Kite Guitar translations by Kite Giedraitis: Difference between revisions
→Simple Twist Of Fate (Bob Dylan): added the detuning to get an open string |
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=== Simple Twist Of Fate (Bob Dylan) === | === Simple Twist Of Fate (Bob Dylan) === | ||
This song uses lots of inversions to create its distinctive bass line. The translation is mostly 5-limit. The only 7-limit chord is Av7, which could become a 5-limit chord, Av,7. | This song uses lots of inversions to create its distinctive bass line. The original Blood On The Tracks version uses an open D tuning, capo'ed up to E. The translation is mostly 5-limit. The only 7-limit chord is Av7, which could become a 5-limit chord, Av,7. | ||
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Tab in | Tab in ^C downmajor for a 6-string guitar. Detune the top string by a half-fret, to make a unison with the 2nd string 6th fret, and an 8ve with the 5th string 5th fret. Capo up 6 or 7 frets to get close to the original key of E. | ||
The Blood On The Tracks version has the Gm chord voiced R-3-5. But I like it voiced with the 3rd in the bass. I like the tension created by the bass line slowly approaching A, then suddenly jumping back up to D. For his voicing, just omit the bass and play . . 7 6 . 0 | |||
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Iv | Iv . 5 5 4 . 0 | ||
Iv/vM7 | Iv/vM7 . 3 5 4 . 0 | ||
Iv/7 | Iv/7 8 . 5 4 . 0 | ||
IVv/3 | IVv/3 6 . 7 7 . 0 | ||
IV^m/3 | IV^m/3 5 . 7 6 . 0 (see above) | ||
Iv (as before) | Iv . 5 5 4 . 0 (as before) | ||
V4/v3 | V4/v3 . 3 2 4 . 0 | ||
IVv/3 (as before) | IVv/3 6 . 7 7 . 0 (as before) | ||
Iv/5 | Iv/5 3 . 5 4 . 0 | ||
Vv7 | Vv7 3 . 2 0 4 . | ||
Iv (as before) | Iv . 5 5 4 . 0 (as before) | ||
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</tt>Relative notation.<tt> | </tt>Relative notation.<tt> | ||
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