Talk:Kite Guitar Exercises and Techniques by Kite Giedraitis: Difference between revisions

::: Treble-Down Tonality actually flips the diatonic functional hierarchy upside down so that the note located a perfect fourth ''below'' the Tonic becomes the Dominant, and swaps the relations among other notes in the same, mirrored fashion, which has the effect of producing backwards-sounding chord progressions.  It also inverts the musical roles of the treble and bass, meaning that harmony is very likely to located up in the higher octaves and basically hangs off the highest note in the chord, while melody is likely to be down in the lower octaves.  One thing to note is that neither Treble-Down Tonality nor the more familiar Bass-Up Tonality like dissonance in close proximity to the chord roots.  However, since the chord roots are located up high, that means that the more dissonant intervals are likely to be found down low.  I'll have to try and incorporate some of this into a song I'm reworking called "Welcome to Dystopia". --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 08:20, 24 December 2020 (UTC)