User talk:SAKryukov: Difference between revisions

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:::: The reason I like 159edo so much is that you have near-perfect approximations of both the 3-limit and the 11-limit. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 15:35, 24 November 2020 (UTC)

::::: Perhaps we can discuss it later. I consider N-limit systems as artificial (no the system with rational frequency ratio themselves — this is the natural fundamental of the harmony —, but the concept of the limit itself and selection of the intervals for the tonal system, I am presently trying some research in this direction. I already noticed 159-EDO on your page, hard to understand how it's possible to deal with such high-order system, compose and play :-)

::::: I'm working with the prominent theorist and pedagogue Valeri Brainin, creator of "Brainin method", predictive method of music teaching, developing musical hearing understood as musical intellect. He is using my platform and some instruments. He just reported his work at the seminar he created, "Mastering of complicated interval structures by ear". The seminar is remote, he is using the capability we devised for remote work. They record sequences and send/receive across social media. The typical task of the method is to predict and continue (not to reproduce). A student receives the sequence, modify it by playing over it and sends back, and so on...

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::::: Yes, I noticed those EDOs on your page. Cannot understand how it's possible to deal with so high-order systems, play and compose.

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 :::: The reason I like 159edo so much is that you have near-perfect approximations of both the 3-limit and the 11-limit. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 15:35, 24 November 2020 (UTC)
+::::: Perhaps we can discuss it later. I consider N-limit systems as artificial (no the system with rational frequency ratio themselves &mdash; this is the natural fundamental of the harmony &mdash;, but the concept of the limit itself and selection of the intervals for the tonal system, I am presently trying some research in this direction. I already noticed 159-EDO on your page, hard to understand how it's possible to deal with such high-order system, compose and play :-)
+::::: I'm working with the prominent theorist and pedagogue Valeri Brainin, creator of "Brainin method", predictive method of music teaching, developing musical hearing understood as musical intellect. He is using my platform and some instruments. He just reported his work at the seminar he created, "Mastering of complicated interval structures by ear". The seminar is remote, he is using the capability we devised for remote work. They record sequences and send/receive across social media. The typical task of the method is to predict and continue (not to reproduce). A student receives the sequence, modify it by playing over it and sends back, and so on...
+::::
+::::: Yes, I noticed those EDOs on your page. Cannot understand how it's possible to deal with so high-order systems, play and compose.