Kite Guitar: Difference between revisions
→Fretboard Charts (downmajor tuning): added deep-5 and deep-6 bass tunings, and baritone guitar tunings |
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This is called the mid-6 tuning, as opposed to a low-6 tuning (vD to vA), or high-6 tuning (^A to ^E). Not to be confused with the low-6 or high-6 ''voicing'', see the [[The_Kite_Guitar_Chord_Shapes_(downmajor_tuning)|chords page]]. The various options: | This is called the mid-6 tuning, as opposed to a low-6 tuning (vD to vA), or high-6 tuning (^A to ^E). Not to be confused with the low-6 or high-6 ''voicing'', see the [[The_Kite_Guitar_Chord_Shapes_(downmajor_tuning)|chords page]]. The various options: | ||
* 8-string guitar: full-8 | * 8-string guitar: full-8 | ||
* 7-string guitar: low-7 or high-7, or possibly mid-7 (either high-7 | * 7-string guitar: low-7 or high-7, or possibly mid-7 (either high-7 down a dot, D# to D, or else low-7 up a dot, E to Eb) | ||
* 6-string guitar: low-6, mid-6 or high-6 | * 6-string guitar: low-6, mid-6 or high-6 | ||
A bass guitar can of course be fretless and tuned EADG as usual. If fretted, | Another option is a baritone guitar tuned to the top 5 or 6 strings of the full-8, but lowered by an octave. | ||
* 6-string bass: full-6 (the guitar's low-6 down an octave) | |||
* 5-string bass: low-5 or possibly high-5 | A bass guitar can of course be fretless and tuned EADG as usual. This avoids the need for extra strings and custom microtonal frets. If fretted, a bass would be tuned similarly to guitar, but an octave lower. It would ideally be 6 strings. A conventional 5-string bass often has the 5th string tuned to B below low E. The analogous Kite bass has a Bb below the low vD. Tuning this way makes a deep-5 or deep-6 tuning. | ||
* 4-string bass: low-4 | * 6-string bass: full-6 (the guitar's low-6 down an octave) or deep-6 (full-6 down a vM3) | ||
* 5-string bass: low-5 or possibly deep-5 or high-5 | |||
* 4-string bass: low-4 or mid-4, or possibly high-4 | |||
This chart shows all the notes for the full-8 tuning, not just the natural ones. But it's too much work to memorize all this. Just learn where the 7 natural notes are, and learn your intervals. Since the open strings don’t work as well, one tends to think more in terms of intervals than notes anyway. | This chart shows all the notes for the full-8 tuning, not just the natural ones. But it's too much work to memorize all this. Just learn where the 7 natural notes are, and learn your intervals. Since the open strings don’t work as well, one tends to think more in terms of intervals than notes anyway. | ||
[[File:The Kite Tuning 5.png|none|thumb|900x900px]]Some keys are somewhat awkward to play in. For example, a vG scale is either too close to the nut to have a plain major 2nd, or else way up at the 16th fret where the fret spacing is a little too cramped to play chords comfortably. There's a "sweet spot" for the tonic on the lowest 3 strings, from about the 4th fret to about the 11th fret. This defines a 3x8 rectangle containing 24 keys, roughly every other one of the 41 possible keys. The lowest string of an 8-string is tuned to vD not D so that the common keys of C, G, D, A and E fall in this sweet spot. D is tuned to A-440 standard pitch, to bring these 5 keys as close to 12-edo as possible. The D note agrees exactly, the A note is 2.5¢ sharp of 12-edo, E is 5¢ sharp, and so forth along the spiral of 5ths. | [[File:The Kite Tuning 5.png|none|thumb|900x900px]]Some keys are somewhat awkward to play in. For example, a vG scale is either too close to the nut to have a plain major 2nd, or else way up at the 16th fret where the fret spacing is a little too cramped to play chords comfortably. There's a "sweet spot" for the tonic on the lowest 3 strings, from about the 4th fret to about the 11th fret. This defines a 3x8 rectangle containing 24 keys, roughly every other one of the 41 possible keys. The lowest string of an 8-string is tuned to vD not D so that the common keys of C, G, D, A and E fall in this sweet spot. D is tuned to A-440 standard pitch, to bring these 5 keys as close to 12-edo as possible. The D note agrees exactly, the A note is 2.5¢ sharp of 12-edo, E is 5¢ sharp, and so forth along the spiral of 5ths. | ||
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=== [[Kite_Giedraitis's_Categorizations_of_41edo_Scales |Scales on the Kite Guitar]] === | === [[Kite_Giedraitis's_Categorizations_of_41edo_Scales |Scales on the Kite Guitar]] === | ||
A theoretical exploration of 41edo scales. The 5 categories are pentatonic, diatonic, semitonal, chromatic and microtonal. | A theoretical exploration of 41edo scales. The 5 categories are pentatonic, diatonic, semitonal, chromatic and microtonal. | ||
=== [[41edo Note Names]] === | |||
How to name any note in any chord on any root in any key, using ups and downs. | |||
=== [http://tallkite.com/misc_files/The%20Kite%20Tuning.pdf The Kite Tuning (original announcement)] === | === [http://tallkite.com/misc_files/The%20Kite%20Tuning.pdf The Kite Tuning (original announcement)] === | ||
The May 2019 paper, the original announcement of the discovery (16 page pdf). | The May 2019 paper, the original announcement of the discovery (16 page pdf). |