Kite's ups and downs notation: Difference between revisions
→Chords and Chord Progressions: updated the nomenclature, changed Caug to Ca and Cdim to Cd |
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* C vE G = Cv = "C down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid") | * C vE G = Cv = "C down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid") | ||
* C vvE G = Cvv = "C double-down" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid", in EDOs 25, 32, 39, 46, etc. C^~ = "C upmid") | * C vvE G = Cvv = "C double-down" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid", in EDOs 25, 32, 39, 46, etc. C^~ = "C upmid") | ||
This table shows how altering the 3rd or the 5th affects the name of the triad | This table shows how altering the 3rd or the 5th affects the name of the triad The conventional abbreviations for aug and dim ate + and o. These are rather cryptic, and can be replaced with the more obvious and intuitive a and d. Likewise the symbols Δ and − can be replaced with M and m. | ||
{| class="wikitable" style="text-align:center;" | {| class="wikitable" style="text-align:center;" | ||
|+ | |+ | ||
| Line 835: | Line 835: | ||
|C4 | |C4 | ||
|C2 | |C2 | ||
| | |Ca | ||
|C+ | |C+ | ||
| | |Cd | ||
|Co | |Co | ||
|- | |- | ||
| Line 845: | Line 845: | ||
|Cv4 | |Cv4 | ||
|Cv2 | |Cv2 | ||
| | |Cva | ||
|Cv+ | |Cv+ | ||
| | |Cvd | ||
|Cvo | |Cvo | ||
|- | |- | ||
| Line 855: | Line 855: | ||
|C4(v5) | |C4(v5) | ||
|C2(v5) | |C2(v5) | ||
| | |Ca(v5) | ||
|C+(v5) | |C+(v5) | ||
| | |Cd(v5) | ||
|Co(v5) | |Co(v5) | ||
|- | |- | ||
| Line 865: | Line 865: | ||
|Cv4(v5) | |Cv4(v5) | ||
|Cv2(v5) | |Cv2(v5) | ||
| | |Cva(v5) | ||
|Cv+(v5) | |Cv+(v5) | ||
| | |Cvd(v5) | ||
|Cvo(v5) | |Cvo(v5) | ||
|} | |} | ||
| Line 884: | Line 884: | ||
* C E G vBb = C,v7 = "C add down-seven" | * C E G vBb = C,v7 = "C add down-seven" | ||
* C vE G vBb = Cv7 = "C down seven" | * C vE G vBb = Cv7 = "C down seven" | ||
All 7th chords follow this same pattern. Likewise, if a 6th is not a P4 or A4 above the 3rd, it's an "add-6" chord. Permitting add-7 chords has the added benefit that the wordy "minor-7 flat-5" and the illogical "half-dim" can be replaced with "dim add-7", written | All 7th chords follow this same pattern. Likewise, if a 6th is not a P4 or A4 above the 3rd, it's an "add-6" chord. Permitting add-7 chords has the added benefit that the wordy "minor-7 flat-5" and the illogical "half-dim" can be replaced with "dim add-7", written Cd,7. | ||
In the table below, if a chord is '''bolded''', the comma must be spoken as "add". In non-bolded names, the comma can be omitted when writing the chord, although that might make the chord name less readable. | In the table below, if a chord is '''bolded''', the comma must be spoken as "add". In non-bolded names, the comma can be omitted when writing the chord, although that might make the chord name less readable. | ||
| Line 913: | Line 913: | ||
|Cm7(b5) | |Cm7(b5) | ||
|Cø | |Cø | ||
|''' | |'''Cd,7''' | ||
| | |Cd7 | ||
|Co7 | |Co7 | ||
|C6 | |C6 | ||
| Line 925: | Line 925: | ||
|'''Cvm,7(b5)''' | |'''Cvm,7(b5)''' | ||
|Cø(v3) | |Cø(v3) | ||
|''' | |'''Cvd,7''' | ||
| | |Cvd,d7 | ||
|Cvo,d7 | |Cvo,d7 | ||
|'''Cv,6''' | |'''Cv,6''' | ||
| Line 937: | Line 937: | ||
|Cm7(vb5) | |Cm7(vb5) | ||
|Cø(v5) | |Cø(v5) | ||
| | |Cd(v5)7 | ||
| | |Cd7(v5) | ||
|Co7(v5) | |Co7(v5) | ||
|C6(v5) | |C6(v5) | ||
| Line 949: | Line 949: | ||
|Cm,v7(b5) | |Cm,v7(b5) | ||
|Cø(v7) | |Cø(v7) | ||
| | |Cd,v7 | ||
| | |Cd,vd7 | ||
|Co,vd7 | |Co,vd7 | ||
|'''C,v6''' | |'''C,v6''' | ||
| Line 961: | Line 961: | ||
|'''Cvm,7(vb5)''' | |'''Cvm,7(vb5)''' | ||
|Cø(v3,v5) | |Cø(v3,v5) | ||
| | |Cvd(v5)7 | ||
| | |Cvd(v5)d7 | ||
|Cvo(v5)d7 | |Cvo(v5)d7 | ||
|Cv(v5)6 | |Cv(v5)6 | ||
| Line 973: | Line 973: | ||
|Cvm7(b5) | |Cvm7(b5) | ||
|Cvø | |Cvø | ||
| | |Cvd,v7 | ||
| | |Cvd7 | ||
|Cvo7 | |Cvo7 | ||
|Cv6 | |Cv6 | ||
| Line 985: | Line 985: | ||
|Cm,v7(vb5) | |Cm,v7(vb5) | ||
|Cø(v5,v7) | |Cø(v5,v7) | ||
| | |Cd(v5)v7 | ||
| | |Cd(v5)vd7 | ||
|Co(v5)vd7 | |Co(v5)vd7 | ||
|C(v5)v6 | |C(v5)v6 | ||
| Line 997: | Line 997: | ||
|Cvm7(vb5) | |Cvm7(vb5) | ||
|Cvø(v5) | |Cvø(v5) | ||
| | |Cvd(v5)v7 | ||
| | |Cvd7(v5) | ||
|Cvo7(v5) | |Cvo7(v5) | ||
|Cv6(v5) | |Cv6(v5) | ||
| Line 1,231: | Line 1,231: | ||
Imperfect intervals (2nd, 3rd, 6th and 7th): a = mid, e = major, i = aug, o = minor, u = dim | Imperfect intervals (2nd, 3rd, 6th and 7th): a = mid, e = major, i = aug, o = minor, u = dim | ||
* Ra = ~2, Re = M2, Ri = A2, Ro = m2, Ru = d2 | * Ra = ~2, Re = M2, Ri = A2, Ro = m2, Ru = d2 | ||
* Ree = ^M2, Rei = ^^M2, Reo = vM2, Reu = vvM2, Rea = ^^^M2 | * Ree = ^M2, Rei = ^^M2, Reo = vM2, Reu = vvM2, Rea = ^^^M2 [[Category:Ups and Downs Notation|!]] <!-- main article --> | ||
[[Category:notation]] | [[Category:notation]] | ||