5L 3s: Difference between revisions

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m reverting these changes for now; may rewrite this article to use less RTT language
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== Tuning ranges ==
== Tuning ranges ==
=== A-Team (13&18) ===
=== Hypohard ===
A-Team tunings (with generator between 5\13 and 7\18) have step ratios between 2/1 and 3/1.  
Hypohard oneirotonic tunings (with generator between 5\13 and 7\18) have step ratios between 2/1 and 3/1.  


A short definition of A-Team is "meantone oneirotonic". This is because A-Team tunings share the following features with [[meantone]] diatonic tunings:  
Hypohard oneirotonic can be considered "meantone oneirotonic". This is because A-Team tunings share the following features with [[meantone]] diatonic tunings:  
* The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). Thus A-Team tempers out [[81/80]] like meantone does.
* The large step is a "meantone", somewhere between near-10/9 (as in [[13edo]]) and near-9/8 (as in [[18edo]]). Thus A-Team tempers out [[81/80]] like meantone does.
* The major mosthird (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third.
* The major mosthird (made of two large steps) is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third.


EDOs that support A-Team include [[13edo]], [[18edo]], and [[31edo]].
EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]].
* 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all A-team tunings.
* 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all A-team tunings.
* 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
* 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
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* [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8.
* [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8.


The sizes of the generator, large step and small step of oneirotonic are as follows in various A-Team tunings.  
The sizes of the generator, large step and small step of oneirotonic are as follows in various hypohard oneiro tunings.  
{| class="wikitable right-2 right-3 right-4 right-5"
{| class="wikitable right-2 right-3 right-4 right-5"
|-
|-
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Trivia: A-Team can be tuned by ear, by tuning a chain of pure harmonic sevenths and taking every other note. This corresponds to using a generator of 64/49 = 462.34819 cents. A chain of fourteen 7/4's are needed to tune the 8-note oneirotonic MOS. This produces a tuning close to 13edo.
Trivia: A-Team can be tuned by ear, by tuning a chain of pure harmonic sevenths and taking every other note. This corresponds to using a generator of 64/49 = 462.34819 cents. A chain of fourteen 7/4's are needed to tune the 8-note oneirotonic MOS. This produces a tuning close to 13edo.


=== Petrtri (13&21) ===
=== Hyposoft ===
Petrtri tunings (with generator between 8\21 and 5\13) have less extreme step ratios than A-Team tunings, between 3/2 and 2/1. The 8\21-to-5\13 range of oneirotonic tunings remains relatively unexplored. In these tunings,  
Hyposoft oneirotonic tunings (with generator between 8\21 and 5\13) have less extreme step ratios than A-Team tunings, between 3/2 and 2/1. The 8\21-to-5\13 range of oneirotonic tunings remains relatively unexplored. In these tunings,  
* the large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92¢ to 114¢.
* the large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92¢ to 114¢.
* The major mosthird (made of two large steps) in these tunings tends to be more of a neutral third, ranging from 6\21 (342¢) to 4\13 (369¢), and the temperament interprets it as both [[11/9]] and [[16/13]].
* The major mosthird (made of two large steps) in these tunings tends to be more of a neutral third, ranging from 6\21 (342¢) to 4\13 (369¢).


The three major edos in this range, [[13edo]], [[21edo]] and [[34edo]], all nominally support petrtri.
* [[21edo]]'s P1-M2-M3-M5 (in oneiro interval classes) approximates 9:10:11:13 better than the corresponding 13edo chord does. 21edo will serve those who like the combination of neogothic minor thirds (285.71¢) and Baroque diatonic semitones (114.29¢, close to quarter-comma meantone's 117.11¢).
* [[13edo]] nominally supports it, but its approximation of 9:10:11:13 is quite weak and tempers 11/9 to a 369¢ submajor third, which may not be desirable.
* [[34edo]] is close to optimal for [[5L 3s#Petrtri|petrtri]] temperament, with a generator only 0.33¢ flat of the 2.5.9.11.13.17 [[POTE]] petrtri generator of 459.1502¢ and 0.73¢ sharp of the 2.9/5.11/5.13/5 POTE (i.e. optimal for the chord 9:10:11:13, spelled as R-M2-M3-M5 in oneirotonic intervals) petrtri generator of 458.0950¢.
* [[21edo]] is a much better petrtri tuning than 13edo, in terms of approximating 9:10:11:13. 21edo will serve those who like the combination of neogothic minor thirds (285.71¢) and Baroque diatonic semitones (114.29¢, close to quarter-comma meantone's 117.11¢).
* [[34edo]] is close to optimal for the temperament, with a generator only 0.33¢ flat of the 2.5.9.11.13.17 [[POTE]] petrtri generator of 459.1502¢ and 0.73¢ sharp of the 2.9/5.11/5.13/5 POTE (i.e. optimal for the chord 9:10:11:13, spelled as R-M2-M3-M5 in oneirotonic intervals) petrtri generator of 458.0950¢.
* If you only care about optimizing 9:10:11:13, then [[55edo]]'s 21\55 (458.182¢) is even better, but 55 is a bit big for a usable edo.
* If you only care about optimizing 9:10:11:13, then [[55edo]]'s 21\55 (458.182¢) is even better, but 55 is a bit big for a usable edo.


