5L 3s: Difference between revisions

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== Pseudo-diatonic theory ==

Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal harmony and functional harmony both benefit from a recognizable major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation of such a tuning, such as a [[neji]]). The reader ~~should~~ experiment and see how well these ideas work in other oneirotonic tunings.

Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal harmony and functional harmony both benefit from a recognizable major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation of such a tuning, such as a [[neji]]). The reader is encouraged to experiment and see how well these ideas work in other oneirotonic tunings.

=== Ana modes ===

We call modes with a major mos5th ''ana modes'' (from Greek for 'up'), because the sharper 5th degree functions as a flattened melodic fifth when moving from the tonic up. The ana modes of the MOS are the 4 brightest modes, namely Dylathian, Ilarnekian, Celephaïsian and Ultharian.

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* R-m5-m8

* R-m5-m7-m8

== "Oneirotonic maqam" ==

"Oneirotonic maqam" is based on the idea "If [[maqam]] is loosely an extension of diatonic that uses neutral intervals, what is the oneirotonic counterpart that uses oneirotonic neutral intervals?" or "What if we distorted maqam scales similarly to how oneirotonic distorts diatonic scales?" The following assumes an edo with A-Team oneirotonic scales and neutral mosseconds (i.e. half of an oneirotonic minor mosthird) such as [[18edo]] and [[26edo]]. In rank-2 [[temperament]] terms, this requires a loosely 18&26 structure.

@@ Line 716: / Line 716: @@
 == Pseudo-diatonic theory ==
-Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal harmony and functional harmony both benefit from a recognizable major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation of such a tuning, such as a [[neji]]). The reader should experiment and see how well these ideas work in other oneirotonic tunings.
+Oneirotonic is often used as distorted diatonic. Because distorted diatonic modal harmony and functional harmony both benefit from a recognizable major third, the following theory essentially assumes an [[A-Team]] tuning, i.e. an oneirotonic tuning with generator between 5\13 and 7\18 (or possibly an approximation of such a tuning, such as a [[neji]]). The reader is encouraged to experiment and see how well these ideas work in other oneirotonic tunings.
 === Ana modes ===
 We call modes with a major mos5th  ''ana modes'' (from Greek for 'up'), because the sharper 5th degree functions as a flattened melodic fifth when moving from the tonic up. The ana modes of the MOS are the 4 brightest modes, namely Dylathian, Ilarnekian, Celephaïsian and Ultharian.
@@ Line 812: / Line 812: @@
 * R-m5-m8
 * R-m5-m7-m8
 == "Oneirotonic maqam" ==
 "Oneirotonic maqam" is based on the idea "If [[maqam]] is loosely an extension of diatonic that uses neutral intervals, what is the oneirotonic counterpart that uses oneirotonic neutral intervals?" or "What if we distorted maqam scales similarly to how oneirotonic distorts diatonic scales?" The following assumes an edo with A-Team oneirotonic scales and neutral mosseconds (i.e. half of an oneirotonic minor mosthird) such as [[18edo]] and [[26edo]]. In rank-2 [[temperament]] terms, this requires a loosely 18&26 structure.