Kite Giedraitis's Categorizations of 41edo Scales: Difference between revisions
added a section on MOS scales |
→41-edo MOS scales: working on new scales |
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|[[Hemimiracle]] | |[[Hemimiracle]] | ||
|(P8, P5/12) | |(P8, P5/12) | ||
| | |20 notes | ||
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5 4 | 5 4 | ||
| -2, -4 | | -2, -4 | ||
+2,-4 | +2, -4 | ||
|- | |- | ||
|10 = m3 | |10 = m3 | ||
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|} | |} | ||
Most MOS scales either lack a perfect 5th or are awkward to play on the Kite Guitar. Awkward scales require more than 3 string hops per octave, or moves by more than 4 frets. The | The moves column is explained Most MOS scales either lack a perfect 5th or are awkward to play on the Kite Guitar. Awkward scales require more than 3 string hops per octave, or moves by more than 4 frets. | ||
The Laquinyo scales use +1 and make a solid block. | |||
The Sasa-tritribizo scales use +2 and -1 / -3 / -5 and make a "checkerboard" pattern on the fretboard. | |||
{| class="wikitable" | |||
|+ | |||
! | |||
!--1 = 15 = ^M3 | |||
!-0 = 13 = vM3 | |||
!-1 = 11 = ^m3 | |||
!-2 = 9 = vm3 | |||
!-3 = 7 = M2 | |||
!-4 = 5 = ~2 | |||
!-5 = 3 = m2 | |||
|- | |||
!+1 = 2 = vm2 | |||
|vminor Sakura | |||
5 = 2x15 + 7 + 2x2 | |||
|double harmonic vminor | |||
7 = 2x13 + 7 + 4x2 | |||
|solid block | |||
7 = 3L 4s | |||
|solid block | |||
10 = 3L 7s | |||
|solid block | |||
13 = 3L 10s | |||
|solid block | |||
16 = 3L 13s | |||
|solid block | |||
19 = 3L 16s | |||
|- | |||
!+2 = 4 = ^m2 | |||
| | |||
|90-degree zigzag | |||
Sakura scale: 7,4,13-4,13 | |||
Indochinese scale | |||
5 = 2L 1m 2s | |||
|checkerboard | |||
5 = 3L 2s | |||
|alternate frets | |||
double harmonic | |||
7 = 2L 1m 4s | |||
m = 7 = -3 | |||
|checkerboard | |||
8 = 3L 5s | |||
|alternate frets | |||
twin vminor | |||
10 = 2x5 + 7x4 + 3 | |||
9 = 6 + 3x5 + 5x4 | |||
65445-4454 | |||
|checkerboard | |||
11 = 8L 3s | |||
|- | |||
!+3 = 6 = vM2 | |||
| | |||
| | |||
|ya pentatonic | |||
5 = 2L 1m 2s | |||
m = 7 = -3 | |||
|diagonal lines | |||
5 = 3x9 + 8 + 6 | |||
3L 1m 1s = 4L 1s | |||
|every 3rd fret | |||
whole-tone | |||
6 = 1XL 3L 2s | |||
XL = 8 = +4 | |||
|ya equi-hepta | |||
7 = 1XL 4L 2s | |||
XL = 7 = -3 | |||
| | |||
|- | |||
!+4 = 8 = ^M2 | |||
| | |||
| | |||
| | |||
|za pentatonic | |||
5 = 2L 2s 1xs | |||
xs = 7 = -3 | |||
|?????? | |||
6 = 2x8 + 3x7 + 4 | |||
787-874 | |||
5 = 787-8,11 | |||
|every 4th fret | |||
dots only | |||
6 = 10 + 2x8 + 3x5 | |||
7 = 2x8 + 3x5 + 6 + 4 | |||
6585-854 | |||
|7 = 4L 3s | |||
|- | |||
!+5 = 10 = m3 | |||
| | |||
| | |||
| | |||
| | |||
|5 = 2L 3s | |||
|Bohlen-Pierce | |||
9 = 4L 5s = P12 | |||
| | |||
|} | |||
penta: 8 8 8 8 9 --> 9 9 7 8 8, 9 9 9 8 6, 7 7 7 10 10 | |||
hexa: 7 7 7 7 7 6 --> 7 7 7 6 6 8, 7 7 9 6 6 6, 9 9 7 6 6 4, ... | |||
hepta: 6 6 6 6 6 6 5 --> 5 5 7 6 6 6 6, 7 7 7 6 6 4 4 | |||
octa: 5 5 5 5 5 5 5 6 --> 5 5 5 6 6 6 4 4 | |||
nona: 5 5 5 5 5 4 4 4 4 --> 5 5 5 4 4 4 4 4 6 | |||
deca: 4 4 4 4 4 4 4 4 4 5 --> 5 5 3 4 4 4 4 4 4 4 | |||
eleven: 4 4 4 4 4 4 4 4 3 3 3 | |||
twelve: 4 4 4 4 4 3 3 3 3 3 3 3 --> 3 3 3 4 4 4 4 4 4 4 2 2 | |||
Double harmonic: 4947-494 | |||
C ^Db vE F G ^Ab vB C | |||
Cv CvM7 | |||
^Dbv, ^Dbv7, ^DbvM7, ^Dv7(v5), ^Dbvm, ^Dbvm7, ^Dbvm7(b5) | |||
vE^m, vE^m6, | |||
F^m, F^m,vM7 |