24edo: Difference between revisions
updated ups/down notation, added color names to the comma list, MAJOR cleanup (rearranged lots, didn't delete anything) |
mNo edit summary |
||
| Line 302: | Line 302: | ||
|} | |} | ||
Ups and downs notation can be used to name chords. Alterations are always enclosed in parentheses, additions never are. An up, down or mid after the chord root affects the 3rd, 6th, 7th, and/or the 11th (every other note of a stacked-3rds chord 6-1-3-5-7-9-11-13). | Ups and downs notation can be used to name chords. Alterations are always enclosed in parentheses, additions never are. An up, down or mid immediately after the chord root affects the 3rd, 6th, 7th, and/or the 11th (every other note of a stacked-3rds chord 6-1-3-5-7-9-11-13). | ||
In many other edos, especially larger ones, 5/4 is downmajor and 11/9 is mid. To agree with this, the term mid is generally preferred over down or downmajor. | In many other edos, especially larger ones, 5/4 is downmajor and 11/9 is mid. To agree with this, the term mid is generally preferred over down or downmajor. | ||
| Line 370: | Line 370: | ||
|0-5-14-20 | |0-5-14-20 | ||
|C vEb G Bb | |C vEb G Bb | ||
| | |Cvm,7 | ||
|C | |C downminor add-seven | ||
| | | | ||
|- | |- | ||
| Line 412: | Line 412: | ||
For a more complete list of chords, see [[Ups and Downs Notation#Chords and Chord Progressions|Ups and Downs Notation - Chords and Chord Progressions]]. | For a more complete list of chords, see [[Ups and Downs Notation#Chords and Chord Progressions|Ups and Downs Notation - Chords and Chord Progressions]]. | ||
==William Lynch's | ==William Lynch's notation== | ||
24 EDO breaks intervals into two sets of five cartegories. Infra - Minor - Neutral - Major - Ultra for seconds, thirds, sixths, and sevenths; and diminished - narrow - perfect - wide - augmented for fourths, fifths, unison, and octave. For other strange enharmonics, wide and narrow can be used in conjunction with augmented and diminished intervals such as 550 cents being called a narrow diminished fifth and 850 cents being called a wide augmented fifth. See the [[24_EDO_Interval_names_and_Harmonies|full article on 24 Edo intervals.]] | 24 EDO breaks intervals into two sets of five cartegories. Infra - Minor - Neutral - Major - Ultra for seconds, thirds, sixths, and sevenths; and diminished - narrow - perfect - wide - augmented for fourths, fifths, unison, and octave. For other strange enharmonics, wide and narrow can be used in conjunction with augmented and diminished intervals such as 550 cents being called a narrow diminished fifth and 850 cents being called a wide augmented fifth. See the [[24_EDO_Interval_names_and_Harmonies|full article on 24 Edo intervals.]] | ||