Rperlner

:::::: It may work for brief periods of time- especially when you introduce the perfect fifth above the tonic as an accidental- but over time, the more normal stuff seems to have a way of destabilizing the mode, and yes, the fact that the first three chords are tonic, submediant (a.k.a. contramediant) and Neapolitan (a.k.a. reverse lead) are part of what make it workable in this case, but I'd be wary of of using the diminished tonic triad right after a neapolitan chord- you may get away with that every once in a while assuming you use the right inversion, but you won't get away with it every time, and definitely not if you attempt it too frequently.  I mean, whereas most people attempt to work with shorter passages in Locrian at most- and even then they use fairly simple versions of the chords- I try to work with it for longer passages using richer, more extensive chord structures. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 02:30, 9 December 2020 (UTC)

== Email exchange with Dr. Ozan Yarman ==