Kite Guitar chord shapes (downmajor tuning): Difference between revisions
→Seventh chords: expanded the voicing terminology |
→Various Ruyoyo-comma chords: added the downmaj7flat5 chord |
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| Line 509: | Line 509: | ||
!downadd7no5 | !downadd7no5 | ||
!downmaj7sus4 | !downmaj7sus4 | ||
!downmaj7flat5 | |||
!down7flat5 | !down7flat5 | ||
!down flat5 | !down flat5 | ||
| Line 517: | Line 518: | ||
!Cv,7no5 = Bb2(b5) | !Cv,7no5 = Bb2(b5) | ||
!C4,vM7 = F2,b5 | !C4,vM7 = F2,b5 | ||
!CvM7(b5) = vE2^m6 | |||
!Cv7(b5) = Gbv,7(^b5) | !Cv7(b5) = Gbv,7(^b5) | ||
!Cv(b5) | !Cv(b5) | ||
!Cv,b5 | !Cv,b5 | ||
! | !CvM9v#11 | ||
|- | |- | ||
!example notes | !example notes | ||
!C vE Bb | !C vE Bb | ||
!C F G vB | !C F G vB | ||
!C vE Gb vB | |||
!C vE Gb vBb | !C vE Gb vBb | ||
!C vE Gb | !C vE Gb | ||
| Line 533: | Line 536: | ||
!vM3 = 5/4 | !vM3 = 5/4 | ||
!P4 = 4/3 | !P4 = 4/3 | ||
!vM3 = 5/4 | |||
!vM3 = 5/4 | !vM3 = 5/4 | ||
!vM3 = 5/4 | !vM3 = 5/4 | ||
| Line 541: | Line 545: | ||
!------ | !------ | ||
!P5 = 3/2 | !P5 = 3/2 | ||
!d5 = 7/5 | |||
!d5 = 7/5 | !d5 = 7/5 | ||
!d5 = 7/5 | !d5 = 7/5 | ||
| Line 548: | Line 553: | ||
!ratio of the 7th | !ratio of the 7th | ||
!m7 = 16/9 | !m7 = 16/9 | ||
!vM7 = 15/8 | |||
!vM7 = 15/8 | !vM7 = 15/8 | ||
!vm7 = 7/4 | !vm7 = 7/4 | ||
| Line 555: | Line 561: | ||
|- | |- | ||
!other | !other | ||
!------ | |||
!------ | !------ | ||
!------ | !------ | ||
| Line 562: | Line 569: | ||
!v#11 = b12 = 14/5 | !v#11 = b12 = 14/5 | ||
|- | |- | ||
| colspan=" | | colspan="8" |'''<u>close voicing</u> R 3 5 7 (8)''' | ||
|- | |- | ||
|frets | |frets | ||
|4 4 8 (5) (5) (4) | |4 4 8 (5) (5) (4) | ||
|4 6 3 3 | |4 6 3 3 | ||
|4 4 1 3 | |||
|4 4 1 1 | |4 4 1 1 | ||
|4 4 1 (5) | |4 4 1 (5) | ||
| Line 575: | Line 583: | ||
|1 1 4 (2) (2) (1) | |1 1 4 (2) (2) (1) | ||
|2 4 1 1 | |2 4 1 1 | ||
|3 4 1 2 | |||
|3 4 1 1 | |3 4 1 1 | ||
|3 4 1<br>2 3 1 (4) | |3 4 1<br>2 3 1 (4) | ||
| Line 580: | Line 589: | ||
|3 4 2 2 1 1 | |3 4 2 2 1 1 | ||
|- | |- | ||
| colspan=" | | colspan="8" |'''<u>high-3 voicing</u> R 5 7 (8) 3''' | ||
|- | |- | ||
|frets | |frets | ||
|4 . 8 (5) 5 | |4 . 8 (5) 5 | ||
|4 . 3 3 7 | |4 . 3 3 7 | ||
|4 . 1 3 5 | |||
|4 . 1 1 5 | |4 . 1 1 5 | ||
|4 . 1 (5) 5 | |4 . 1 (5) 5 | ||
| Line 593: | Line 603: | ||
|1 . 4 . 2<br>1 . 4 (1) 1 | |1 . 4 . 2<br>1 . 4 (1) 1 | ||
|2 . 1 1 4 | |2 . 1 1 4 | ||
|3 . 1 2 4 | |||
|3 . 1 1 4 | |3 . 1 1 4 | ||
|2 . 1 (3) 4 | |2 . 1 (3) 4 | ||
| Line 598: | Line 609: | ||
|2 . 3 3 4 1 | |2 . 3 3 4 1 | ||
|- | |- | ||
| colspan=" | | colspan="8" |'''<u>low-5 voicing</u> 5 R 3 7''' | ||
|- | |- | ||
|frets | |frets | ||
| rowspan="2" |(N/A) | | rowspan="2" |(N/A) | ||
| rowspan="2" |(difficult) | | rowspan="2" |(difficult) | ||
|0 4 4 . 3 | |||
|0 4 4 . 1 | |0 4 4 . 1 | ||
| rowspan="2" |(difficult) | | rowspan="2" |(difficult) | ||
|2 4 4 1 | |2 4 4 1 | ||
|2 4 4 . 3 2 2 | |2 4 4 . 3 2 2 | ||
|- | |- | ||
|suggested fingerings | |suggested fingerings | ||
|1 3 4 . 2 | |||
|1 3 4 . 2 | |1 3 4 . 2 | ||
|2 3 4 1 | |2 3 4 1 | ||
|1 3 4 . 2 1 1 | |1 3 4 . 2 1 1 | ||
|- | |- | ||
| colspan=" | | colspan="8" |'''<u>low-7 voicing</u> 7 R 3 (7)''' | ||
|- | |- | ||
|frets | |frets | ||
|7 4 4 (8) | |7 4 4 (8) | ||
| rowspan="2" |(N/A) | |||
| rowspan="2" |(N/A) | | rowspan="2" |(N/A) | ||
| rowspan="2" |(N/A) | | rowspan="2" |(N/A) | ||