User:Eufalesio/Fifth scale tree: Difference between revisions
Edited some things |
Divergent MOSes and other things |
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| Line 34: | Line 34: | ||
|- | |- | ||
| self | | self | ||
| '''5L 2s''' | | '''[[5L 2s]]''' | ||
| '''diatonic''' | | '''diatonic''' | ||
| 5i7 | | 5i7 | ||
| M2:m2 | | M2:m2 | ||
| M2 and m2 are the major and minor seconds;<br>A1 is the chroma, the apotome. | | M2 and m2 are the major and minor seconds;<br>A1 is the chroma, the [[apotome]]. | ||
|- | |- | ||
| rowspan="2" | daughter | | rowspan="2" | daughter | ||
| '''5L 7s''' | | '''[[5L 7s]]''' | ||
| '''<u>p-chromatic</u>''' | | '''<u>p-chromatic</u>''' | ||
| 5i12 | | 5i12 | ||
| A1:m2 | | A1:m2 | ||
| rowspan="2" | d-2 is the chroma, the pythagorean comma. | | rowspan="2" | d-2 is the chroma, the [[pythagorean comma]]. Inverted in m-chromatic (d2) where it is called ''meantone diesis''. | ||
|- | |- | ||
| 7L 5s | | [[7L 5s]] | ||
| m-chromatic | | m-chromatic | ||
| 12i7 | | 12i7 | ||
| Line 53: | Line 53: | ||
|- | |- | ||
| rowspan="4" | granddaughter | | rowspan="4" | granddaughter | ||
| 5L 12s | | [[5L 12s]] | ||
| s-enharmonic | | s-enharmonic | ||
| 5i17 | | 5i17 | ||
| d-2:m2 | | d-2:m2 | ||
| rowspan="2" | dd3 is the chroma, the ''gothic'' [[17-comma]]. | | rowspan="2" | dd3 is the chroma, the ''gothic'' [[17-comma]]. | ||
Inverted in s-enharmonic (dd-3). | |||
|- | |- | ||
| '''12L 5s''' | | '''[[12L 5s]]''' | ||
| '''p-enharmonic''' | | '''p-enharmonic''' | ||
| 17i12 | | 17i12 | ||
| Line 68: | Line 69: | ||
| 12i19 | | 12i19 | ||
| m2:d2 | | m2:d2 | ||
| rowspan="2" | | | rowspan="2" | dd-2 is the chroma, the meantone kleisma. | ||
Inverted in f-enharmonic (dd2). | |||
|- | |- | ||
| 7L 12s | | 7L 12s | ||
| Line 80: | Line 82: | ||
| 29i12 | | 29i12 | ||
| dd3:d-2 | | dd3:d-2 | ||
| rowspan="2" | 4d4 is the chroma, the ''mystery'' [[29-comma]]. | | rowspan="2" | 4d4 is the chroma, the ''mystery'' [[29-comma]]. | ||
Inverted in gothitonic (4d-4). | |||
|- | |- | ||
| 17L 12s | | 17L 12s | ||
| Line 92: | Line 95: | ||
| 41i12 | | 41i12 | ||
| 4d4:d-2 | | 4d4:d-2 | ||
| rowspan="2" | 6d5 is the chroma, | | rowspan="2" | 6d5 is the chroma, the ''countercomp'' [[41-comma]]. | ||
Inverted in countermystonic (6d-5). | |||
|- | |- | ||
| 29L 12s | | 29L 12s | ||
| Line 105: | Line 109: | ||
| d-2:6d5 | | d-2:6d5 | ||
| rowspan="2" | 7d-6 is the chroma, the ''mercator'' [[53-comma]]. | | rowspan="2" | 7d-6 is the chroma, the ''mercator'' [[53-comma]]. | ||
Inverted in comptomerc (7d6). | |||
|- | |- | ||
| 12L 41s | | 12L 41s | ||
| Line 117: | Line 122: | ||
| 7d-6:6d5 | | 7d-6:6d5 | ||
| rowspan="2" | 13d10 is the chroma, the [[94-comma]]. | | rowspan="2" | 13d10 is the chroma, the [[94-comma]]. | ||
Inverted in garytonic (13d-10). | |||
|- | |- | ||
| '''53L 41s''' | | '''53L 41s''' | ||
| Line 127: | Line 133: | ||
| 53i65 | | 53i65 | ||
| d-2:7d6 | | d-2:7d6 | ||
| rowspan="2" | | | rowspan="2" | The chroma is 9d-7, the [[65-comma|65-comma.]] | ||
Inverted in comptograckle (9d7). | |||