The sizes of the generator, large step and small step of oneirotonic are as follows in various petrtri tunings.
The sizes of the generator, large step and small step of oneirotonic are as follows in various hyposoft oneiro tunings.
{| class="wikitable right-2 right-3 right-4 right-5"
{| class="wikitable right-2 right-3 right-4 right-5"
|-
|-
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|}
|}


=== Tridec (29&37) ===
=== Softer-than-soft tunings ===
In the broad sense, Tridec can be viewed as any oneirotonic tuning that equates three oneirotonic large steps to a [[4/3]] perfect fourth, i.e. equates the oneirotonic large step to a [[porcupine]] generator. [This identification may come in handy since many altered oneirotonic modes have three consecutive large steps.] Based on the JI interpretations of the [[29edo]] and [[37edo]] tunings, it can in fact be viewed as a 2.3.7/5.11/5.13/5 temperament, i.e. a [[Non-over-1 temperament|non-over-1 temperament]] that approximates the chord 5:7:11:13:15. Since it is the same as Petrtri when you only care about the 9:10:11:13 (R-M2-M3-M5), it can be regarded as a flatter variant of Petrtri (analogous to how septimal meantone and flattone are the same when you only consider how it maps 8:9:10:12).
Oneirotonic tunings of step ratio between 6/5 and 3/2 equates three oneirotonic large steps to a diatonic perfect fourth, i.e. equates the oneirotonic large step to a [[porcupine]] generator. [This identification may come in handy since many altered oneirotonic modes have three consecutive large steps.]


The optimal generator is 455.2178¢, which is very close to 29edo's 11\29 (455.17¢), but we could accept any generator between 17\45 (453.33¢) and 8\21 (457.14¢), if we stipulate that the 3/2 has to be between [[7edo]]'s fifth and [[5edo]]'s fifth.
The sizes of the generator, large step and small step of oneirotonic are as follows in various parahard tunings.
 
Based on the EDOs that support it, Tridec is essentially the same as 13-limit [[Ammonite]].
 
The sizes of the generator, large step and small step of oneirotonic are as follows in various tridec tunings.
{| class="wikitable right-2 right-3 right-4 right-5"
{| class="wikitable right-2 right-3 right-4 right-5"
|-
|-
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! [[29edo]]
! [[29edo]]
! [[37edo]]
! [[37edo]]
! Optimal ([[POTE]]) tuning
! [[45edo]]
! JI intervals represented (2.3.7/5.11/5.13/5 subgroup)
! JI intervals represented
|-
|-
| generator (g)
| generator (g)
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| 11\29, 455.17
| 11\29, 455.17
| 14\37, 454.05
| 14\37, 454.05
| 455.22
| 17\45, 453.33
| 13/10
| 13/10
|-
|-
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| 4\29, 165.52
| 4\29, 165.52
| 5\37, 162.16
| 5\37, 162.16
| 165.65
| 6\45, 160.00
| 11/10
| 11/10
|-
|-
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| 3\29, 124.14
| 3\29, 124.14
| 4\37, 129.73
| 4\37, 129.73
| 123.91
| 5\45, 133.33
| 14/13, 15/14
| 15/14 to 14/13
|}
|}


=== Buzzard (48&53) ===
=== Buzzard ===
In the broad sense, Buzzard can be viewed as any tuning that divides the 3rd harmonic into 4 equal parts. [[23edo]], [[28edo]] and [[33edo]] can nominally be viewed as supporting it, but are still very flat and in an ambiguous zone between A-Team and true Buzzard in terms of harmonies. [[38edo]] & [[43edo]] are good compromises between melodic utility and harmonic accuracy, as the small step is still large enough to be obvious to the untrained ear, but [[48edo]] is where it really comes into it's own in terms of harmonies, providing not only an excellent [[3/2]], but also [[7/4]] and [[The_Archipelago|archipelago]] harmonies, as by dividing the 5th in 4 it obviously also divides it in two as well.  
Buzzard is an oneirotonic temperament in the ultrahard-to-[[Step ratio|pseudopaucitonic]] range.
 
In the broad sense, [[Buzzard]] can be viewed as any tuning that divides the 3rd harmonic into 4 equal parts. [[23edo]], [[28edo]] and [[33edo]] can nominally be viewed as supporting it, but are still very flat and in an ambiguous zone between A-Team and true Buzzard in terms of harmonies. [[38edo]] & [[43edo]] are good compromises between melodic utility and harmonic accuracy, as the small step is still large enough to be obvious to the untrained ear, but [[48edo]] is where it really comes into it's own in terms of harmonies, providing not only an excellent [[3/2]], but also [[7/4]] and [[The_Archipelago|archipelago]] harmonies, as by dividing the 5th in 4 it obviously also divides it in two as well.  


Beyond that, it's a question of which intervals you want to favor. [[53edo]] has an essentially perfect [[3/2]], [[58edo]] gives the lowest overall error for the Barbados triads 10:13:15 and 26:30:39, while [[63edo]] does the same for the basic 4:6:7 triad. You could in theory go up to [[83edo]] if you want to favor the [[7/4]] above everything else, but beyond that, general accuracy drops off rapidly and you might as well be playing equal pentatonic.
Beyond that, it's a question of which intervals you want to favor. [[53edo]] has an essentially perfect [[3/2]], [[58edo]] gives the lowest overall error for the Barbados triads 10:13:15 and 26:30:39, while [[63edo]] does the same for the basic 4:6:7 triad. You could in theory go up to [[83edo]] if you want to favor the [[7/4]] above everything else, but beyond that, general accuracy drops off rapidly and you might as well be playing equal pentatonic.