2edo: Difference between revisions

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If one attempts to use '''2edo''' as an actual scale, it would divide the octave into two equal parts, each of size 600 cents, which is to say sqrt(2) as a frequency ratio. The harmony that is found in 2edo can be said to revolve around Tonic-Antitonic contrast, with the note at 600 cents away from the Tonic having a function akin to 12edo's diminished fifth.

If one attempts to use '''2edo''' as an actual scale, it would divide the octave into two equal parts, each of size 600 cents, which is to say sqrt(2) as a frequency ratio. The harmony that is found in 2edo can be said to revolve around Tonic-Antitonic contrast, with the note at 600 cents away from the Tonic having a function akin to 12edo's diminished fifth, though this can also used to give a skeletonized version of the 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents.

~~If we want~~ to ~~consider it to be a temperament~~, it tempers out [[9/8]], meaning that it supports [[Very low accuracy temperaments#Antitonic|antitonic]]- a temperament named based on the functionality of the 600 cent interval relative to the Tonic. In fact, it even supports both the 7-limit and 11-limit extensions of antitonic as it also tempers out both [[15/14]] and [[12/11]] respectively. However, the significance of 9/8 in particular being less than half the size of a single step should not be underestimated, as because of this, 2edo is the first EDO to demonstrate 3-to-2 [[telicity]]. It represents the [[3-limit]] [[consistent]]ly~~, and it can be used to give a skeletonized version of~~ the ~~3-limit music such~~ as ~~was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping~~ 81/64 to the unison~~, and if we do~~ the ~~same for 5~~/4 we end up with the val <2 3 4| (2c mapping). This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.

The mapping of both [[3/2]] and [[4/3]] to the unison, as happens in the patent val, means that 2edo tempers out [[9/8]], meaning that it supports [[Very low accuracy temperaments#Antitonic|antitonic]]- a temperament named based on the functionality of the 600 cent interval relative to the Tonic. In fact, it even supports both the 7-limit and 11-limit extensions of antitonic as it also tempers out both [[15/14]] and [[12/11]] respectively. However, the significance of 9/8 in particular being less than half the size of a single step should not be underestimated, as because of this, 2edo is the first EDO to demonstrate 3-to-2 [[telicity]]. Given this, it's no surprise that 2edo represents the [[3-limit]] [[consistent]]ly. If we treat [[5/4]] the same way as [[81/64]]- which is mapped to the unison courtesy of the tempering of 9/8- we end up with the val <2 3 4| (2c mapping). This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.

== Factoids about 2EDO ==

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-If one attempts to use '''2edo''' as an actual scale, it would divide the octave into two equal parts, each of size 600 cents, which is to say sqrt(2) as a frequency ratio.  The harmony that is found in 2edo can be said to revolve around Tonic-Antitonic contrast, with the note at 600 cents away from the Tonic having a function akin to 12edo's diminished fifth.
+If one attempts to use '''2edo''' as an actual scale, it would divide the octave into two equal parts, each of size 600 cents, which is to say sqrt(2) as a frequency ratio.  The harmony that is found in 2edo can be said to revolve around Tonic-Antitonic contrast, with the note at 600 cents away from the Tonic having a function akin to 12edo's diminished fifth, though this can also used to give a skeletonized version of the 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents.
-If we want to consider it to be a temperament, it tempers out [[9/8]], meaning that it supports [[Very low accuracy temperaments#Antitonic|antitonic]]- a temperament named based on the functionality of the 600 cent interval relative to the Tonic.  In fact, it even supports both the 7-limit and 11-limit extensions of antitonic as it also tempers out both [[15/14]] and [[12/11]] respectively.  However, the significance of 9/8 in particular being less than half the size of a single step should not be underestimated, as because of this, 2edo is the first EDO to demonstrate 3-to-2 [[telicity]].  It represents the [[3-limit]] [[consistent]]ly, and it can be used to give a skeletonized version of the 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val &lt;2 3 4| (2c mapping). This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.
+The mapping of both [[3/2]] and [[4/3]] to the unison, as happens in the patent val, means that 2edo tempers out [[9/8]], meaning that it supports [[Very low accuracy temperaments#Antitonic|antitonic]]- a temperament named based on the functionality of the 600 cent interval relative to the Tonic.  In fact, it even supports both the 7-limit and 11-limit extensions of antitonic as it also tempers out both [[15/14]] and [[12/11]] respectively.  However, the significance of 9/8 in particular being less than half the size of a single step should not be underestimated, as because of this, 2edo is the first EDO to demonstrate 3-to-2 [[telicity]].  Given this, it's no surprise that 2edo represents the [[3-limit]] [[consistent]]ly.  If we treat [[5/4]] the same way as [[81/64]]- which is mapped to the unison courtesy of the tempering of 9/8- we end up with the val &lt;2 3 4| (2c mapping). This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.
 == Factoids about 2EDO ==