24edo: Difference between revisions
→Ups and down notation: some cleanup |
→William Lynch's notation: simplified wiki markup |
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For a more complete list of chords, see [[Ups and Downs Notation #Chords and Chord Progressions]]. | For a more complete list of chords, see [[Ups and Downs Notation #Chords and Chord Progressions]]. | ||
==William Lynch's notation== | == William Lynch's notation == | ||
24 EDO breaks intervals into two sets of five cartegories. Infra - Minor - Neutral - Major - Ultra for seconds, thirds, sixths, and sevenths; and diminished - narrow - perfect - wide - augmented for fourths, fifths, unison, and octave. For other strange enharmonics, wide and narrow can be used in conjunction with augmented and diminished intervals such as 550 cents being called a narrow diminished fifth and 850 cents being called a wide augmented fifth. See the [[24_EDO_Interval_names_and_Harmonies|full article on 24 Edo intervals.]] | 24 EDO breaks intervals into two sets of five cartegories. Infra - Minor - Neutral - Major - Ultra for seconds, thirds, sixths, and sevenths; and diminished - narrow - perfect - wide - augmented for fourths, fifths, unison, and octave. For other strange enharmonics, wide and narrow can be used in conjunction with augmented and diminished intervals such as 550 cents being called a narrow diminished fifth and 850 cents being called a wide augmented fifth. See the [[24_EDO_Interval_names_and_Harmonies|full article on 24 Edo intervals.]] | ||
These are the intervals of 24 EDO that do not exist in 12 EDO: | These are the intervals of 24 EDO that do not exist in 12 EDO: | ||
{| class="wikitable" | {| class="wikitable center-all" | ||
|- | |- | ||
! colspan="4" | The twelve new intervals in 24edo | ! colspan="4" | The twelve new intervals in 24edo | ||
! colspan="3" | some nearby JI intervals | ! colspan="3" | some nearby JI intervals | ||
|- | |- | ||
! | ! cents | ||
!pions | ! pions | ||
!7mus | ! 7mus | ||
! | ! common names | ||
! | ! frequency ratio | ||
! | ! cents | ||
! | ! common name | ||
|- | |- | ||
| 50 | |||
|53 | | 53 | ||
|64 (40<sub>16</sub>) | | 64 (40<sub>16</sub>) | ||
| quartertone <br> infra second, wide unison | |||
| [[36/35]] <br> [[35/34]] <br> [[34/33]] <br> [[33/32]] | |||
infra second, wide unison | | 48.77 <br> 50.184 <br> 51.682 <br> 53.273 | ||
| large septimal quarter-tone (Archytas) <br> large 17-limit quartertone <br> small 17-limit quartertone <br> 33rd harmonic | |||
[[ | |||
[[ | |||
[[ | |||
50.184 | |||
51.682 | |||
53.273 | |||
large 17-limit quartertone | |||
small 17-limit quartertone | |||
33rd harmonic | |||
|- | |- | ||
| 150 | |||
|159 | | 159 | ||
|192 (C0<sub>16</sub>) | | 192 (C0<sub>16</sub>) | ||
| neutral second | |||
| [[12/11]] | |||
| 150.637 | |||
| large undecimal neutral second | |||
|- | |- | ||
| 250 | |||
|265 | | 265 | ||
|320 (140<sub>16</sub>) | | 320 (140<sub>16</sub>) | ||
| ultra second <br> infra third | |||
| [[144/125]] <br> [[15/13]] <br> [[52/45]] | |||
< | | 244.969 <br> 247.741 <br> 250.304 | ||
| diminished third (6/5 x 24/25) <br> .. <br> .. | |||
[[ | |||
[[ | |||
247.741 | |||
250.304 | |||
.. | |||
.. | |||
|- | |- | ||
| 350 | |||
|383 | | 383 | ||
|448 (1C0<sub>16</sub>) | | 448 (1C0<sub>16</sub>) | ||
| neutral third | |||
| [[11/9]] <br> [[27/22]] <br> [[16/13]] | |||
| 347.408 <br> 354.547 <br> 359.472 | |||
