Kite Guitar: Difference between revisions
→Fretboard Charts (downmajor tuning): added low-6, mid-6 and high-6 tunings |
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A 6-string guitar is usually tuned to the middle 6 strings of the full 8 strings: | A 6-string guitar is usually tuned to the middle 6 strings of the full 8 strings: | ||
[[File:Fretboard 4-6.png|none|thumb|900x900px]] | [[File:Fretboard 4-6.png|none|thumb|900x900px]] | ||
This is called the mid-6 tuning, as opposed to a low-6 tuning vD to vA, or high-6 tuning ^A to ^E. | This is called the mid-6 tuning, as opposed to a low-6 tuning (vD to vA), or high-6 tuning (^A to ^E). Not to be confused with the low-6 or high-6 ''voicing'', see the [[The_Kite_Guitar_Chord_Shapes_(downmajor_tuning)|chord page]]. | ||
* 8-string guitar: full-8 | * 8-string guitar: full-8 | ||
* 7-string guitar: low-7 or high-7, or possibly mid-7 (low-7 plus a dot, E to Eb) | * 7-string guitar: low-7 or high-7, or possibly mid-7 (low-7 plus a dot, E to Eb) | ||
* 6-string guitar: low-6, mid-6 or high-6 | * 6-string guitar: low-6, mid-6 or high-6 | ||
* 6-string bass: full-6 (low-6 down an octave) | A bass guitar (unless fretless) is tuned similarly to guitar. It would ideally be 6 strings. | ||
* 6-string bass: full-6 (the guitar's low-6 down an octave) | |||
* 5-string bass: low-5 or possibly high-5 | * 5-string bass: low-5 or possibly high-5 | ||
* 4-string bass: low-4, mid-4 or possibly high-4 | * 4-string bass: low-4, mid-4 or possibly high-4 | ||
This chart shows all the notes, not just the natural ones. But it's too much work to memorize all this. Just learn where the 7 natural notes are, and learn your intervals. Since the open strings don’t work as well, one tends to think more in terms of intervals than notes anyway. | This chart shows all the notes for the full-8 tuning, not just the natural ones. But it's too much work to memorize all this. Just learn where the 7 natural notes are, and learn your intervals. Since the open strings don’t work as well, one tends to think more in terms of intervals than notes anyway. | ||
[[File:The Kite Tuning 5.png|none|thumb|900x900px]]Some keys are somewhat awkward to play in. For example, a vG scale is either too close to the nut to have a plain major 2nd, or else way up at the 16th fret where the fret spacing becomes too cramped to play chords comfortably. There's a "sweet spot" for the tonic on the lowest 3 strings, from about the 5th fret to about the 12th fret. This defines a 3x8 rectangle containing 24 keys, roughly every other one of the 41 possible keys. The lowest string of an 8-string is tuned to vD not D so that the common keys of C, G, D, A and E fall in this sweet spot. D is tuned to A-440 standard pitch, to bring these 5 keys as close to 12-edo as possible. D agrees exactly, A is 2.5¢ sharp of 12-edo, E is 5¢ sharp, and so forth along the spiral of 5ths. | [[File:The Kite Tuning 5.png|none|thumb|900x900px]]Some keys are somewhat awkward to play in. For example, a vG scale is either too close to the nut to have a plain major 2nd, or else way up at the 16th fret where the fret spacing becomes too cramped to play chords comfortably. There's a "sweet spot" for the tonic on the lowest 3 strings, from about the 5th fret to about the 12th fret. This defines a 3x8 rectangle containing 24 keys, roughly every other one of the 41 possible keys. The lowest string of an 8-string is tuned to vD not D so that the common keys of C, G, D, A and E fall in this sweet spot. D is tuned to A-440 standard pitch, to bring these 5 keys as close to 12-edo as possible. The D note agrees exactly, the A note is 2.5¢ sharp of 12-edo, E is 5¢ sharp, and so forth along the spiral of 5ths. | ||
In 12-edo, all 12 keys are needed so that a vocalist can get within 50¢ of their optimal range. In 41-edo, using only these 24 keys, one can get within 30¢ of the optimal range. 30¢ from optimal is sufficient, 15¢ from optimal is overkill, so the other 17 keys aren't really needed. The 24 most comfortable keys on a 6-string guitar are: A vBb ^Bb vB ^B C ^C vDb Db ^C# D vEb ^Eb vE E ^E vF ^F Gb ^F# G vAb ^Ab ^G#. | In 12-edo, all 12 keys are needed so that a vocalist can get within 50¢ of their optimal range. In 41-edo, using only these 24 keys, one can get within 30¢ of the optimal range. 30¢ from optimal is sufficient, 15¢ from optimal is overkill, so the other 17 keys aren't really needed. The 24 most comfortable keys on a 6-string guitar are: A vBb ^Bb vB ^B C ^C vDb Db ^C# D vEb ^Eb vE E ^E vF ^F Gb ^F# G vAb ^Ab ^G#. Here's all the notes of the mid-6 tuning: | ||
[[File:Kite Guitar Fretboard for a 6-string.png|none|thumb|900x900px]] | [[File:Kite Guitar Fretboard for a 6-string.png|none|thumb|900x900px]] | ||