SAKryukov

::::: Right. Needless to say I only explain my personal feeling about it. Yes, the "build from the bass" is an interesting topic, only I'm pretty far from it and the composition in general. — [[User:SAKryukov|SA]], ''Sunday 2020 December 6, 19:32 UTC''

: I'm busy with my platform and keyboard programming. I decided to take a much wider road: develop some more and some replacement visual components corresponding to different keyboards, including a new one suitable for your paradiatonic constructs — my idea is to present 7 scales at the same time on a single keyboard, still thinking of some form of switching modes on the fly, combined with transpositions, or something like that. At the same time, I implemented a prototype for the playable lattice presented by Kite Giedraitis: [[Color_notation|Color_notation]]. Even though it is called "notation", the main point here is the choice of the tonal system itself, which can be reduced to the choice of a 4-generator set, and its mapping to the geometry. (Why, why musicians often mess up musical and notation aspects together? Didn't they figure out that tight coupling is a big anti-pattern?) I've chosen to implement the 27-key variant, which I consider as a good variant of an "extended just" scale. Are you familiar with this particular system? What do you think? — [[User:SAKryukov|SA]], ''Sunday 2020 December 6, 18:39 UTC''