19edo: Difference between revisions
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
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=Theory= | =Theory= | ||
In music, **19 equal temperament**, called 19-TET, 19-[[xenharmonic/EDO|EDO]], or 19-ET, is the scale derived by dividing the [[xenharmonic/octave|octave]] into 19 [[xenharmonic/equal|equal]]ly large steps. Each | In music, **19 equal temperament**, called 19-TET, 19-[[xenharmonic/EDO|EDO]], or 19-ET, is the scale derived by dividing the [[xenharmonic/octave|octave]] into 19 [[xenharmonic/equal|equal]]ly large steps. Each step represents a frequency ratio of the 19th root of 2, or 63.16 [[xenharmonic/cent|cents]]. It is the 8th [[xenharmonic/prime numbers|prime]] edo, following [[xenharmonic/17edo|17edo]] and coming before [[xenharmonic/23edo|23edo]]. | ||
Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson [[Seigneur Dieu ta pitié]] of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed [[xenharmonic/1-3 Syntonic Comma Meantone|1/3-comma meantone]], in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to | Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson [[Seigneur Dieu ta pitié]] of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed [[xenharmonic/1-3 Syntonic Comma Meantone|1/3-comma meantone]], in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to close by less than a cent, so that his suggestion is effectively 19-et. In the nineteenth century mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as [[xenharmonic/50edo|50 equal temperament]] ([[http://sonic-arts.org/monzo/woolhouse/essay.htm|summary of Woolhouse's essay]]). | ||
==As an approximation of other temperaments== | ==As an approximation of other temperaments== | ||
The most salient characteristic of 19-et is that, having an almost just minor third and perfect fifths and major thirds about seven cents narrow, it serves as a good tuning for [[xenharmonic/Meantone family|meantone]] temperament. It is also a suitable for [[xenharmonic/Regular Temperaments#magic|magic/muggles]] temperament, because five of its major thirds are equivalent to one of its //twelfths.// For both of these there are more optimal tunings: the fifth of 19-et is flatter than the usual for meantone, and a more accurate approximation is [[xenharmonic/31edo|31 equal temperament]]. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; [[xenharmonic/41edo|41 equal temperament]] more closely | The most salient characteristic of 19-et is that, having an almost just minor third and perfect fifths and major thirds about seven cents narrow, it serves as a good tuning for [[xenharmonic/Meantone family|meantone]] temperament. It is also a suitable for [[xenharmonic/Regular Temperaments#magic|magic/muggles]] temperament, because five of its major thirds are equivalent to one of its //twelfths.// For both of these there are more optimal tunings: the fifth of 19-et is flatter than the usual for meantone, and a more accurate approximation is [[xenharmonic/31edo|31 equal temperament]]. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; [[xenharmonic/41edo|41 equal temperament]] more closely matches it. It does make for a good tuning for muggles, which in 19et is the same as magic. | ||
However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with [[xenharmonic/Harmonic Limit|5-limit]] music in a tolerable manner, and is the fifth (after 12) [[xenharmonic/The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta integral edo]]. It is less successful with [[xenharmonic/7-limit|7-limit]] (but still better than 12-et), as it eliminates the distinction between a septimal minor third ([[xenharmonic/7_6|7/6]]), and a septimal whole tone ([[xenharmonic/8_7|8/7]]). 19-EDO also has the advantage of being excellent for negri, keemun, godzilla, magic/muggles and triton/liese, and fairly decent for sensi. Keemun and Negri are of particular note for being very simple 7-limit temperaments, with their MOS scales in 19-EDO offering a great abundance of septimal tetrads. The [[xenharmonic/Graham complexity|Graham complexity]] of a 7-limit tetrad is 6 for keemun, 7 for negri, 8 for godzilla, 10 for meantone/flattone, 11 for triton, 12 for magic/muggles and 13 for sensi. | However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with [[xenharmonic/Harmonic Limit|5-limit]] music in a tolerable manner, and is the fifth (after 12) [[xenharmonic/The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta integral edo]]. It is less successful with [[xenharmonic/7-limit|7-limit]] (but still better than 12-et), as it eliminates the distinction between a septimal minor third ([[xenharmonic/7_6|7/6]]), and a septimal whole tone ([[xenharmonic/8_7|8/7]]). 19-EDO also has the advantage of being excellent for negri, keemun, godzilla, magic/muggles and triton/liese, and fairly decent for sensi. Keemun and Negri are of particular note for being very simple 7-limit temperaments, with their MOS scales in 19-EDO offering a great abundance of septimal tetrads. The [[xenharmonic/Graham complexity|Graham complexity]] of a 7-limit tetrad is 6 for keemun, 7 for negri, 8 for godzilla, 10 for meantone/flattone, 11 for triton, 12 for magic/muggles and 13 for sensi. | ||
