Harmonic series: Difference between revisions
Wikispaces>genewardsmith **Imported revision 295020030 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 295020742 - Original comment: ** |
||
Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-01-24 18: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-01-24 18:34:22 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>295020742</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
Line 12: | Line 12: | ||
Steps between adjacent members of either series are called "[[superparticular]]," and they appear in the form (n+1)/n, eg. 4/3, 28/27, 33/32... | Steps between adjacent members of either series are called "[[superparticular]]," and they appear in the form (n+1)/n, eg. 4/3, 28/27, 33/32... | ||
In just intonation theory, the overtone series is often treated as the foundation of consonance. | In just intonation theory, the overtone series is often treated as the foundation of consonance. The [[chord of nature]] is the name sometimes given to the overtone series, or the series up to a certain stopping point, regarded as a chord. | ||
One might compose with the overtone series by, for instance: | One might compose with the overtone series by, for instance: | ||
Line 61: | Line 61: | ||
Steps between adjacent members of either series are called &quot;<a class="wiki_link" href="/superparticular">superparticular</a>,&quot; and they appear in the form (n+1)/n, eg. 4/3, 28/27, 33/32...<br /> | Steps between adjacent members of either series are called &quot;<a class="wiki_link" href="/superparticular">superparticular</a>,&quot; and they appear in the form (n+1)/n, eg. 4/3, 28/27, 33/32...<br /> | ||
<br /> | <br /> | ||
In just intonation theory, the overtone series is often treated as the foundation of consonance.<br /> | In just intonation theory, the overtone series is often treated as the foundation of consonance. The <a class="wiki_link" href="/chord%20of%20nature">chord of nature</a> is the name sometimes given to the overtone series, or the series up to a certain stopping point, regarded as a chord.<br /> | ||
<br /> | <br /> | ||
One might compose with the overtone series by, for instance:<br /> | One might compose with the overtone series by, for instance:<br /> |