5L 3s: Difference between revisions
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== | == Tuning ranges == | ||
=== | === Hypohard === | ||
Hypohard oneirotonic tunings (with generator between 5\13 and 7\18) have step ratios between 2/1 and 3/1. | |||
Hypohard oneirotonic can be considered "meantone oneirotonic". This is because A-Team tunings share the following features with [[meantone]] diatonic tunings: | |||
* The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). Thus A-Team tempers out [[81/80]] like meantone does. | * The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). Thus A-Team tempers out [[81/80]] like meantone does. | ||
* The major mosthird (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third. | * The major mosthird (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third. | ||
EDOs that | EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]]. | ||
* 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all A-team tunings. | * 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all A-team tunings. | ||
* 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | * 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | ||
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* [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8. | * [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8. | ||
The sizes of the generator, large step and small step of oneirotonic are as follows in various | The sizes of the generator, large step and small step of oneirotonic are as follows in various hypohard oneiro tunings. | ||
{| class="wikitable right-2 right-3 right-4 right-5" | {| class="wikitable right-2 right-3 right-4 right-5" | ||
|- | |- | ||
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Trivia: A-Team can be tuned by ear, by tuning a chain of pure harmonic sevenths and taking every other note. This corresponds to using a generator of 64/49 = 462.34819 cents. A chain of fourteen 7/4's are needed to tune the 8-note oneirotonic MOS. This produces a tuning close to 13edo. | Trivia: A-Team can be tuned by ear, by tuning a chain of pure harmonic sevenths and taking every other note. This corresponds to using a generator of 64/49 = 462.34819 cents. A chain of fourteen 7/4's are needed to tune the 8-note oneirotonic MOS. This produces a tuning close to 13edo. | ||
=== | === Hyposoft === | ||
Hyposoft oneirotonic tunings (with generator between 8\21 and 5\13) have less extreme step ratios than A-Team tunings, between 3/2 and 2/1. The 8\21-to-5\13 range of oneirotonic tunings remains relatively unexplored. In these tunings, | |||
* the large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92¢ to 114¢. | * the large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92¢ to 114¢. | ||
* The major mosthird (made of two large steps) in these tunings tends to be more of a neutral third, ranging from 6\21 (342¢) to 4\13 (369¢) | * The major mosthird (made of two large steps) in these tunings tends to be more of a neutral third, ranging from 6\21 (342¢) to 4\13 (369¢). | ||
* [[21edo]]'s P1-M2-M3-M5 (in oneiro interval classes) approximates 9:10:11:13 better than the corresponding 13edo chord does. 21edo will serve those who like the combination of neogothic minor thirds (285.71¢) and Baroque diatonic semitones (114.29¢, close to quarter-comma meantone's 117.11¢). | |||
* [[34edo]] is close to optimal for [[5L 3s#Petrtri|petrtri]] temperament, with a generator only 0.33¢ flat of the 2.5.9.11.13.17 [[POTE]] petrtri generator of 459.1502¢ and 0.73¢ sharp of the 2.9/5.11/5.13/5 POTE (i.e. optimal for the chord 9:10:11:13, spelled as R-M2-M3-M5 in oneirotonic intervals) petrtri generator of 458.0950¢. | |||
* [[34edo]] is close to optimal for | |||
* If you only care about optimizing 9:10:11:13, then [[55edo]]'s 21\55 (458.182¢) is even better, but 55 is a bit big for a usable edo. | * If you only care about optimizing 9:10:11:13, then [[55edo]]'s 21\55 (458.182¢) is even better, but 55 is a bit big for a usable edo. | ||
The sizes of the generator, large step and small step of oneirotonic are as follows in various | The sizes of the generator, large step and small step of oneirotonic are as follows in various hyposoft oneiro tunings. | ||