Being a zeta integral tuning, the 13-limit is represented relatively well, and practically [[19edo|19-edo]] can be used //adaptively// on instruments which are allowing you to bend notes up: by different amounts, the 3rd, 5th, 7th and 13th harmonics are all tuned flat. The same cannot be said of 12edo, in which the 5th, 7th and 11th are - not only farther than they are in 19, but fairly sharp already. | Being a zeta integral tuning, the 13-limit is represented relatively well, and practically [[19edo|19-edo]] can be used //adaptively// on instruments which are allowing you to bend notes up: by different amounts, the 3rd, 5th, 7th and 13th harmonics are all tuned flat. The same cannot be said of 12edo, in which the 5th, 7th and 11th are - not only farther than they are in 19, but fairly sharp already. | ||
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**[[http://micro.soonlabel.com/19-ET/|XA 19-ET Index]]** | **[[http://micro.soonlabel.com/19-ET/|XA 19-ET Index]]** | ||
<span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://www.akjmusic.com/audio/juggler.mp3|The Juggler]]//</span></span></span></span> </span>by [[xenharmonic/Aaron Krister Johnson|Aaron Krister Johnson]] | <span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://www.akjmusic.com/audio/juggler.mp3|The Juggler]]////</span></span></span></span> </span>by [[xenharmonic/Aaron Krister Johnson|Aaron Krister Johnson]] | ||
[[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&songID=1008195|Foum]] <span class="ymp-btn-page-play ymp-media-2b0116564acb823413278e931e9bca8e"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3|play]]//</span></span></span></span></span> by [[xenharmonic/Jacob Barton|Jacob Barton]] | [[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&songID=1008195|Foum]] <span class="ymp-btn-page-play ymp-media-2b0116564acb823413278e931e9bca8e"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3|play]]////</span></span></span></span></span> by [[xenharmonic/Jacob Barton|Jacob Barton]] | ||
[[http://music.columbia.edu/%7Echris/sand.html|Sand]] by [[xenharmonic/Christopher Bailey|Christopher Bailey]] | [[http://music.columbia.edu/%7Echris/sand.html|Sand]] by [[xenharmonic/Christopher Bailey|Christopher Bailey]] | ||
<span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://works.music.columbia.edu/%7Echris/19mix1.mp3|Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me]]//</span></span></span></span> </span>by Christopher Bailey | <span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://works.music.columbia.edu/%7Echris/19mix1.mp3|Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me]]////</span></span></span></span> </span>by Christopher Bailey | ||
<span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3|Ditty]]//</span></span></span></span> </span>by Christopher Bailey | <span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3|Ditty]]////</span></span></span></span> </span>by Christopher Bailey | ||
//[[http://micro.soonlabel.com/gene_ward_smith/misc/Guillaume%20Costeley%20-%20Seigneur%20Dieu%20ta%20piti%e9.mp3|Seigneur Dieu ta pitié]]// by Guillaume Costeley | |||
//[[http://micro.soonlabel.com/0-hosted-albums/ivor/02%20Prelude%202%20for%2019%20tone%20guitar.mp3|Prelude 2 for 19 tone guitar]]// by [[Ivor Darreg]] | |||
[[http://sethares.engr.wisc.edu/mp3s/sympathetic.html|Sympathetic Metaphor]] <span class="ymp-btn-page-play ymp-media-e4e0069ea45121cc80c2ce578a945837"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3|play]]//</span></span></span></span></span> by [[xenharmonic/William Sethares|William Sethares]] [[http://www.webcitation.org/5zFdC6u4V|Permalink]] | [[http://sethares.engr.wisc.edu/mp3s/sympathetic.html|Sympathetic Metaphor]] <span class="ymp-btn-page-play ymp-media-e4e0069ea45121cc80c2ce578a945837"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3|play]]////</span></span></span></span></span> by [[xenharmonic/William Sethares|William Sethares]] [[http://www.webcitation.org/5zFdC6u4V|Permalink]] | ||
[[http://sethares.engr.wisc.edu/mp3s/truthonabus.html|Truth on a bus]] <span class="ymp-btn-page-play ymp-media-526d4e563c03aca7835db55159692c7d"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3|play]]//</span></span></span></span></span> by William Sethares [[http://www.webcitation.org/5zFdSw1g4|Permalink]] | [[http://sethares.engr.wisc.edu/mp3s/truthonabus.html|Truth on a bus]] <span class="ymp-btn-page-play ymp-media-526d4e563c03aca7835db55159692c7d"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3|play]]////</span></span></span></span></span> by William Sethares [[http://www.webcitation.org/5zFdSw1g4|Permalink]] | ||
<span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://www.h-pi.com/mp3/Rondo19ET.mp3|Rondo in 19ET]]//</span></span></span></span> </span>by [[xenharmonic/Aaron Andrew Hunt|Aaron Andrew Hunt]] | <span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">////[[http://www.h-pi.com/mp3/Rondo19ET.mp3|Rondo in 19ET]]////</span></span></span></span> </span>by [[xenharmonic/Aaron Andrew Hunt|Aaron Andrew Hunt]] | ||
