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:::: Has anything changed since the state reflected by the last comments in https://en.xen.wiki/w/Talk:159edo_notation (October 16th, I think)? In general what you're proposing seems reasonable. One additional thing I might hope for, is that in systems that temper out the Rastma, the accidentals that differ by a Rastma be taken as synonyms of the normal quartertone accidentals by the Musescore plugin. I like being able to switch the tuning from one EDO to another and have it sound as similar as possible given the EDOs. P.S. On the subject of the Rastma, I recently noticed that the tridecimal equivalent of the Rastma, 512/507 i.e. what you temper out to make 16/13 half of a perfect fifth wasn't in the table of small commas https://en.xen.wiki/w/Small_comma and added it. I got a somewhat non-catchy name for it from http://www.huygens-fokker.org/docs/intervals.html . Any opinion on whether I could give it a catchier name e.g. Tridecimal Rastma? --[[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 04:16, 24 November 2020 (UTC)
:::: Has anything changed since the state reflected by the last comments in https://en.xen.wiki/w/Talk:159edo_notation (October 16th, I think)? In general what you're proposing seems reasonable. One additional thing I might hope for, is that in systems that temper out the Rastma, the accidentals that differ by a Rastma be taken as synonyms of the normal quartertone accidentals by the Musescore plugin. I like being able to switch the tuning from one EDO to another and have it sound as similar as possible given the EDOs. P.S. On the subject of the Rastma, I recently noticed that the tridecimal equivalent of the Rastma, 512/507 i.e. what you temper out to make 16/13 half of a perfect fifth wasn't in the table of small commas https://en.xen.wiki/w/Small_comma and added it. I got a somewhat non-catchy name for it from http://www.huygens-fokker.org/docs/intervals.html . Any opinion on whether I could give it a catchier name e.g. Tridecimal Rastma? --[[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 04:16, 24 November 2020 (UTC)


::::: The most recent comments in [[Talk:159edo notation #My Second Idea for a Notation_System]] reflect the current state of affairs for the most part, but something tells me we have yet to finalize things.  I'm glad you think my proposals to be mostly reasonable, and I do agree that in systems that temper out the Rastma, the accidentals that differ by a Rastma should be taken as synonyms of the normal quartertone accidentals by the Musescore plugin.  I'd be happy to get your input on this, and we need to get Xenwolf back into this as well.  --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 05:25, 24 November 2020 (UTC)
::::: The most recent comments in [[Talk:159edo notation #My Second Idea for a Notation System|the last section of the 159edo notation talk page]] reflect the current state of affairs for the most part, but something tells me we have yet to finalize things.  I'm glad you think my proposals to be mostly reasonable, and I do agree that in systems that temper out the Rastma, the accidentals that differ by a Rastma should be taken as synonyms of the normal quartertone accidentals by the Musescore plugin.  I'd be happy to get your input on this, and we need to get Xenwolf back into this as well.  --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 05:25, 24 November 2020 (UTC)


::::: You say that you like being able to switch the tuning from one EDO to another and have it sound as similar as possible given the EDOs...  Well, I must point out that 159edo can pull some serious shenanigans on this front, mimicking 12edo, 14edo, 17edo, 19edo, 22edo, 24edo, 27edo, 31edo, 35edo, and 41edo- yes, I'm currently writing a song that changes between these mid-piece.  Yes, that means I would like to see representation of both 81/80 and the rastma, and I do have some ideas for that- namely separating out the syntonic arrows into their own glyphs, which then can be combined with another combining glyph representing the rastma. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 05:25, 24 November 2020 (UTC)
::::: You say that you like being able to switch the tuning from one EDO to another and have it sound as similar as possible given the EDOs...  Well, I must point out that 159edo can pull some serious shenanigans on this front, mimicking 12edo, 14edo, 17edo, 19edo, 22edo, 24edo, 27edo, 31edo, 35edo, and 41edo- yes, I'm currently writing a song that changes between these mid-piece.  Yes, that means I would like to see representation of both 81/80 and the rastma, and I do have some ideas for that- namely separating out the syntonic arrows into their own glyphs, which then can be combined with another combining glyph representing the rastma. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 05:25, 24 November 2020 (UTC)