{| class="wikitable right-2 right-3 right-4 right-5" | {| class="wikitable right-2 right-3 right-4 right-5" | ||
|- | |- | ||
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|} | |} | ||
=== | === Softer-than-soft tunings === | ||
Oneirotonic tunings of step ratio between 6/5 and 3/2 equates three oneirotonic large steps to a diatonic perfect fourth, i.e. equates the oneirotonic large step to a [[porcupine]] generator. [This identification may come in handy since many altered oneirotonic modes have three consecutive large steps.] | |||
The sizes of the generator, large step and small step of oneirotonic are as follows in various parahard tunings. | |||
The sizes of the generator, large step and small step of oneirotonic are as follows in various | |||
{| class="wikitable right-2 right-3 right-4 right-5" | {| class="wikitable right-2 right-3 right-4 right-5" | ||
|- | |- | ||
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! [[29edo]] | ! [[29edo]] | ||
! [[37edo]] | ! [[37edo]] | ||
! | ! [[45edo]] | ||
! JI intervals represented | ! JI intervals represented | ||
|- | |- | ||
| generator (g) | | generator (g) | ||
| Line 579: | Line 573: | ||
| 11\29, 455.17 | | 11\29, 455.17 | ||
| 14\37, 454.05 | | 14\37, 454.05 | ||
| | | 17\45, 453.33 | ||
| 13/10 | | 13/10 | ||
|- | |- | ||
| Line 586: | Line 580: | ||
| 4\29, 165.52 | | 4\29, 165.52 | ||
| 5\37, 162.16 | | 5\37, 162.16 | ||
| | | 6\45, 160.00 | ||
| 11/10 | | 11/10 | ||
|- | |- | ||
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| 3\29, 124.14 | | 3\29, 124.14 | ||
| 4\37, 129.73 | | 4\37, 129.73 | ||
| | | 5\45, 133.33 | ||
| 14/13 | | 15/14 to 14/13 | ||
|} | |} | ||
=== Buzzard | === Buzzard === | ||
In the broad sense, Buzzard can be viewed as any tuning that divides the 3rd harmonic into 4 equal parts. [[23edo]], [[28edo]] and [[33edo]] can nominally be viewed as supporting it, but are still very flat and in an ambiguous zone between A-Team and true Buzzard in terms of harmonies. [[38edo]] & [[43edo]] are good compromises between melodic utility and harmonic accuracy, as the small step is still large enough to be obvious to the untrained ear, but [[48edo]] is where it really comes into it's own in terms of harmonies, providing not only an excellent [[3/2]], but also [[7/4]] and [[The_Archipelago|archipelago]] harmonies, as by dividing the 5th in 4 it obviously also divides it in two as well. | Buzzard is an oneirotonic temperament in the ultrahard-to-[[Step ratio|pseudopaucitonic]] range. | ||
In the broad sense, [[Buzzard]] can be viewed as any tuning that divides the 3rd harmonic into 4 equal parts. [[23edo]], [[28edo]] and [[33edo]] can nominally be viewed as supporting it, but are still very flat and in an ambiguous zone between A-Team and true Buzzard in terms of harmonies. [[38edo]] & [[43edo]] are good compromises between melodic utility and harmonic accuracy, as the small step is still large enough to be obvious to the untrained ear, but [[48edo]] is where it really comes into it's own in terms of harmonies, providing not only an excellent [[3/2]], but also [[7/4]] and [[The_Archipelago|archipelago]] harmonies, as by dividing the 5th in 4 it obviously also divides it in two as well. | |||
Beyond that, it's a question of which intervals you want to favor. [[53edo]] has an essentially perfect [[3/2]], [[58edo]] gives the lowest overall error for the Barbados triads 10:13:15 and 26:30:39, while [[63edo]] does the same for the basic 4:6:7 triad. You could in theory go up to [[83edo]] if you want to favor the [[7/4]] above everything else, but beyond that, general accuracy drops off rapidly and you might as well be playing equal pentatonic. | Beyond that, it's a question of which intervals you want to favor. [[53edo]] has an essentially perfect [[3/2]], [[58edo]] gives the lowest overall error for the Barbados triads 10:13:15 and 26:30:39, while [[63edo]] does the same for the basic 4:6:7 triad. You could in theory go up to [[83edo]] if you want to favor the [[7/4]] above everything else, but beyond that, general accuracy drops off rapidly and you might as well be playing equal pentatonic. | ||