15edo: Difference between revisions

Wikispaces>keenanpepper
**Imported revision 312603502 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 318307520 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-03-19 18:44:55 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-04-06 22:01:35 UTC</tt>.<br>
: The original revision id was <tt>312603502</tt>.<br>
: The original revision id was <tt>318307520</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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15-EDO offers some minor improvements over 12-TET in ratios of 5 (particularly in 6/5 and 5/3), and has a much better approximation to the 7th and 11th harmonics, but its approximation to the 3rd harmonic is rather off. However, the particular way in which this approximation is off is as much a feature as it is a bug, for it allows the construction of a 5L5s MOS scale wherein every note of the scale can serve as a root for a 7-limit otonal or utonal tetrad, as well as either a 5-limit major or minor 7th chord. This is known as Blackwood temperament, named after Easley Blackwood, Jr., who is the first to document its existence. It has also been written on extensively by [[IgliashonJones|Igliashon Jones]] in the paper "[[http://www.cityoftheasleep.com/etc/5nEDOs.pdf|Five is Not an Odd Number]]".
15-EDO offers some minor improvements over 12-TET in ratios of 5 (particularly in 6/5 and 5/3), and has a much better approximation to the 7th and 11th harmonics, but its approximation to the 3rd harmonic is rather off. However, the particular way in which this approximation is off is as much a feature as it is a bug, for it allows the construction of a 5L5s MOS scale wherein every note of the scale can serve as a root for a 7-limit otonal or utonal tetrad, as well as either a 5-limit major or minor 7th chord. This is known as Blackwood temperament, named after Easley Blackwood, Jr., who is the first to document its existence. It has also been written on extensively by [[IgliashonJones|Igliashon Jones]] in the paper "[[http://www.cityoftheasleep.com/etc/5nEDOs.pdf|Five is Not an Odd Number]]".


=Linear temperaments=  
=Rank two temperaments=  
[[List of 15et rank two temperaments by badness]]
 
||~ Periods
||~ Periods
per octave ||~ Generator ||~ Temperaments ||
per octave ||~ Generator ||~ Temperaments ||
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15-edo can be seen as a &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; temperament because of its ability to approximate some septimal intervals, but it also contains some fairly obvious approximations to &lt;a class="wiki_link" href="/11-limit"&gt;11-limit&lt;/a&gt; intervals, so it can reasonably be described as an 11-limit temperament; however, due to its rather distant approximation of the 3rd harmonic (and therefore the 9th harmonic as well), those seeking to approximate JI with 15-edo would be best advised to avoid chords requiring those harmonics.&lt;br /&gt;
15-edo can be seen as a &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; temperament because of its ability to approximate some septimal intervals, but it also contains some fairly obvious approximations to &lt;a class="wiki_link" href="/11-limit"&gt;11-limit&lt;/a&gt; intervals, so it can reasonably be described as an 11-limit temperament; however, due to its rather distant approximation of the 3rd harmonic (and therefore the 9th harmonic as well), those seeking to approximate JI with 15-edo would be best advised to avoid chords requiring those harmonics.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextTocRule:15:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;a href="#Harmony"&gt;Harmony&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt; | &lt;a href="#Linear temperaments"&gt;Linear temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt; | &lt;a href="#Commas"&gt;Commas&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt; | &lt;a href="#Additional notes"&gt;Additional notes&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt; | &lt;a href="#Theory"&gt;Theory&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Practical Theory / Books"&gt;Practical Theory / Books&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt; | &lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;
&lt;!-- ws:start:WikiTextTocRule:15:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;a href="#Harmony"&gt;Harmony&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt; | &lt;a href="#Rank two temperaments"&gt;Rank two temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt; | &lt;a href="#Commas"&gt;Commas&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt; | &lt;a href="#Additional notes"&gt;Additional notes&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt; | &lt;a href="#Theory"&gt;Theory&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Practical Theory / Books"&gt;Practical Theory / Books&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt; | &lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Harmony"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;Harmony&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Harmony"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;Harmony&lt;/h1&gt;
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15-EDO offers some minor improvements over 12-TET in ratios of 5 (particularly in 6/5 and 5/3), and has a much better approximation to the 7th and 11th harmonics, but its approximation to the 3rd harmonic is rather off. However, the particular way in which this approximation is off is as much a feature as it is a bug, for it allows the construction of a 5L5s MOS scale wherein every note of the scale can serve as a root for a 7-limit otonal or utonal tetrad, as well as either a 5-limit major or minor 7th chord. This is known as Blackwood temperament, named after Easley Blackwood, Jr., who is the first to document its existence. It has also been written on extensively by &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; in the paper &amp;quot;&lt;a class="wiki_link_ext" href="http://www.cityoftheasleep.com/etc/5nEDOs.pdf" rel="nofollow"&gt;Five is Not an Odd Number&lt;/a&gt;&amp;quot;.&lt;br /&gt;
15-EDO offers some minor improvements over 12-TET in ratios of 5 (particularly in 6/5 and 5/3), and has a much better approximation to the 7th and 11th harmonics, but its approximation to the 3rd harmonic is rather off. However, the particular way in which this approximation is off is as much a feature as it is a bug, for it allows the construction of a 5L5s MOS scale wherein every note of the scale can serve as a root for a 7-limit otonal or utonal tetrad, as well as either a 5-limit major or minor 7th chord. This is known as Blackwood temperament, named after Easley Blackwood, Jr., who is the first to document its existence. It has also been written on extensively by &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; in the paper &amp;quot;&lt;a class="wiki_link_ext" href="http://www.cityoftheasleep.com/etc/5nEDOs.pdf" rel="nofollow"&gt;Five is Not an Odd Number&lt;/a&gt;&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Linear temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Linear temperaments&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Rank two temperaments&lt;/h1&gt;
   
  &lt;a class="wiki_link" href="/List%20of%2015et%20rank%20two%20temperaments%20by%20badness"&gt;List of 15et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
 


&lt;table class="wiki_table"&gt;
&lt;table class="wiki_table"&gt;
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&lt;!-- ws:start:WikiTextFileRule:585:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/happenstance15.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@happenstance15.ogg&amp;quot; title=&amp;quot;File: happenstance15.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="happenstance15.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');" class="filename" title="happenstance15.ogg"&gt;happenstance15.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/happenstance15.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:585 --&gt;Sonic experiment in 15. Somewhat familiar tonality.&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:585:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/happenstance15.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@happenstance15.ogg&amp;quot; title=&amp;quot;File: happenstance15.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="happenstance15.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');" class="filename" title="happenstance15.ogg"&gt;happenstance15.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/happenstance15.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:585 --&gt;Sonic experiment in 15. Somewhat familiar tonality.&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:994:http://www.youtube.com/watch?v=kQECU5ecCd4 --&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=kQECU5ecCd4" rel="nofollow"&gt;http://www.youtube.com/watch?v=kQECU5ecCd4&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:994 --&gt;&lt;span class="long-title"&gt; Portrait of insects with 15-tone equal tempered guitar music &lt;/span&gt;&lt;br /&gt;
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