Kite Guitar: Difference between revisions

TallKite (talk | contribs)
TallKite (talk | contribs)
Fretboard Charts (downmajor tuning): added deep-5 and deep-6 bass tunings, and baritone guitar tunings
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This is called the mid-6 tuning, as opposed to a low-6 tuning (vD to vA), or high-6 tuning (^A to ^E). Not to be confused with the low-6 or high-6 ''voicing'', see the [[The_Kite_Guitar_Chord_Shapes_(downmajor_tuning)|chords page]]. The various options:  
This is called the mid-6 tuning, as opposed to a low-6 tuning (vD to vA), or high-6 tuning (^A to ^E). Not to be confused with the low-6 or high-6 ''voicing'', see the [[The_Kite_Guitar_Chord_Shapes_(downmajor_tuning)|chords page]]. The various options:  
* 8-string guitar: full-8  
* 8-string guitar: full-8  
* 7-string guitar: low-7 or high-7, or possibly mid-7 (either high-7 flattened by a dot, D# to D, or else low-7 sharpened by a dot, E to Eb)  
* 7-string guitar: low-7 or high-7, or possibly mid-7 (either high-7 down a dot, D# to D, or else low-7 up a dot, E to Eb)  
* 6-string guitar: low-6, mid-6 or high-6  
* 6-string guitar: low-6, mid-6 or high-6  
A bass guitar can of course be fretless and tuned EADG as usual. If fretted, it would be tuned similarly to guitar. It would ideally be 6 strings.
Another option is a baritone guitar tuned to the top 5 or 6 strings of the full-8, but lowered by an octave.
* 6-string bass: full-6 (the guitar's low-6 down an octave)  
 
* 5-string bass: low-5 or possibly high-5  
A bass guitar can of course be fretless and tuned EADG as usual. This avoids the need for extra strings and custom microtonal frets. If fretted, a bass would be tuned similarly to guitar, but an octave lower. It would ideally be 6 strings. A conventional 5-string bass often has the 5th string tuned to B below low E. The analogous Kite bass has a Bb below the low vD. Tuning this way makes a deep-5 or deep-6 tuning.
* 4-string bass: low-4, mid-4 or possibly high-4  
* 6-string bass: full-6 (the guitar's low-6 down an octave) or deep-6 (full-6 down a vM3)  
* 5-string bass: low-5 or possibly deep-5 or high-5  
* 4-string bass: low-4 or mid-4, or possibly high-4  
This chart shows all the notes for the full-8 tuning, not just the natural ones. But it's too much work to memorize all this. Just learn where the 7 natural notes are, and learn your intervals. Since the open strings don’t work as well, one tends to think more in terms of intervals than notes anyway.  
This chart shows all the notes for the full-8 tuning, not just the natural ones. But it's too much work to memorize all this. Just learn where the 7 natural notes are, and learn your intervals. Since the open strings don’t work as well, one tends to think more in terms of intervals than notes anyway.  
[[File:The Kite Tuning 5.png|none|thumb|900x900px]]Some keys are somewhat awkward to play in. For example, a vG scale is either too close to the nut to have a plain major 2nd, or else way up at the 16th fret where the fret spacing is a little too cramped to play chords comfortably. There's a "sweet spot" for the tonic on the lowest 3 strings, from about the 4th fret to about the 11th fret. This defines a 3x8 rectangle containing 24 keys, roughly every other one of the 41 possible keys. The lowest string of an 8-string is tuned to vD not D so that the common keys of C, G, D, A and E fall in this sweet spot. D is tuned to A-440 standard pitch, to bring these 5 keys as close to 12-edo as possible. The D note agrees exactly, the A note is 2.5¢ sharp of 12-edo, E is 5¢ sharp, and so forth along the spiral of 5ths.
[[File:The Kite Tuning 5.png|none|thumb|900x900px]]Some keys are somewhat awkward to play in. For example, a vG scale is either too close to the nut to have a plain major 2nd, or else way up at the 16th fret where the fret spacing is a little too cramped to play chords comfortably. There's a "sweet spot" for the tonic on the lowest 3 strings, from about the 4th fret to about the 11th fret. This defines a 3x8 rectangle containing 24 keys, roughly every other one of the 41 possible keys. The lowest string of an 8-string is tuned to vD not D so that the common keys of C, G, D, A and E fall in this sweet spot. D is tuned to A-440 standard pitch, to bring these 5 keys as close to 12-edo as possible. The D note agrees exactly, the A note is 2.5¢ sharp of 12-edo, E is 5¢ sharp, and so forth along the spiral of 5ths.
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=== [[Kite_Giedraitis's_Categorizations_of_41edo_Scales |Scales on the Kite Guitar]] ===
=== [[Kite_Giedraitis's_Categorizations_of_41edo_Scales |Scales on the Kite Guitar]] ===
A theoretical exploration of 41edo scales. The 5 categories are pentatonic, diatonic, semitonal, chromatic and microtonal.
A theoretical exploration of 41edo scales. The 5 categories are pentatonic, diatonic, semitonal, chromatic and microtonal.
=== [[41edo Note Names]] ===
How to name any note in any chord on any root in any key, using ups and downs.


=== [http://tallkite.com/misc_files/The%20Kite%20Tuning.pdf The Kite Tuning (original announcement)] ===
=== [http://tallkite.com/misc_files/The%20Kite%20Tuning.pdf The Kite Tuning (original announcement)] ===
The May 2019 paper, the original announcement of the discovery (16 page pdf).
The May 2019 paper, the original announcement of the discovery (16 page pdf).