Kite Guitar explanation for non-microtonalists: Difference between revisions
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I personally find 7-limit JI new and exciting, and barbershoppers love it! Admittedly it's strange, and you may or may not like it at first. But on the Kite guitar, 7-limit comes "for free" as a result of getting all the 5-limit intervals more in tune. | I personally find 7-limit JI new and exciting, and barbershoppers love it! Admittedly it's strange, and you may or may not like it at first. But on the Kite guitar, 7-limit comes "for free" as a result of getting all the 5-limit intervals more in tune. | ||
The next prime after 7 is 11. Ratios like 11/6, 11/9 and 12/11 make neutral intervals midway between major and minor. They give melodies a middle eastern sound. For example, [https://www.maqamworld.com/en/maqam/f_bayati.php Maqam Bayati]is a minor scale with a neutral 2nd and a neutral 6th. There's also 11/8, a 551¢ 4th. Hearing it for the first time is | The next prime after 7 is 11. Ratios like 11/6, 11/9 and 12/11 make neutral intervals midway between major and minor. They give melodies a middle eastern sound. For example, [https://www.maqamworld.com/en/maqam/f_bayati.php Maqam Bayati]is a minor scale with a neutral 2nd and a neutral 6th. There's also 11/8, a 551¢ 4th. Hearing it for the first time is disorienting, for we're used to classifying a 4th as either perfect or augmented. But 11/8 is midway between, making it both and neither. It also falls midway between the major 3rd and the 5th, making for interesting melodies that sound like a cross between major and lydian. Again, you may or may not like these sounds. But many people do, and it's there along with everything else. | ||
== EDOs == | == EDOs == |