User talk:SAKryukov: Difference between revisions

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::::::::::: Later, later... It can be done in different ways, but this is how we did it: I developed a recorder for one of the keyboard applications (important for remote lessons and seminar, this is how they really use it), will add it to all other applications. My colleague plays some sequence and sends me via a chat, I copy and play it. It's pretty much like exchange of MIDI sequences: not audio, but event storage. — [[User:SAKryukov|SA]], ''Sunday 2020 December 6, 20:50 UTC''

:::::::::::: Okay, I know you're probably busy, but I still figured I'd give you some sound samples for you to listen to when you're ready. This audio sample track contains two chords consisting of C7, E7, G7 and A7. For both chords, the C7 is standard in terms of tuning while the E7 is flattened by 13.69 cents and the G7 is sharpened by 1.96 cents. The only difference between the two chords is the tuning of the A7, as it is tuned 5.87 cents sharp in the first chord, but 15.64 cents flat in the second chord. If you turn the volume up on your computer (don't turn it up ''too'' loud though), you should be able to hear a virtual C3 fundamental for the first chord, and a virtual F3 fundamental for the second chord.

:::::::::::: [[File:Interval_Test.mp3]]

:::::::::::: This difference in virtual fundamentals illustrates how the difference in tuning between the two versions of the A7 give the otherwise identical chords different harmonic properties- hence the reason for my preference of 27/16 over 5/3 as the interval for the major sixth. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 00:07, 7 December 2020 (UTC)

:::: As to whether or not I want to play with other keyboards, the answer is yes. That said, money is still an issue, and I'm not exactly willing to borrow money to pay for stuff if I can help it. If I need to pay for stuff, I'd rather have the funds to pay for it myself. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 19:57, 6 December 2020 (UTC)

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 ::::::::::: Later, later... It can be done in different ways, but this is how we did it: I developed a recorder for one of the keyboard applications (important for remote lessons and seminar, this is how they really use it), will add it to all other applications. My colleague plays some sequence and sends me via a chat, I copy and play it. It's pretty much like exchange of MIDI sequences: not audio, but event storage. &mdash;&nbsp;[[User:SAKryukov|SA]],&nbsp;''Sunday&nbsp;2020&nbsp;December&nbsp;6,&nbsp;20:50&nbsp;UTC''
+:::::::::::: Okay, I know you're probably busy, but I still figured I'd give you some sound samples for you to listen to when you're ready.  This audio sample track contains two chords consisting of C7, E7, G7 and A7.  For both chords, the C7 is standard in terms of tuning while the E7 is flattened by 13.69 cents and the G7 is sharpened by 1.96 cents.  The only difference between the two chords is the tuning of the A7, as it is tuned 5.87 cents sharp in the first chord, but 15.64 cents flat in the second chord.  If you turn the volume up on your computer (don't turn it up ''too'' loud though), you should be able to hear a virtual C3 fundamental for the first chord, and a virtual F3 fundamental for the second chord.
+:::::::::::: [[File:Interval_Test.mp3]]
+:::::::::::: This difference in virtual fundamentals illustrates how the difference in tuning between the two versions of the A7 give the otherwise identical chords different harmonic properties- hence the reason for my preference of 27/16 over 5/3 as the interval for the major sixth. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 00:07, 7 December 2020 (UTC)
 :::: As to whether or not I want to play with other keyboards, the answer is yes.  That said, money is still an issue, and I'm not exactly willing to borrow money to pay for stuff if I can help it.  If I need to pay for stuff, I'd rather have the funds to pay for it myself. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 19:57, 6 December 2020 (UTC)