<span class="ymp-btn-page-play ymp-media-c1ba958b4d29ea779eb3e6e1cb5779c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | <span class="ymp-btn-page-play ymp-media-c1ba958b4d29ea779eb3e6e1cb5779c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3|Citified Notions]]//</span></span></span></span></span> and | ||
//[[http://archive.org/download/LimpOffToSchool/LimpOffToSchool19tet.mp3|Limp Off to School]]// by [[xenharmonic/John Starrett|John Starrett]]. | |||
<span class="ymp-btn-page-play ymp-media-e5a2a3d148bc1b07acdba10ca90219c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | <span class="ymp-btn-page-play ymp-media-e5a2a3d148bc1b07acdba10ca90219c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3|The Light Of My Betelgeuse]]//</span></span></span></span></span> by [[xenharmonic/Mykhaylo Khramov|Mykhaylo Khramov]] | ||
//[[http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/01.Undines.mp3|Undines]]//, //[[http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/02.Sylphs.mp3|Sylphs]]//, //[[http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/03.Gnomes.mp3|Gnomes]]//, and //[[http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/04.Salamanders.mp3|Salamanders]]// by Jon Lyle Smith | |||
[[http://archive.org/details/AnotherAireForLute|Another Aire For Lute]] by Jon Lyle Smith | [[http://archive.org/details/AnotherAireForLute|Another Aire For Lute]] by Jon Lyle Smith | ||
A number of compositions that were perfomed at the [[http://midwestmicrofest.org/concerts.html|midwestmicrofest concert in 2007]] | A number of compositions that were perfomed at the [[http://midwestmicrofest.org/concerts.html|midwestmicrofest concert in 2007]] | ||
Fanfare in 19-note Equal Tuning by Easley Blackwood | Fanfare in 19-note Equal Tuning by Easley Blackwood | ||
//[[http://www.uvnitr.cz/flaoyg/flao_yg/zvire.mp3|Zvíře]]// by [[http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html|Milan Guštar]] | ////[[http://www.uvnitr.cz/flaoyg/flao_yg/zvire.mp3|Zvíře]]//// by [[http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html|Milan Guštar]] | ||
[[http://www.ziaspace.com/ZIA/sections/music.html|19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.]] | [[http://www.ziaspace.com/ZIA/sections/music.html|19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.]] | ||
<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | <span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/14%20-%2014.%2019%20octave.mp3|Comets Over Flatland 14]]//</span></span></span></span> by [[xenharmonic/Randy Winchester|Randy Winchester]] | ||
[[@http://chrisvaisvil.com/?p=865|Forgetting Even Her Beauty blog]] <span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | [[@http://chrisvaisvil.com/?p=865|Forgetting Even Her Beauty blog]] <span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3|play Forgetting Even Her Beauty]]//</span></span></span></span> </span>by [[xenharmonic/Chris Vaisvil|Chris Vaisvil]] | ||
[[@http://chrisvaisvil.com/?p=855|19 Black Hawks for Osama blog]] <span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"> | [[@http://chrisvaisvil.com/?p=855|19 Black Hawks for Osama blog]] <span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link">//[[http://www.youtube.com/watch?v=gGO0R381HQs|play video for 19 Black Hawks for Osama]]// </span></span></span></span> </span>by Chris Vaisvil | ||
[[@http://chrisvaisvil.com/?p=823|Summer Song blog]] <span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | [[@http://chrisvaisvil.com/?p=823|Summer Song blog]] <span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3|play Summer Song]]//</span></span></span></span> </span>by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil | ||
[[@http://chrisvaisvil.com/?p=820|19 ImprovFridays blog]] <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"> | [[@http://chrisvaisvil.com/?p=820|19 ImprovFridays blog]] <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link">//[[http://www.youtube.com/watch?v=-KaRXFoYwT4|play video of performance of 19 ImprovFridays]]// </span></span></span></span> </span>by Chris Vaisvil | ||
[[@http://chrisvaisvil.com/?p=800|The World has Changed blog]] <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | [[@http://chrisvaisvil.com/?p=800|The World has Changed blog]] <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3|play The World has Changed]]//</span></span></span></span> </span>by Chris Vaisvil | ||
[[http://chrisvaisvil.com/?p=883|jjj]] <span class="ymp-btn-page-play ymp-media-35bea9630e48d0842ee9259bac028257"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | [[http://chrisvaisvil.com/?p=883|jjj]] <span class="ymp-btn-page-play ymp-media-35bea9630e48d0842ee9259bac028257"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/19-ET/daily20110523-19take2.mp3|play]]//</span></span></span></span></span> by Chris Vaisvil | ||
[[http://soundcloud.com/omega9/chip-chamber|Now listen! Pitch!]] //[[http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Now%20listen%21%20Pitch%21.mp3|play]]// by Omega9 | [[http://soundcloud.com/omega9/chip-chamber|Now listen! Pitch!]] ////[[http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Now%20listen%21%20Pitch%21.mp3|play]]//// by Omega9 | ||