[[ | | undecimal neutral third <br> .. <br> tridecimal neutral third | ||
[[ | |||
354.547 | |||
359.472 | |||
.. | |||
tridecimal neutral third | |||
|- | |- | ||
| 450 | |||
|477 | | 477 | ||
|576 (240<sub>16</sub>) | | 576 (240<sub>16</sub>) | ||
| minor fourth, ultra third, narrow fourth | |||
| [[22/17]] <br> [[35/27]] <br> [[13/10]] | |||
| 446.363 <br> 449.275 <br> 454.214 | |||
[[ | | 17-limit supermajor third <br> .. <br> tridecimal subfourth | ||
[[ | |||
449.275 | |||
454.214 | |||
.. | |||
tridecimal subfourth | |||
|- | |- | ||
| 550 | |||
|583 | | 583 | ||
|704 (2C0<sub>16</sub>) | | 704 (2C0<sub>16</sub>) | ||
| wide fourth | |||
| [[11/8]] | |||
| 551.318 | |||
| undecimal superfourth, harmonic 11th | |||
|- | |- | ||
| 650 | |||
|689 | | 689 | ||
|832 (340<sub>16</sub>) | | 832 (340<sub>16</sub>) | ||
| narrow fifth | |||
| [[16/11]] | |||
| 648.682 | |||
| undecimal subfifth, 11th subharmonic | |||
|- | |- | ||
| 750 | |||
|795 | | 795 | ||
|960 (3C0<sub>16</sub>) | | 960 (3C0<sub>16</sub>) | ||
| wide fifth, infra sixth | |||
| [[20/13]] <br> [[54/35]] <br> [[17/11]] | |||
| 745.786 <br> 750.725 <br> 753.637 | |||
[[ | | tridecimal superfifth <br> .. <br> 17-limit subminor sixth | ||
[[ | |||
750.725 | |||
753.637 | |||
.. | |||
17-limit subminor sixth | |||
|- | |- | ||
| 850 | |||
|901 | | 901 | ||
|1088 (340<sub>16</sub>) | | 1088 (340<sub>16</sub>) | ||
| neutral sixth | |||
| [[13/8]] <br> [[44/27]] <br> [[18/11]] | |||
| 840.528 <br> 845.453 <br> 852.592 | |||
[[ | | overtone sixth, 13th harmonic <br> .. <br> undecimal neutral sixth | ||
[[ | |||
845.453 | |||
852.592 | |||
.. | |||
undecimal neutral sixth | |||
|- | |- | ||
| 950 | |||
|1007 | | 1007 | ||
|1216 (4C0<sub>16</sub>) | | 1216 (4C0<sub>16</sub>) | ||
| ultra sixth , infra seventh | |||
| [[45/26]] <br> [[26/15]] <br> [[125/72]] | |||
| 949.696 <br> 952.259 <br> 955.031 | |||
[[ | | .. <br> .. <br> .. | ||
[[ | |||
952.259 | |||
955.031 | |||
.. | |||
.. | |||
|- | |- | ||
| 1050 | |||
|1113 | | 1113 | ||
|1344 (540<sub>16</sub>) | | 1344 (540<sub>16</sub>) | ||
| neutral seventh | |||
| [[11/6]] | |||
| 1049.363 | |||
| undecimal neutral seventh | |||
|- | |- | ||
| 1150 | |||
|1219 | | 1219 | ||
|1472 (5C0<sub>16</sub>) | | 1472 (5C0<sub>16</sub>) | ||
| ultra seventh, narrow octave | |||
| [[31/16]] <br> [[33/17]] <br> [[35/18]] | |||
| 1145.036 <br> 1148.318 <br> 1151.230 | |||
[[ | | 31st harmonic <br> .. <br> .. | ||
|} | |||
[[ | |||
1148.318 | |||
=== Interval Alterations === | |||
The special alterations of the intervals and chords of 12 equal can be notated like this: | The special alterations of the intervals and chords of 12 equal can be notated like this: | ||
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The Latin words "tendo" (meaning "expand") and "arto" (meaning "contract") can be used to replace the words "supermajor" and "subminor" in order to shorten the names of the intervals. | The Latin words "tendo" (meaning "expand") and "arto" (meaning "contract") can be used to replace the words "supermajor" and "subminor" in order to shorten the names of the intervals. | ||
===Chord Names=== | === Chord Names === | ||
Naming chords in 24edo can be achieved by adding a few things to the already [[#|existing]] set of terms that are used to name 12edo chords. | Naming chords in 24edo can be achieved by adding a few things to the already [[#|existing]] set of terms that are used to name 12edo chords. | ||