5L 3s: Difference between revisions

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EDOs that support A-Team include [[13edo]], [[18edo]], and [[31edo]].

* 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all A-team tunings.

* 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.

* 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.

* 31edo is very close to the 2.9.5.21 POTE tuning, and can be used to make the major mos3rd a near-just 5/4.

* [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8.

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 EDOs that support A-Team include [[13edo]], [[18edo]], and [[31edo]].
 * 13edo has characteristically small major mosseconds of about 185c. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all A-team tunings.
-* 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
+* 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3c, a perfect mossixth) and falling fifths (666.7c, a major mosfifth) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry.
 * 31edo is very close to the 2.9.5.21 POTE tuning, and can be used to make the major mos3rd a near-just 5/4.
 * [[44edo]] (generator 17\44 = 463.64¢), [[57edo]] (generator 22\57 = 463.16¢), and [[70edo]] (generator 27\70 = 462.857¢) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8.