[[https://www.youtube.com/watch?v=mlvme3ukPLE|Cordas (19-edo version)]] //[[http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20Cordas.mp3|play]]// by Omega9 | [[https://www.youtube.com/watch?v=mlvme3ukPLE|Cordas (19-edo version)]] ////[[http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20Cordas.mp3|play]]//// by Omega9 | ||
//[[http://www.youtube.com/watch?v=DSOGF4gDYu8|A Piece in 19edo]]// by Omega9 | |||
[[http://soundcloud.com/omega9/a-piece-in-19edo-version-3|A Piece in 19edo (ver.3)]] //[[http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20A%20Piece%20in%2019edo.mp3|play]]// by Omega9 | [[http://soundcloud.com/omega9/a-piece-in-19edo-version-3|A Piece in 19edo (ver.3)]] ////[[http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20A%20Piece%20in%2019edo.mp3|play]]//// by Omega9 | ||
<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | <span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/WTC2-24/19-edo-A-Prelude.mp3|Bach’s Prelude number 24 from Well Tempered Clavier, Book II]]//</span></span></span> | ||
<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"> | <span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">//[[http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/WTC2-24/19-edo-B-Fugue.mp3|Bach’s Fugue number 24 from Well Tempered Clavier, Book II]]//</span></span></span> | ||
rendered by Claudi Meneghin</pre></div> | rendered by Claudi Meneghin</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
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<!-- ws:start:WikiTextHeadingRule:1:&lt;h1&gt; --><h1 id="toc0"><a name="Theory"></a><!-- ws:end:WikiTextHeadingRule:1 -->Theory</h1> | <!-- ws:start:WikiTextHeadingRule:1:&lt;h1&gt; --><h1 id="toc0"><a name="Theory"></a><!-- ws:end:WikiTextHeadingRule:1 -->Theory</h1> | ||
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In music, <strong>19 equal temperament</strong>, called 19-TET, 19-<a class="wiki_link" href="http://xenharmonic.wikispaces.com/EDO">EDO</a>, or 19-ET, is the scale derived by dividing the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/octave">octave</a> into 19 <a class="wiki_link" href="http://xenharmonic.wikispaces.com/equal">equal</a>ly large steps. Each | In music, <strong>19 equal temperament</strong>, called 19-TET, 19-<a class="wiki_link" href="http://xenharmonic.wikispaces.com/EDO">EDO</a>, or 19-ET, is the scale derived by dividing the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/octave">octave</a> into 19 <a class="wiki_link" href="http://xenharmonic.wikispaces.com/equal">equal</a>ly large steps. Each step represents a frequency ratio of the 19th root of 2, or 63.16 <a class="wiki_link" href="http://xenharmonic.wikispaces.com/cent">cents</a>. It is the 8th <a class="wiki_link" href="http://xenharmonic.wikispaces.com/prime%20numbers">prime</a> edo, following <a class="wiki_link" href="http://xenharmonic.wikispaces.com/17edo">17edo</a> and coming before <a class="wiki_link" href="http://xenharmonic.wikispaces.com/23edo">23edo</a>.<br /> | ||
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Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson <a class="wiki_link" href="/Seigneur%20Dieu%20ta%20piti%C3%A9">Seigneur Dieu ta pitié</a> of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed <a class="wiki_link" href="http://xenharmonic.wikispaces.com/1-3%20Syntonic%20Comma%20Meantone">1/3-comma meantone</a>, in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to | Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson <a class="wiki_link" href="/Seigneur%20Dieu%20ta%20piti%C3%A9">Seigneur Dieu ta pitié</a> of 1558. Costeley understood and desired the circulating aspect of this tuning; in 1577 music theorist Francisco de Salinas in effect proposed it. Salinas discussed <a class="wiki_link" href="http://xenharmonic.wikispaces.com/1-3%20Syntonic%20Comma%20Meantone">1/3-comma meantone</a>, in which the fifth is of size 694.786 cents; the fifth of 19-et is 694.737, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which fails to close by less than a cent, so that his suggestion is effectively 19-et. In the nineteenth century mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as <a class="wiki_link" href="http://xenharmonic.wikispaces.com/50edo">50 equal temperament</a> (<a class="wiki_link_ext" href="http://sonic-arts.org/monzo/woolhouse/essay.htm" rel="nofollow">summary of Woolhouse's essay</a>).<br /> | ||
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<!-- ws:start:WikiTextHeadingRule:3:&lt;h2&gt; --><h2 id="toc1"><a name="Theory-As an approximation of other temperaments"></a><!-- ws:end:WikiTextHeadingRule:3 -->As an approximation of other temperaments</h2> | <!-- ws:start:WikiTextHeadingRule:3:&lt;h2&gt; --><h2 id="toc1"><a name="Theory-As an approximation of other temperaments"></a><!-- ws:end:WikiTextHeadingRule:3 -->As an approximation of other temperaments</h2> | ||
