Just Hammond: Difference between revisions

Table 2 edited
Table 2 edit
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This numbering scheme is consistent with the scheme used by [[Bill Sethares]]<ref>Sethares, William A. ''Tuning Timbre Spectrum Scale.'' London: Springer Verlag , 1999.</ref> : “''In general, the n<sup>th</sup> octave contains 2<sup>n-1</sup> pitches''.”  
This numbering scheme is consistent with the scheme used by [[Bill Sethares]]<ref>Sethares, William A. ''Tuning Timbre Spectrum Scale.'' London: Springer Verlag , 1999.</ref> : “''In general, the n<sup>th</sup> octave contains 2<sup>n-1</sup> pitches''.”  


== Mapping the Hammond’s Rational Intervals (cont.):  Examples ==
== Mapping the Hammond’s Rational Intervals (cont.): Examples ==
The following examples illustrate how to map intervals or chords to the harmonic series. In the first example we map the combination of a Hammond Organ’s note E and a higher note A (a fourth up):
The following examples illustrate how to map intervals or chords to the harmonic series. In the first example we map the combination of a Hammond Organ’s note E and a higher note A (a fourth up):


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{| class="wikitable"
{| class="wikitable"
! rowspan="3" style="text-align: center;" | Pitch<br>  
! rowspan="3" style="text-align: center;" |  
<br><br><br>Pitch<br>  
Class
Class
! colspan="2" style="text-align: center;" |
! colspan="2" style="text-align: center;" |
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|}
|}


The resulting interval appears between partial # 206 and partial # 275. The frequency ratio is (275:206), which equals 500.14 cents.
The resulting interval E-A appears between partial # 206 and partial # 275.<br>
The frequency ratio is (275:206), which equals 500.14 cents.