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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:12:04 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-28 08:18:12 UTC</tt>.<br>
: The original revision id was <tt>360402606</tt>.<br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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Mandelbaum, Joel, [[http://www.anaphoria.com/mandelbaum.html|Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]], Indiana University, Ph. D., 1961
Mandelbaum, Joel, [[http://www.anaphoria.com/mandelbaum.html|Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament]], Indiana University, Ph. D., 1961
Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963
Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963
Farhat, Hormoz, The Dastgah Concept in Persian Music. University of California, Los Angeles,, Ph. D., 1965
Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969
Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish "makam" system in contemporary theory and practice, XXX, Ph. D., 1973&lt;/span&gt;
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish "makam" system in contemporary theory and practice. XXX, Ph. D., 1973&lt;/span&gt;
Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980
Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], University of Rochester, Ph. D., 1980
Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006
Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006
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Mandelbaum, Joel, &lt;a class="wiki_link_ext" href="http://www.anaphoria.com/mandelbaum.html" rel="nofollow"&gt;Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament&lt;/a&gt;, Indiana University, Ph. D., 1961&lt;br /&gt;
Mandelbaum, Joel, &lt;a class="wiki_link_ext" href="http://www.anaphoria.com/mandelbaum.html" rel="nofollow"&gt;Multiple Division of the Octave and the Tonal Resources of 19-Tone Temperament&lt;/a&gt;, Indiana University, Ph. D., 1961&lt;br /&gt;
Adkins, Cecil Dale, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow"&gt;The Theory and Practice of the Monochord&lt;/a&gt; .&lt;/em&gt; State University of Iowa, Ph.D., 1963&lt;br /&gt;
Adkins, Cecil Dale, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow"&gt;The Theory and Practice of the Monochord&lt;/a&gt; .&lt;/em&gt; State University of Iowa, Ph.D., 1963&lt;br /&gt;
Farhat, Hormoz, The Dastgah Concept in Persian Music. University of California, Los Angeles,, Ph. D., 1965&lt;br /&gt;
Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969&lt;br /&gt;
Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969&lt;br /&gt;
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice, XXX, Ph. D., 1973&lt;/span&gt;&lt;br /&gt;
Signell, Karl L, &lt;span class="Z3988"&gt;The Turkish &amp;quot;makam&amp;quot; system in contemporary theory and practice. XXX, Ph. D., 1973&lt;/span&gt;&lt;br /&gt;
Battan, Suzette Mary, &lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;, University of Rochester, Ph. D., 1980&lt;br /&gt;
Battan, Suzette Mary, &lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;, University of Rochester, Ph. D., 1980&lt;br /&gt;
Skinner. Myles, &lt;a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow"&gt;Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky&lt;/a&gt;, Buffalo University, Ph. D., 2006&lt;br /&gt;
Skinner. Myles, &lt;a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow"&gt;Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky&lt;/a&gt;, Buffalo University, Ph. D., 2006&lt;br /&gt;
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