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The most salient characteristic of 19-et is that, having an almost just minor third and perfect fifths and major thirds about seven cents narrow, it serves as a good tuning for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Meantone%20family">meantone</a> temperament. It is also a suitable for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Regular%20Temperaments#magic">magic/muggles</a> temperament, because five of its major thirds are equivalent to one of its <em>twelfths.</em> For both of these there are more optimal tunings: the fifth of 19-et is flatter than the usual for meantone, and a more accurate approximation is <a class="wiki_link" href="http://xenharmonic.wikispaces.com/31edo">31 equal temperament</a>. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; <a class="wiki_link" href="http://xenharmonic.wikispaces.com/41edo">41 equal temperament</a> more closely | The most salient characteristic of 19-et is that, having an almost just minor third and perfect fifths and major thirds about seven cents narrow, it serves as a good tuning for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Meantone%20family">meantone</a> temperament. It is also a suitable for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Regular%20Temperaments#magic">magic/muggles</a> temperament, because five of its major thirds are equivalent to one of its <em>twelfths.</em> For both of these there are more optimal tunings: the fifth of 19-et is flatter than the usual for meantone, and a more accurate approximation is <a class="wiki_link" href="http://xenharmonic.wikispaces.com/31edo">31 equal temperament</a>. Similarly, the generating interval of magic temperament is a major third, and again 19-et's is flatter; <a class="wiki_link" href="http://xenharmonic.wikispaces.com/41edo">41 equal temperament</a> more closely matches it. It does make for a good tuning for muggles, which in 19et is the same as magic.<br /> | ||
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However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Harmonic%20Limit">5-limit</a> music in a tolerable manner, and is the fifth (after 12) <a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta integral edo</a>. It is less successful with <a class="wiki_link" href="http://xenharmonic.wikispaces.com/7-limit">7-limit</a> (but still better than 12-et), as it eliminates the distinction between a septimal minor third (<a class="wiki_link" href="http://xenharmonic.wikispaces.com/7_6">7/6</a>), and a septimal whole tone (<a class="wiki_link" href="http://xenharmonic.wikispaces.com/8_7">8/7</a>). 19-EDO also has the advantage of being excellent for negri, keemun, godzilla, magic/muggles and triton/liese, and fairly decent for sensi. Keemun and Negri are of particular note for being very simple 7-limit temperaments, with their MOS scales in 19-EDO offering a great abundance of septimal tetrads. The <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Graham%20complexity">Graham complexity</a> of a 7-limit tetrad is 6 for keemun, 7 for negri, 8 for godzilla, 10 for meantone/flattone, 11 for triton, 12 for magic/muggles and 13 for sensi. <br /> | However, for all of these 19-et has the practical advantage of requiring fewer pitches, which makes physical realizations of it easier to build. (Many 19-et instruments have been built.) 19-et is in fact the second equal temperament, after 12-et which is able to deal with <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Harmonic%20Limit">5-limit</a> music in a tolerable manner, and is the fifth (after 12) <a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta integral edo</a>. It is less successful with <a class="wiki_link" href="http://xenharmonic.wikispaces.com/7-limit">7-limit</a> (but still better than 12-et), as it eliminates the distinction between a septimal minor third (<a class="wiki_link" href="http://xenharmonic.wikispaces.com/7_6">7/6</a>), and a septimal whole tone (<a class="wiki_link" href="http://xenharmonic.wikispaces.com/8_7">8/7</a>). 19-EDO also has the advantage of being excellent for negri, keemun, godzilla, magic/muggles and triton/liese, and fairly decent for sensi. Keemun and Negri are of particular note for being very simple 7-limit temperaments, with their MOS scales in 19-EDO offering a great abundance of septimal tetrads. The <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Graham%20complexity">Graham complexity</a> of a 7-limit tetrad is 6 for keemun, 7 for negri, 8 for godzilla, 10 for meantone/flattone, 11 for triton, 12 for magic/muggles and 13 for sensi.<br /> | ||
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Being a zeta integral tuning, the 13-limit is represented relatively well, and practically <a class="wiki_link" href="/19edo">19-edo</a> can be used <em>adaptively</em> on instruments which are allowing you to bend notes up: by different amounts, the 3rd, 5th, 7th and 13th harmonics are all tuned flat. The same cannot be said of 12edo, in which the 5th, 7th and 11th are - not only farther than they are in 19, but fairly sharp already.<br /> | Being a zeta integral tuning, the 13-limit is represented relatively well, and practically <a class="wiki_link" href="/19edo">19-edo</a> can be used <em>adaptively</em> on instruments which are allowing you to bend notes up: by different amounts, the 3rd, 5th, 7th and 13th harmonics are all tuned flat. The same cannot be said of 12edo, in which the 5th, 7th and 11th are - not only farther than they are in 19, but fairly sharp already.<br /> | ||
