5L 3s: Difference between revisions
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In pseudo-classical functional harmony, the 6th scale degree (either an augmented mossixth or a perfect mossixth) could be treated as mutable. The perfect mossixth would be used when invoking the diatonic V-to-I trope by modulating by a perfect mosfourth from the sixth degree "dominant". The augmented mossixth would be used when a major key needs to be used on the fourth degree "subdominant". | In pseudo-classical functional harmony, the 6th scale degree (either an augmented mossixth or a perfect mossixth) could be treated as mutable. The perfect mossixth would be used when invoking the diatonic V-to-I trope by modulating by a perfect mosfourth from the sixth degree "dominant". The augmented mossixth would be used when a major key needs to be used on the fourth degree "subdominant". | ||
==== | ==== Functional harmony ==== | ||
Some suggested basic ana functional harmony progressions, outlined very roughly (note: VI is the sharp 5th, etc.). "I" means either Imaj or Imin. "Natural" Roman numerals follow the Ilarnekian mode. | Some suggested basic ana functional harmony progressions, outlined very roughly (note: VI is the sharp 5th, etc.). "I" means either Imaj or Imin. "Natural" Roman numerals follow the Ilarnekian mode. | ||