 POTE tuning, and can be used to make the major mos3rd a near-just 5/4. | ||
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=== Hyposoft === | === Hyposoft === |