|- | |- | ||
| 12L 53s | | 12L 53s | ||
| Line 134: | Line 141: | ||
| 7d6:d-2 | | 7d6:d-2 | ||
|- | |- | ||
| .<br>.<br>. | | <small>.<br>.<br>.</small> | ||
| '''53L 94s'''<br>'''53L 147s'''<br>'''53L 200s''' | | <small>'''53L 94s'''<br>'''53L 147s'''<br>'''53L 200s'''</small> | ||
| '''''p-chro acupyth'''''<br>'''''s-enhar acupyth'''''<br>'''''uha acupyth''''' | | <small>'''''p-chro acupyth'''''<br>'''''s-enhar acupyth'''''<br>'''''uha acupyth'''''</small> | ||
| 147i53<br>200i53<br>253i53 | | 147i53<br>200i53<br>253i53 | ||
| 13d10:7d-6<br>21d15:7d-6<br>28d20:7d-6 | | 13d10:7d-6<br>21d15:7d-6<br>28d20:7d-6 | ||
| Line 149: | Line 156: | ||
| 11th-descendant | | 11th-descendant | ||
| '''306L 53s''' | | '''306L 53s''' | ||
| '''''m-chro qiantonic''''' | | '''''<small>m-chro qiantonic</small>''''' | ||
| 359i306 | | 359i306 | ||
| 7d-6:43d30 | | 7d-6:43d30 | ||
| Line 160: | Line 167: | ||
| 51d-35:43d30 | | 51d-35:43d30 | ||
|} | |} | ||
Some notable MOS scales that diverge from the pythagorean line are: | |||
{| class="wikitable" | |||
!Diatonic<br>relationship | |||
!Scale<br>Signature | |||
!TAMNAMS<br>based name | |||
!EiE (3/2) | |||
!L:s describes | |||
!Notes on mappings | |||
|- | |||
| rowspan="4" |3rd-descendant | |||
|19L 12s | |||
|''aurotonic'' | |||
|31i19 | |||
|d2:dd-2 | |||
| rowspan="2" |4d3 is the chroma, the 31-comma. Reversed in comptomean (4d-3). | |||
|- | |||
|12L 19s | |||
|''meancomptonic'' | |||
|12i31 | |||
|dd-2:d2 | |||
|- | |||
|5L 17s | |||
|reinhardic | |||
|5i22 | |||
|dd-3:d-2 | |||
| rowspan="2" |3d-4 is the chroma, the 22-comma. Reversed in protofractalic (3d4). | |||
|- | |||
|17L 5s | |||
|protofractalic | |||
|22i17 | |||
|d-2:dd-3 | |||
|- | |||
|4th-descendant | |||
|31L 19s | |||
|''ultimeantonic'' | |||
|50i31 | |||
|dd-2:4d3 | |||
|7d-4 is the comma, the 50-comma. | |||
|- | |||
|} | |||
Bolded MOS support a pythagorean generator. Bolded and underlined names are also of a record lowest hardness when that generator is used. Italic names only appear in this article. | Bolded MOS support a pythagorean generator. Bolded and underlined names are also of a record lowest hardness when that generator is used. Italic names only appear in this article. | ||
| Line 173: | Line 224: | ||
* qiantonic comes from Qián Lèzhī, the ancient Chinese astronomer and instrument maker who discovered the 306- and 359- comma. | * qiantonic comes from Qián Lèzhī, the ancient Chinese astronomer and instrument maker who discovered the 306- and 359- comma. | ||
* picopyth comes from pico-, a SI prefix denoting 10^-12, a minute order of magnitude. | * picopyth comes from pico-, a SI prefix denoting 10^-12, a minute order of magnitude. | ||
* aurotonic comes from the [[golden meantone]], as it supports a generator of 696.214 cents. | |||
* meancomptonic comes from compton and [[meantone]], as the ranges are between sharper meantone and compton. | |||
* ultimeantonic comes from the fact that the basic tuning 47\81 is the last patent val fifth that supports golden meantone. | |||