14edo: Difference between revisions
m Added MOS horagrams to →Rank two temperaments |
m →Titanium[9]: fix paragraphing error. |
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5\14: Perfect 4th<span style="vertical-align: sub;">9</span>: technically represents 5:4 but is quite a bit wider.<br /> | 5\14: Perfect 4th<span style="vertical-align: sub;">9</span>: technically represents 5:4 but is quite a bit wider.<br /> | ||
6\14: Perfect 5th<span style="vertical-align: sub;">9</span>: represents 4:3 and 7:5, much closer to the former.<br /> | 6\14: Perfect 5th<span style="vertical-align: sub;">9</span>: represents 4:3 and 7:5, much closer to the former.<br /> | ||
7\14: Augmented 5th<span style="vertical-align: sub;">9</span>/diminished 6th<span style="vertical-align: sub;">9</span>: The so-called "tritone" (but no longer made up of three whole tones). Like 4\14 and 10\14, this is a characteristic | 7\14: Augmented 5th<span style="vertical-align: sub;">9</span>/diminished 6th<span style="vertical-align: sub;">9</span>: The so-called "tritone" (but no longer made up of three whole tones). Like 4\14 and 10\14, this is a characteristic dissonance separating a pair of perfect consonances.<br /> | ||
8\14: Perfect 6th<span style="vertical-align: sub;">9</span>: represents 10:7 and 3:2, much closer to the latter.<br /> | 8\14: Perfect 6th<span style="vertical-align: sub;">9</span>: represents 10:7 and 3:2, much closer to the latter.<br /> | ||
9\14: Perfect 7th<span style="vertical-align: sub;">9</span>: technically represents 5:8 but noticeably narrower.<br /> | 9\14: Perfect 7th<span style="vertical-align: sub;">9</span>: technically represents 5:8 but noticeably narrower.<br /> | ||