10edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:~~xenjacob~~|~~xenjacob~~]] and made on <tt>2016-07-~~02 11~~:59:20 UTC</tt>.

: This revision was by author [[User:PiotrGrochowski|PiotrGrochowski]] and made on <tt>2016-08-13 10:12:49 UTC</tt>.

: The original revision id was <tt>~~586508935~~</tt>.

: The original revision id was <tt>589279364</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[10平均律|日本語]]

10edo, or 10-tone equal temperament, is a tuning system which divides the [[octave]] into 10 equal parts of exactly 120 [[cent]]s. It can be thought of as two circles of [[5edo]] separated by 120 cents (or 5 circles of [[2edo]]). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of [[13_8|13/8]] and its inversion [[16_13|16/13]]; and the ~~droll~~ 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic [[MOSScales|moment of symmetry scale]] of the form 1 2 1 2 1 2 1 ([[3L 4s|3L 4s - mosh]]). While not an integral or gap edo, it is a [[The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta peak edo]]. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.

10edo, or 10-tone equal temperament, is a tuning system which divides the [[octave]] into 10 equal parts of exactly 120 [[cent]]s. It can be thought of as two circles of [[5edo]] separated by 120 cents (or 5 circles of [[2edo]]). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of [[13_8|13/8]] and its inversion [[16_13|16/13]]; and the happy 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic [[MOSScales|moment of symmetry scale]] of the form 1 2 1 2 1 2 1 ([[3L 4s|3L 4s - mosh]]). While not an integral or gap edo, it is a [[The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta peak edo]]. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.

[[toc|flat]]

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||= 9931568/9752117 || | -25 7 6 > ||> 31.57 ||= Ampersand's Comma ||= || ||

||= 2048/2025 || | 11 -4 -2 > ||> 19.55 ||= Diaschisma ||= || ||

||= 525/512 || | -9 1 2 1 > ||> 43.41 ||= Avicennma ||= ~~Avicenna~~'s Enharmonic Diesis || ||

||= 525/512 || | -9 1 2 1 > ||> 43.41 ||= Avicennma ||= Avicennma's Enharmonic Diesis || ||

||= 49/48 || | -4 -1 0 2 > ||> 35.70 ||= Slendro Diesis ||= || ||

||= 50/49 || | 1 0 2 -2 > ||> 34.98 ||= Tritonic Diesis ||= Jubilisma || ||

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10edo, or 10-tone equal temperament, is a tuning system which divides the <a class="wiki_link" href="/octave">octave</a> into 10 equal parts of exactly 120 <a class="wiki_link" href="/cent">cent</a>s. It can be thought of as two circles of <a class="wiki_link" href="/5edo">5edo</a> separated by 120 cents (or 5 circles of <a class="wiki_link" href="/2edo">2edo</a>). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of <a class="wiki_link" href="/13_8">13/8</a> and its inversion <a class="wiki_link" href="/16_13">16/13</a>; and the ~~droll~~ 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic <a class="wiki_link" href="/MOSScales">moment of symmetry scale</a> of the form 1 2 1 2 1 2 1 (<a class="wiki_link" href="/3L%204s">3L 4s - mosh</a>). While not an integral or gap edo, it is a <a class="wiki_link" href="/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta peak edo</a>. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.

10edo, or 10-tone equal temperament, is a tuning system which divides the <a class="wiki_link" href="/octave">octave</a> into 10 equal parts of exactly 120 <a class="wiki_link" href="/cent">cent</a>s. It can be thought of as two circles of <a class="wiki_link" href="/5edo">5edo</a> separated by 120 cents (or 5 circles of <a class="wiki_link" href="/2edo">2edo</a>). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of <a class="wiki_link" href="/13_8">13/8</a> and its inversion <a class="wiki_link" href="/16_13">16/13</a>; and the happy 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic <a class="wiki_link" href="/MOSScales">moment of symmetry scale</a> of the form 1 2 1 2 1 2 1 (<a class="wiki_link" href="/3L%204s">3L 4s - mosh</a>). While not an integral or gap edo, it is a <a class="wiki_link" href="/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta peak edo</a>. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.

<a href="#toc0"></a> | <a href="#Intervals">Intervals</a> | <a href="#Images">Images</a> | <a href="#Linear temperaments">Linear temperaments</a> | <a href="#Commas">Commas</a> | <a href="#Music">Music</a> | <a href="#Instruments">Instruments</a>

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<td style="text-align: center;">Avicennma

