Oneirotonic: Difference between revisions
| Line 179: | Line 179: | ||
The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian). | The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian). | ||
In a classical-like setting both the 6th scale degree (either | In a classical-like setting both the 6th scale degree (either an augmented mossixth or a perfect mossixth), and the 8th scale degree (either a minor or a major moseighth) could be treated as mutable. | ||
==== Modes with flat tritone ==== | ==== Modes with flat tritone ==== | ||