Rperlner
Joined 26 October 2020
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Hey, I listened to your Phrygian Fugue in both 55edo and 12edo, and I have to say your approach to the diatonic modes seems to differ from mine. I also want to ask- what you think about Locrian mode? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 22:44, 5 December 2020 (UTC) | Hey, I listened to your Phrygian Fugue in both 55edo and 12edo, and I have to say your approach to the diatonic modes seems to differ from mine. I also want to ask- what you think about Locrian mode? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 22:44, 5 December 2020 (UTC) | ||
:Interesting. How do you see your approach and mine to the diatonic modes differing? Regarding Locrian mode. I haven't written anything extensive in Locrian Mode as yet, but I have done species counterpoint exercises in it, and it seems entirely workable, at least for that purpose. I don't feel like I can really get a restful feeling on a diminished triad, but there's no reason you need to include the 5th if you want to rest on the tonic. I mean, that's the standard treatment of a V7-I cadence, even in the obviously-tonal major mode. Clearly in Locrian, a normal V-I cadence isn't an option, but that's true in Phrygian too for all practical purposes, and I clearly think you can make a song out of that. --[[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 03:40, 6 December 2020 (UTC) | |||