</td>

<td style="text-align: center;">~~Avicenna~~'s Enharmonic Diesis

<td style="text-align: center;">Avicennma's Enharmonic Diesis

</td>

<td>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2016-07-02 11:59:20 UTC</tt>.<br>
+: This revision was by author [[User:PiotrGrochowski|PiotrGrochowski]] and made on <tt>2016-08-13 10:12:49 UTC</tt>.<br>
-: The original revision id was <tt>586508935</tt>.<br>
+: The original revision id was <tt>589279364</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 8: / Line 8: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="display: block; text-align: right;"&gt;[[10平均律|日本語]]
 &lt;/span&gt;
-edo, or 10-tone equal temperament, is a tuning system which divides the [[octave]] into 10 equal parts of exactly 120 [[cent]]s. It can be thought of as two circles of [[5edo]] separated by 120 cents (or 5 circles of [[2edo]]). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of [[13_8|13/8]] and its inversion [[16_13|16/13]]; and the droll 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic [[MOSScales|moment of symmetry scale]] of the form 1 2 1 2 1 2 1 ([[3L 4s|3L 4s - mosh]]). While not an integral or gap edo, it is a [[The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta peak edo]]. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.
+edo, or 10-tone equal temperament, is a tuning system which divides the [[octave]] into 10 equal parts of exactly 120 [[cent]]s. It can be thought of as two circles of [[5edo]] separated by 120 cents (or 5 circles of [[2edo]]). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of [[13_8|13/8]] and its inversion [[16_13|16/13]]; and the happy 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic [[MOSScales|moment of symmetry scale]] of the form 1 2 1 2 1 2 1 ([[3L 4s|3L 4s - mosh]]). While not an integral or gap edo, it is a [[The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta peak edo]]. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.
 [[toc|flat]]
@@ Line 56: / Line 56: @@
 ||= 9931568/9752117 || | -25 7 6 &gt; ||&gt; 31.57 ||= Ampersand's Comma ||=   ||   ||
 ||= 2048/2025 || | 11 -4 -2 &gt; ||&gt; 19.55 ||= Diaschisma ||=   ||   ||
-||= 525/512 || | -9 1 2 1 &gt; ||&gt; 43.41 ||= Avicennma ||= Avicenna's Enharmonic Diesis ||   ||
+||= 525/512 || | -9 1 2 1 &gt; ||&gt; 43.41 ||= Avicennma ||= Avicennma's Enharmonic Diesis ||   ||
 ||= 49/48 || | -4 -1 0 2 &gt; ||&gt; 35.70 ||= Slendro Diesis ||=   ||   ||
 ||= 50/49 || | 1 0 2 -2 &gt; ||&gt; 34.98 ||= Tritonic Diesis ||= Jubilisma ||   ||
@@ Line 107: / Line 107: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;10edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/10%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
 &lt;/span&gt;&lt;br /&gt;
-edo, or 10-tone equal temperament, is a tuning system which divides the &lt;a class="wiki_link" href="/octave"&gt;octave&lt;/a&gt; into 10 equal parts of exactly 120 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s. It can be thought of as two circles of &lt;a class="wiki_link" href="/5edo"&gt;5edo&lt;/a&gt; separated by 120 cents (or 5 circles of &lt;a class="wiki_link" href="/2edo"&gt;2edo&lt;/a&gt;). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of &lt;a class="wiki_link" href="/13_8"&gt;13/8&lt;/a&gt; and its inversion &lt;a class="wiki_link" href="/16_13"&gt;16/13&lt;/a&gt;; and the droll 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic &lt;a class="wiki_link" href="/MOSScales"&gt;moment of symmetry scale&lt;/a&gt; of the form 1 2 1 2 1 2 1 (&lt;a class="wiki_link" href="/3L%204s"&gt;3L 4s - mosh&lt;/a&gt;). While not an integral or gap edo, it is a &lt;a class="wiki_link" href="/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists"&gt;zeta peak edo&lt;/a&gt;. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.&lt;br /&gt;
+edo, or 10-tone equal temperament, is a tuning system which divides the &lt;a class="wiki_link" href="/octave"&gt;octave&lt;/a&gt; into 10 equal parts of exactly 120 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s. It can be thought of as two circles of &lt;a class="wiki_link" href="/5edo"&gt;5edo&lt;/a&gt; separated by 120 cents (or 5 circles of &lt;a class="wiki_link" href="/2edo"&gt;2edo&lt;/a&gt;). It adds to 5edo a small neutral second (or large minor 2nd) and its inversion a large neutral seventh (or small major 7th); an excellent approximation of &lt;a class="wiki_link" href="/13_8"&gt;13/8&lt;/a&gt; and its inversion &lt;a class="wiki_link" href="/16_13"&gt;16/13&lt;/a&gt;; and the happy 600-cent tritone that appears in every even-numbered EDO. Taking the the 360 cent large neutral third as a generator produces a heptatonic &lt;a class="wiki_link" href="/MOSScales"&gt;moment of symmetry scale&lt;/a&gt; of the form 1 2 1 2 1 2 1 (&lt;a class="wiki_link" href="/3L%204s"&gt;3L 4s - mosh&lt;/a&gt;). While not an integral or gap edo, it is a &lt;a class="wiki_link" href="/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists"&gt;zeta peak edo&lt;/a&gt;. One way to interpret it in terms of a temperament of Just intonation is as a 2.7.13.15 subgroup, such that 105/104, 225/224, and 16807/16384 are tempered out. It can also be treated as a full 13-limit temperament, but it is a closer match to the aforementioned subgroup.&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextTocRule:17:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt;&lt;a href="#toc0"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt; | &lt;a href="#Intervals"&gt;Intervals&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt; | &lt;a href="#Images"&gt;Images&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Linear temperaments"&gt;Linear temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt; | &lt;a href="#Commas"&gt;Commas&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt; | &lt;a href="#Music"&gt;Music&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;!-- ws:start:WikiTextTocRule:24: --&gt; | &lt;a href="#Instruments"&gt;Instruments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:24 --&gt;&lt;!-- ws:start:WikiTextTocRule:25: --&gt;
@@ Line 417: / Line 417: @@
          &lt;td style="text-align: center;"&gt;Avicennma&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td style="text-align: center;"&gt;Avicenna's Enharmonic Diesis&lt;br /&gt;
+         &lt;td style="text-align: center;"&gt;Avicennma's Enharmonic Diesis&lt;br /&gt;
 &lt;/td&gt;
          &lt;td&gt;&lt;br /&gt;