Adaptive just intonation: Difference between revisions

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== Definition ==
'''Adaptive Just Intonation''' is an approach to tuning that employs predefined musical intervals as frequency ratios over a floating tonal center that is defined by the most recent context.
Adaptive Just Intonation is an approach to tuning that employs predefined musical intervals as frequency ratios over a floating tonal center that is defined by the most recent context.


[http://www.tonalsoft.com/enc/a/adaptive-ji.aspx Definition of Adaptive JI (Tonalsoft encyclopedia)]
== Description ==


== Description ==
In an adaptive JI context, any given moment during a piece of music has a reference pitch to which the rest of the music is compared.   
In an adaptive JI context, any given moment during a piece of music has a reference pitch to which the rest of the music is compared.   


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If we further define JI intervals in this example as:
If we further define JI intervals in this example as:


Major Second: 9:8
* Major Second: [[9/8|9:8]]
 
* Major Third: [[5/4|5:4]]
Major Third: 5:4
* Perfect Fourth: [[4/3|4:3]]
 
* Perfect Fifth: [[3/2|3:2]]
Perfect Fourth: 4:3
* Dominant Seventh: [[9/5|9:5]]
 
Perfect Fifth: 3:2
 
Dominant Seventh: 9:5


Then the D in the IV chord is 4:3 with respect to A, which was the tonic of the chord immediately proceeding it.  The E in the E7 chord is the same whether defined relative to the proceeding D chord (9:8 relative to D) or referencing back to the original tonal center of A (because 3:2 is the same as 9:8 of 4:3), but the D in the E7 chord is 9:5 relative to the E (9:5 of 3:2 is 27:20 compared to the original A), which is different than the D in the proceeding D major chord (which was 4:3 compared to the original A).
Then the D in the IV chord is 4:3 with respect to A, which was the tonic of the chord immediately proceeding it.  The E in the E7 chord is the same whether defined relative to the proceeding D chord (9:8 relative to D) or referencing back to the original tonal center of A (because 3:2 is the same as 9:8 of 4:3), but the D in the E7 chord is 9:5 relative to the E (9:5 of 3:2 is 27:20 compared to the original A), which is different than the D in the proceeding D major chord (which was 4:3 compared to the original A).


==Software==
==Software==
[http://www.math.tu-dresden.de/%7Emutabor/ Mutabor] Windows, Linux and Mac OS X. Uses its own programming language to describe pitches, (re)tunings and reactions to events.


[http://www.TallKite.com/alt-tuner.html alt-tuner] PCs, macs and Linux/Wine. DAW plug-in (requires [http://reaper.fm/ REAPER]) that retunes almost every midi keyboard or softsynth.
* [http://www.math.tu-dresden.de/%7Emutabor/ Mutabor] Windows, Linux and Mac OS X. Uses its own programming language to describe pitches, (re)tunings and reactions to events.
* [http://www.TallKite.com/alt-tuner.html alt-tuner] PCs, macs and Linux/Wine. DAW plug-in (requires [http://reaper.fm/ REAPER]) that retunes almost every midi keyboard or softsynth.
* [http://www.nonoctave.com/tuning/LilMissScaleOven/features.html L'il Miss' Scale Oven] OS X application. Has a proprietary dynamic retuning system called ''Nuscale.''
* [http://tonesintune.com/ TonesInTune] Add-in to Microsoft Excel (x32 & composition only). Re-introduces dynamic intonation, a key feature of most acoustic music instruments.
* [http://www.hermode.com/index_en.html Hermode tuning] Algorithm/feature embedded in 3rd party applications. Tunes only the fifths and thirds of electronic instruments dynamically in real time.


[http://www.nonoctave.com/tuning/LilMissScaleOven/features.html L'il Miss' Scale Oven] OS X application. Has a proprietary dynamic retuning system called ''Nuscale.''
==Compositions==


[http://tonesintune.com/ TonesInTune] Add-in to Microsoft Excel (x32 & composition only). Re-introduces dynamic intonation, a key feature of most acoustic music instruments.
* [http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/localanomaly.html Local Anomaly] by William Sethares
 
* [http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/three_ears.html Three Ears] by William Sethares
[http://www.hermode.com/index_en.html Hermode tuning] Algorithm/feature embedded in 3rd party applications. Tunes only the fifths and thirds of electronic instruments dynamically in real time.
* [http://www.seraph.it/XenoTunes2.html Piano11] by Carlo Serafini
 
* [http://www.seraph.it/dep/det/CarlosGlass1.mp3 Carlos Glass 1] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/6188507c0c6f464ef6c23330eb9153e9-16.html blog entry])
==Compositions==
[http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/localanomaly.html Local Anomaly] by William Sethares


[http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/three_ears.html Three Ears] by William Sethares
== External links ==


[http://www.seraph.it/XenoTunes2.html Piano11] by Carlo Serafini
* [http://www.tonalsoft.com/enc/a/adaptive-ji.aspx Definition of Adaptive JI (Tonalsoft encyclopedia)]


[http://www.seraph.it/dep/det/CarlosGlass1.mp3 Carlos Glass 1] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/6188507c0c6f464ef6c23330eb9153e9-16.html blog entry])
[[Category:Just intonation]]