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<strong><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/" rel="nofollow">XA 19-ET Index</a></strong><br /> | <strong><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/" rel="nofollow">XA 19-ET Index</a></strong><br /> | ||
<br /> | <br /> | ||
<span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link" | <span class="ymp-btn-page-play ymp-media-3e72a120cc21a6d967e20c2712353cac"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://www.akjmusic.com/audio/juggler.mp3" rel="nofollow">The Juggler</a></span></span></span></span> </span>by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Aaron%20Krister%20Johnson">Aaron Krister Johnson</a><br /> | ||
<a class="wiki_link_ext" href="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=1008195" rel="nofollow">Foum</a> <span class="ymp-btn-page-play ymp-media-2b0116564acb823413278e931e9bca8e"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link" | <a class="wiki_link_ext" href="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=1008195" rel="nofollow">Foum</a> <span class="ymp-btn-page-play ymp-media-2b0116564acb823413278e931e9bca8e"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Foum.mp3" rel="nofollow">play</a></span></span></span></span></span> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Jacob%20Barton">Jacob Barton</a><br /> | ||
<a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sand.html" rel="nofollow">Sand</a> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Christopher%20Bailey">Christopher Bailey</a><br /> | <a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sand.html" rel="nofollow">Sand</a> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Christopher%20Bailey">Christopher Bailey</a><br /> | ||
<span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link" | <span class="ymp-btn-page-play ymp-media-1ec26b280d7788ac0e790719d577a218"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://works.music.columbia.edu/%7Echris/19mix1.mp3" rel="nofollow">Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me</a></span></span></span></span> </span>by Christopher Bailey<br /> | ||
<span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link" | <span class="ymp-btn-page-play ymp-media-cd7d3a983dce091a8096cb87d6862820"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://www.emcollective.org/chris/items/ditty/ditty_fast.mp3" rel="nofollow">Ditty</a></span></span></span></span> </span>by Christopher Bailey<br /> | ||
< | <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/misc/Guillaume%20Costeley%20-%20Seigneur%20Dieu%20ta%20piti%e9.mp3" rel="nofollow">Seigneur Dieu ta pitié</a></em> by Guillaume Costeley<br /> | ||
<a class="wiki_link_ext" href="http://micro.soonlabel.com/0-hosted-albums/ivor/02%20Prelude%202%20for%2019%20tone%20guitar.mp3" rel="nofollow">Prelude 2 for 19 tone guitar</a> by <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a><br /> | <em><a class="wiki_link_ext" href="http://micro.soonlabel.com/0-hosted-albums/ivor/02%20Prelude%202%20for%2019%20tone%20guitar.mp3" rel="nofollow">Prelude 2 for 19 tone guitar</a></em> by <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a><br /> | ||
<a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/sympathetic.html" rel="nofollow">Sympathetic Metaphor</a> <span class="ymp-btn-page-play ymp-media-e4e0069ea45121cc80c2ce578a945837"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">< | <a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/sympathetic.html" rel="nofollow">Sympathetic Metaphor</a> <span class="ymp-btn-page-play ymp-media-e4e0069ea45121cc80c2ce578a945837"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/SympatheticMetaphor.mp3" rel="nofollow">play</a></span></span></span></span></span> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/William%20Sethares">William Sethares</a> <a class="wiki_link_ext" href="http://www.webcitation.org/5zFdC6u4V" rel="nofollow">Permalink</a><br /> | ||
<a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/truthonabus.html" rel="nofollow">Truth on a bus</a> <span class="ymp-btn-page-play ymp-media-526d4e563c03aca7835db55159692c7d"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link" | <a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/mp3s/truthonabus.html" rel="nofollow">Truth on a bus</a> <span class="ymp-btn-page-play ymp-media-526d4e563c03aca7835db55159692c7d"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Sethares/Truth_on_a_Bus.mp3" rel="nofollow">play</a></span></span></span></span></span> by William Sethares <a class="wiki_link_ext" href="http://www.webcitation.org/5zFdSw1g4" rel="nofollow">Permalink</a><br /> | ||
