8edo: Difference between revisions
→Intervals: Removed pions column |
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|192 (C0<sub>16</sub>) | |192 (C0<sub>16</sub>) | ||
| style="text-align:center;" | ~2 | | style="text-align:center;" | ~2 | ||
| style="text-align:center;" | | | style="text-align:center;" | vE | ||
| style="text-align:center;" | M2 | | style="text-align:center;" | M2 | ||
| style="text-align:center;" | E | | style="text-align:center;" | E | ||
| Line 55: | Line 55: | ||
|576 (240<sub>16</sub>) | |576 (240<sub>16</sub>) | ||
| style="text-align:center;" | ^M3 / v4 | | style="text-align:center;" | ^M3 / v4 | ||
| style="text-align:center;" | F# | | style="text-align:center;" | ^F# / vG | ||
| style="text-align:center;" | d3 / A4 | | style="text-align:center;" | d3 / A4 | ||
| style="text-align:center;" | Fb / G# | | style="text-align:center;" | Fb / G# | ||
| Line 71: | Line 71: | ||
|960 (3C0<sub>16</sub>) | |960 (3C0<sub>16</sub>) | ||
| style="text-align:center;" | ^5 / vm6 | | style="text-align:center;" | ^5 / vm6 | ||
| style="text-align:center;" | A | | style="text-align:center;" | ^A / vBb | ||
| style="text-align:center;" | d5 / A6 | | style="text-align:center;" | d5 / A6 | ||
| style="text-align:center;" | Ab / B# | | style="text-align:center;" | Ab / B# | ||
| Line 87: | Line 87: | ||
|1344 (540<sub>16</sub>) | |1344 (540<sub>16</sub>) | ||
| style="text-align:center;" | ~7 | | style="text-align:center;" | ~7 | ||
| style="text-align:center;" | C | | style="text-align:center;" | ^C | ||
| style="text-align:center;" | m7 | | style="text-align:center;" | m7 | ||
| style="text-align:center;" | C | | style="text-align:center;" | C | ||
| Line 111: | Line 111: | ||
|- | |- | ||
| | 0 – 3 – 5 | | | 0 – 3 – 5 | ||
| | D F♯^ A | | | D ^F♯ ^A | ||
| | D | | | D^(^5) | ||
| | D | | | D | ||
| | | | | ^F♯m or vGm | ||
|- | |- | ||
| | 0 – 2 – 5 | | | 0 – 2 – 5 | ||
| | D F A | | | D F ^A | ||
| | Dm(^5) | | | Dm(^5) | ||
| | Dm | | | Dm | ||
| | A | | | ^A or vB♭ | ||
|- | |- | ||
| | 0 – 3 – 5 – 7 | | | 0 – 3 – 5 – 7 | ||
| | D F♯^ A^ C | | | D ^F♯ ^A ^C | ||
| | D | | | D^7(^5) | ||
| | D7 | | | D7 | ||
| | | | | ^F♯m♯11 or vGm♯11 | ||
|- | |- | ||
| | 0 – 3 – 5 – 6 | | | 0 – 3 – 5 – 6 | ||
| | D F♯^ A | | | D ^F♯ ^A B | ||
| | D6(^3,^5) | | | D6(^3,^5) | ||
| | D6 | | | D6 | ||
| | Bm7 and | | | Bm7 and vG,♯9 | ||
|- | |- | ||
| | 0 – 2 – 5 – 7 | | | 0 – 2 – 5 – 7 | ||
| | D F A^ C | | | D F ^A ^C | ||
| | Dm~7(^5) | | | Dm,~7(^5) | ||
| | Dm7 | | | Dm7 | ||
| | F6 and | | | F6 and vB♭,♯9 | ||
|- | |- | ||
| | 0 – 2 – 5 – 6 | | | 0 – 2 – 5 – 6 | ||
| | D F A | | | D F ^A B | ||
| | Dm6(^5) | | | Dm6(^5) | ||
| | Dm6 | | | Dm6 | ||
| Line 147: | Line 147: | ||
|- | |- | ||
| | 0 – 2 – 4 – 7 | | | 0 – 2 – 4 – 7 | ||
| | D F A♭ C | | | D F A♭ ^C | ||
| | Ddim~7 | | | Ddim,~7 | ||
| | Dm7(♭5) | | | Dm7(♭5) | ||
| | Fm6 | | | Fm6 | ||
|} | |} | ||
=Commas= | =Commas= | ||
