User talk:SAKryukov: Difference between revisions

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::::: I'm working with the prominent theorist and pedagogue Valeri Brainin, creator of "Brainin method", predictive method of music teaching, developing musical hearing understood as musical intellect. He is using my platform and some instruments. He just reported his work at the seminar he created, "Mastering of complicated interval structures by ear". The seminar is remote, he is using the capability we devised for remote work. They record sequences and send/receive across social media. The typical task of the method is to predict and continue (not to reproduce). A student receives the sequence, modify it by playing over it and sends back, and so on...

::::: See [[Valeri_Brainin|Brainin]] page on this wiki, for links to his materials.

:::::: Well, all I have to say about dealings with 159edo- or any other large edo for that matter- is to consider all of the pitches as belonging to one of two classes "main" and "variant", and since I have a background in 24edo, I've started working with chains of 3/2 and 11/8. Yes, I'm very classical-minded in terms of my music theory, however, see [[Aura's Diatonic Scales|my page on Diatonic scales]] for my particular approach to diatonic scales. For the record, I do think of the traditional seventh of Ionian mode as being in some sense the "Natural Seventh", as it occurs in the harmonic series as the 15th harmonic, and furthermore, when you take the 8th through 16th harmonics, you can remove the 14th harmonic and still have a heptatonic scale that demonstrates [https://en.wikipedia.org/wiki/Rothenberg_propriety Rothenberg propriety], whereas removing the 15th harmonic doesn't give you such a scale. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:12, 24 November 2020 (UTC)

::: I'm going to remove my reply message from your "talk" page as redundant and replace with the notice that you have a reply on my page...

: Please call me "SA", this is my nick well known by many (from Сергей Александрович, Sergey Alexandrovich, given name + patronym, a Russian form of polite addressing, neither mentioning of a title, nor a family name).

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 ::::: I'm working with the prominent theorist and pedagogue Valeri Brainin, creator of "Brainin method", predictive method of music teaching, developing musical hearing understood as musical intellect. He is using my platform and some instruments. He just reported his work at the seminar he created, "Mastering of complicated interval structures by ear". The seminar is remote, he is using the capability we devised for remote work. They record sequences and send/receive across social media. The typical task of the method is to predict and continue (not to reproduce). A student receives the sequence, modify it by playing over it and sends back, and so on...
 :::::  See [[Valeri_Brainin|Brainin]] page on this wiki, for links to his materials.
+:::::: Well, all I have to say about dealings with 159edo- or any other large edo for that matter- is to consider all of the pitches as belonging to one of two classes "main" and "variant", and since I have a background in 24edo, I've started working with chains of 3/2 and 11/8.  Yes, I'm very classical-minded in terms of my music theory, however, see [[Aura's Diatonic Scales|my page on Diatonic scales]] for my particular approach to diatonic scales.  For the record, I do think of the traditional seventh of Ionian mode as being in some sense the "Natural Seventh", as it occurs in the harmonic series as the 15th harmonic, and furthermore, when you take the 8th through 16th harmonics, you can remove the 14th harmonic and still have a heptatonic scale that demonstrates [https://en.wikipedia.org/wiki/Rothenberg_propriety Rothenberg propriety], whereas removing the 15th harmonic doesn't give you such a scale. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:12, 24 November 2020 (UTC)
 ::: I'm going to remove my reply message from your "talk" page as redundant and replace with the notice that you have a reply on my page...
 : Please call me "SA", this is my nick well known by many (from Сергей Александрович, Sergey Alexandrovich, given name + patronym, a Russian form of polite addressing, neither mentioning of a title, nor a family name).