<span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">< | <span class="ymp-btn-page-play ymp-media-d26b8b4b4beee2371ad7b7c7cc71a9da"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://www.h-pi.com/mp3/Rondo19ET.mp3" rel="nofollow">Rondo in 19ET</a></span></span></span></span> </span>by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Aaron%20Andrew%20Hunt">Aaron Andrew Hunt</a><br /> | ||
<span class="ymp-btn-page-play ymp-media-c1ba958b4d29ea779eb3e6e1cb5779c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3" rel="nofollow">Citified Notions</a></span></span></span></span></span> and<br /> | <span class="ymp-btn-page-play ymp-media-c1ba958b4d29ea779eb3e6e1cb5779c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Starrett/CitifiedNotions19tet.mp3" rel="nofollow">Citified Notions</a></em></span></span></span></span></span> and<br /> | ||
< | <em><a class="wiki_link_ext" href="http://archive.org/download/LimpOffToSchool/LimpOffToSchool19tet.mp3" rel="nofollow">Limp Off to School</a></em> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/John%20Starrett">John Starrett</a>.<br /> | ||
<span class="ymp-btn-page-play ymp-media-e5a2a3d148bc1b07acdba10ca90219c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3" rel="nofollow">The Light Of My Betelgeuse</a></span></span></span></span></span> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Mykhaylo%20Khramov">Mykhaylo Khramov</a><br /> | <span class="ymp-btn-page-play ymp-media-e5a2a3d148bc1b07acdba10ca90219c7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Khramov/betelgeuse.mp3" rel="nofollow">The Light Of My Betelgeuse</a></em></span></span></span></span></span> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Mykhaylo%20Khramov">Mykhaylo Khramov</a><br /> | ||
< | <em><a class="wiki_link_ext" href="http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/01.Undines.mp3" rel="nofollow">Undines</a></em>, <em><a class="wiki_link_ext" href="http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/02.Sylphs.mp3" rel="nofollow">Sylphs</a></em>, <em><a class="wiki_link_ext" href="http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/03.Gnomes.mp3" rel="nofollow">Gnomes</a></em>, and <em><a class="wiki_link_ext" href="http://archive.org/download/ElementalsFor2PianosIn19EqualTemperament/04.Salamanders.mp3" rel="nofollow">Salamanders</a></em> by Jon Lyle Smith<br /> | ||
<a class="wiki_link_ext" href="http://archive.org/details/AnotherAireForLute" rel="nofollow">Another Aire For Lute</a> by Jon Lyle Smith<br /> | <a class="wiki_link_ext" href="http://archive.org/details/AnotherAireForLute" rel="nofollow">Another Aire For Lute</a> by Jon Lyle Smith<br /> | ||
A number of compositions that were perfomed at the <a class="wiki_link_ext" href="http://midwestmicrofest.org/concerts.html" rel="nofollow">midwestmicrofest concert in 2007</a><br /> | A number of compositions that were perfomed at the <a class="wiki_link_ext" href="http://midwestmicrofest.org/concerts.html" rel="nofollow">midwestmicrofest concert in 2007</a><br /> | ||
Fanfare in 19-note Equal Tuning by Easley Blackwood<br /> | Fanfare in 19-note Equal Tuning by Easley Blackwood<br /> | ||
<a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/zvire.mp3" rel="nofollow">Zvíře</a> by <a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/zvire.html" rel="nofollow">Milan Guštar</a><br /> | |||
<a class="wiki_link_ext" href="http://www.ziaspace.com/ZIA/sections/music.html" rel="nofollow">19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.</a><br /> | <a class="wiki_link_ext" href="http://www.ziaspace.com/ZIA/sections/music.html" rel="nofollow">19tet downloadable mp3s by ZIA, Elaine Walker and D.D.T.</a><br /> | ||
<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/14%20-%2014.%2019%20octave.mp3" rel="nofollow">Comets Over Flatland 14</a></span></span></span></span> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Randy%20Winchester">Randy Winchester</a><br /> | <span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/14%20-%2014.%2019%20octave.mp3" rel="nofollow">Comets Over Flatland 14</a></em></span></span></span></span> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Randy%20Winchester">Randy Winchester</a><br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=865" rel="nofollow" target="_blank">Forgetting Even Her Beauty blog</a> <span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3" rel="nofollow">play Forgetting Even Her Beauty</a></span></span></span></span> </span>by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Chris%20Vaisvil">Chris Vaisvil</a><br /> | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=865" rel="nofollow" target="_blank">Forgetting Even Her Beauty blog</a> <span class="ymp-btn-page-play ymp-media-7cdb4644c05849d85c1a04ed2a07a5a7"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110516-19-forgetting_even_her_beauty.mp3" rel="nofollow">play Forgetting Even Her Beauty</a></em></span></span></span></span> </span>by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Chris%20Vaisvil">Chris Vaisvil</a><br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=855" rel="nofollow" target="_blank">19 Black Hawks for Osama blog</a> <span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link">< | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=855" rel="nofollow" target="_blank">19 