| Line 305: | Line 249: | ||
| | | | | | ||
|} | |} | ||
=Scala scale file= | |||
For those who use the new tuner Lingot, which accepts scala files, or for anyone else, here is a .scl file of 8 EDO [[:File:08-EDO.scl|08-EDO.scl]] | |||
0. 1/1 C Unison | |||
1. 150.000 cents C# (50 cents sharper than C# of 12 tet) Neutral 2nd | |||
2. 300.000 cents D# Minor 3rd (identical to 12-tet) | |||
3. 450.000 cents E Sub-4th, Supermajor 3rd (50 cents sharper than E of 12 tet) | |||
4. 600.000 cents F# Tritone (identical to 12-tet) | |||
5. 750.000 cents G Super 5th, Subminor 6th (50 cents sharper than G of 12 tet) | |||
6. 900.000 cents A Major 6th (identical to 12-tet) | |||
7. 1050.000 cents A# Neutral 7th (50 cents sharper than A# of 12 tet) | |||
8. 2/1 C Octave | |||
=Compositions= | |||
[https://soundcloud.com/overtoneshock/tenacious-chorale-9-edo-and-8-edo-live?in=overtoneshock/sets/xenharmonic-microtonal Tenacious Chorale (only movement II is in 8-EDO)] by Stephen Weigel | |||
''[http://www.h-pi.com/mp3/Fantasia8ET.mp3 Fantasia in 8ET]'' by Aaron Andrew Hunt | |||
''[http://www.h-pi.com/mp3/Fugue8ET.mp3 Fugue in 8ET]'' by Aaron Andrew Hunt | |||
[http://www.uvnitr.cz/flaoyg/forgotten_works/spendliky.html Špendlíky] ''[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Gustar/spendliky.mp3 play]'' by Milan Guštar | |||
''[http://www.ronsword.com/sounds/ronsword_8edo_improv.mp3 Acoustic Improvisation in 8-edo]'' by Ron Sword (dead link) | |||
''[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/07%20-%207.%208%20octave.mp3 Comets Over Flatland 7]'' by [[Randy_Winchester|Randy Winchester]] | |||
''[http://ia600607.us.archive.org/3/items/Transcendissonance/10Malebolge-CityOfTheAsleep.mp3 Malebolge]'' Alison Jones | |||
''[http://www.youtube.com/watch?v=0mpDeL7iybI News To Me]'' Jake Sherman | |||
''[http://www.youtube.com/watch?v=HvDEoZ4LIdc Tomorrow Night (pop music from 2045)]'' Jake Sherman | |||
''[http://www.seraph.it/dep/det/FunkEight1.mp3 FunkEight 1]'' by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/86557ece0348a8d042346d5e1b13e2d9-166.html blog entry]) | |||
[[:File:8edo-pre-improv.ogg|8edo-pre-improv.ogg]]Preliminary noodling in 8 EDO with ZynAddSubFX synth.(by Cenobyte) | |||
[[:File:darkreflections(sketch).ogg|darkreflections(sketch).ogg]]8EDO Ukulele (cenobyte) | |||
[[:File:skiphop(sketch).ogg|skiphop(sketch).ogg]]8EDO Ukulele (cenobyte) | |||
[[:File:octo-icy-pensive(sketch).ogg|octo-icy-pensive(sketch).ogg]] [[:File:octo-icy-pensive-echo(sketch).ogg|octo-icy-pensive-echo(sketch).ogg]]2 versions of the same song, one with echo, one without. (cenobyte) | |||
=Ear Training= | |||
8 EDO ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here]. | |||
=See also= | |||
*[[Octatonic_scale|Octatonic scale]] - a scale based on alternating whole and half steps | |||
[[Category:8-tone]] | [[Category:8-tone]] | ||
[[Category:8edo]] | [[Category:8edo]] | ||