Black Hawks for Osama blog</a> <span class="ymp-media-3badeb9b3b5a5768a5e43cea7e10b377 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://www.youtube.com/watch?v=gGO0R381HQs" rel="nofollow">play video for 19 Black Hawks for Osama</a></em> </span></span></span></span> </span>by Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=823" rel="nofollow" target="_blank">Summer Song blog</a> <span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3" rel="nofollow">play Summer Song</a></span></span></span></span> </span>by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil<br /> | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=823" rel="nofollow" target="_blank">Summer Song blog</a> <span class="ymp-media-44691c8e07e030770b33e146e0d88212 ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110501-19-summer_song_mix3.mp3" rel="nofollow">play Summer Song</a></em></span></span></span></span> </span>by Trevor (The TwoRegs) and Norm Harris and Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=820" rel="nofollow" target="_blank">19 ImprovFridays blog</a> <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link">< | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=820" rel="nofollow" target="_blank">19 ImprovFridays blog</a> <span class="ymp-btn-page-play ymp-media-c6d81d29a5290997eac85574c62b39e3"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://www.youtube.com/watch?v=-KaRXFoYwT4" rel="nofollow">play video of performance of 19 ImprovFridays</a></em> </span></span></span></span> </span>by Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=800" rel="nofollow" target="_blank">The World has Changed blog</a> <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3" rel="nofollow">play The World has Changed</a></span></span></span></span> </span>by Chris Vaisvil<br /> | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=800" rel="nofollow" target="_blank">The World has Changed blog</a> <span class="ymp-media-d1cc76332b281044aecd4287b683de9d ymp-btn-page-play"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3" rel="nofollow">play The World has Changed</a></em></span></span></span></span> </span>by Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=883" rel="nofollow">jjj</a> <span class="ymp-btn-page-play ymp-media-35bea9630e48d0842ee9259bac028257"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link">< | <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=883" rel="nofollow">jjj</a> <span class="ymp-btn-page-play ymp-media-35bea9630e48d0842ee9259bac028257"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/19-ET/daily20110523-19take2.mp3" rel="nofollow">play</a></em></span></span></span></span></span> by Chris Vaisvil<br /> | ||
<a class="wiki_link_ext" href="http://soundcloud.com/omega9/chip-chamber" rel="nofollow">Now listen! Pitch!</a | <a class="wiki_link_ext" href="http://soundcloud.com/omega9/chip-chamber" rel="nofollow">Now listen! Pitch!</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Now%20listen%21%20Pitch%21.mp3" rel="nofollow">play</a> by Omega9<br /> | ||
<a class="wiki_link_ext" href="https://www.youtube.com/watch?v=mlvme3ukPLE" rel="nofollow">Cordas (19-edo version)</a> < | <a class="wiki_link_ext" href="https://www.youtube.com/watch?v=mlvme3ukPLE" rel="nofollow">Cordas (19-edo version)</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20Cordas.mp3" rel="nofollow">play</a> by Omega9<br /> | ||
<a class="wiki_link_ext" href="http://www.youtube.com/watch?v=DSOGF4gDYu8" rel="nofollow">A Piece in 19edo</a> by Omega9<br /> | <em><a class="wiki_link_ext" href="http://www.youtube.com/watch?v=DSOGF4gDYu8" rel="nofollow">A Piece in 19edo</a></em> by Omega9<br /> | ||
<a class="wiki_link_ext" href="http://soundcloud.com/omega9/a-piece-in-19edo-version-3" rel="nofollow">A Piece in 19edo (ver.3)</a | <a class="wiki_link_ext" href="http://soundcloud.com/omega9/a-piece-in-19edo-version-3" rel="nofollow">A Piece in 19edo (ver.3)</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20A%20Piece%20in%2019edo.mp3" rel="nofollow">play</a> by Omega9<br /> | ||
<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/WTC2-24/19-edo-A-Prelude.mp3" rel="nofollow">Bach’s Prelude number 24 from Well Tempered Clavier, Book II</a></span></span></span><br /> | <span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/WTC2-24/19-edo-A-Prelude.mp3" rel="nofollow">Bach’s Prelude number 24 from Well Tempered Clavier, Book II</a></em></span></span></span><br /> | ||
<span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/WTC2-24/19-edo-B-Fugue.mp3" rel="nofollow">Bach’s Fugue number 24 from Well Tempered Clavier, Book II</a></span></span></span><br /> | <span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><span style="right: auto;"><span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"><em><a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/WTC2-24/19-edo-B-Fugue.mp3" rel="nofollow">Bach’s Fugue number 24 from Well Tempered Clavier, Book II</a></em></span></span></span><br /> | ||
rendered by Claudi Meneghin</body></html></pre></div> | rendered by Claudi Meneghin</body></html></pre></div> | ||