Mohajira: Difference between revisions
Wikispaces>JosephRuhf **Imported revision 602245084 - Original comment: ** |
Wikispaces>xenwolf **Imported revision 602895452 - Original comment: removed tel links** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-29 12:30:44 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>602895452</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>removed tel links</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
| Line 78: | Line 78: | ||
===Mohajira[10] - The Neutral Superdiatonic Scale=== | ===Mohajira[10] - The Neutral Superdiatonic Scale=== | ||
|| Mode 1 || 3 6 | || Mode 1 || 3 6 7 10 13 14 17 20 23 || 4 8 9 13 17 18 22 26 30 || | ||
|| Mode 2 || 3 4 | || Mode 2 || 3 4 7 10 11 14 17 20 21 || 4 5 9 13 14 18 22 26 27 || | ||
|| Mode 3 || 1 4 7 | || Mode 3 || 1 4 7 8 11 14 17 18 21 || 1 5 9 10 14 18 22 23 27 || | ||
|| Mode 4 || 3 6 | || Mode 4 || 3 6 7 10 13 16 17 20 23 || 4 8 9 13 17 21 22 26 30 || | ||
|| Mode 5 || 3 4 | || Mode 5 || 3 4 7 10 13 14 17 20 21 || 4 5 9 13 17 18 22 26 27 || | ||
|| Mode 6 || 1 4 | || Mode 6 || 1 4 7 10 11 14 17 18 21 || 1 5 9 13 14 18 22 23 27 || | ||
|| Mode 7 || 3 6 | || Mode 7 || 3 6 9 10 13 16 17 20 23 || 4 8 12 13 17 21 22 26 30 || | ||
|| Mode 8 || 3 6 | || Mode 8 || 3 6 7 10 13 14 17 20 21 || 4 8 9 13 17 18 22 26 27 || | ||
|| Mode 9 || 3 4 | || Mode 9 || 3 4 7 10 11 14 17 18 21 || 4 5 9 13 14 18 22 23 27 || | ||
|| Mode 10 || 1 4 7 | || Mode 10 || 1 4 7 8 11 14 15 18 21 || 1 4 9 10 14 18 19 23 27 || | ||
The intervals of Mohajira and Neutral harmony work in an almost reverse manner from meantone. The most consonant is 3/2 and 4/3 followed by 11/6, 11/9 and 11/8. In context of a chord with a perfect fifth, 11/9's tend to produce a rather rough chord that sounds good in many contexts but is quite rough as a tonic chord. It can be good to think of the neutral seventh 11/6 and 3/2 as the base intervals of a chord with 11/8 and 4/3 acting almost in an analogous way to the major and minor third in meantone. This is why 11/8 can be called the major fourth in 24 ET. | The intervals of Mohajira and Neutral harmony work in an almost reverse manner from meantone. The most consonant is 3/2 and 4/3 followed by 11/6, 11/9 and 11/8. In context of a chord with a perfect fifth, 11/9's tend to produce a rather rough chord that sounds good in many contexts but is quite rough as a tonic chord. It can be good to think of the neutral seventh 11/6 and 3/2 as the base intervals of a chord with 11/8 and 4/3 acting almost in an analogous way to the major and minor third in meantone. This is why 11/8 can be called the major fourth in 24 ET. | ||
| Line 93: | Line 93: | ||
See also [[Meantone family#Mohajira]].</pre></div> | See also [[Meantone family#Mohajira]].</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Mohajira</title></head><body><span style="display: block; text-align: right;">Other languages: <a class="wiki_link" href=" | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Mohajira</title></head><body><span style="display: block; text-align: right;">Other languages: <a class="wiki_link" href="https://xenharmonie.wikispaces.com/Mohajira">Deutsch</a><br /> | ||
</span><br /> | </span><br /> | ||
Mohajira is a <a class="wiki_link" href="/Meantone%20family#Mohajira">meantone</a> temperament that splits 3/2 into two 11/9's and the 6/5 into two 11/10's. It can be thought of as meantone with quarter tones as it merely spits the generator 3/2 into two equally spaced neutral thirds. Among the most common is the seven note MOS mohajira[7] which consists of the steps LsLsLss, as well as the MODMOS &quot;Rast&quot; which merely flats the fourth by one quarter tone.<br /> | Mohajira is a <a class="wiki_link" href="/Meantone%20family#Mohajira">meantone</a> temperament that splits 3/2 into two 11/9's and the 6/5 into two 11/10's. It can be thought of as meantone with quarter tones as it merely spits the generator 3/2 into two equally spaced neutral thirds. Among the most common is the seven note MOS mohajira[7] which consists of the steps LsLsLss, as well as the MODMOS &quot;Rast&quot; which merely flats the fourth by one quarter tone.<br /> | ||
| Line 345: | Line 345: | ||
<td>Mode 1<br /> | <td>Mode 1<br /> | ||
</td> | </td> | ||
<td>3 6 | <td>3 6 7 10 13 14 17 20 23<br /> | ||
</td> | </td> | ||
<td>4 8 | <td>4 8 9 13 17 18 22 26 30<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 353: | Line 353: | ||
<td>Mode 2<br /> | <td>Mode 2<br /> | ||
</td> | </td> | ||
<td>3 4 | <td>3 4 7 10 11 14 17 20 21<br /> | ||
</td> | </td> | ||
<td>4 5 | <td>4 5 9 13 14 18 22 26 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 361: | Line 361: | ||
<td>Mode 3<br /> | <td>Mode 3<br /> | ||
</td> | </td> | ||
<td>1 4 7 | <td>1 4 7 8 11 14 17 18 21<br /> | ||
</td> | </td> | ||
<td>1 5 | <td>1 5 9 10 14 18 22 23 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 369: | Line 369: | ||
<td>Mode 4<br /> | <td>Mode 4<br /> | ||
</td> | </td> | ||
<td>3 6 | <td>3 6 7 10 13 16 17 20 23<br /> | ||
</td> | </td> | ||
<td>4 8 | <td>4 8 9 13 17 21 22 26 30<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 377: | Line 377: | ||
<td>Mode 5<br /> | <td>Mode 5<br /> | ||
</td> | </td> | ||
<td>3 4 | <td>3 4 7 10 13 14 17 20 21<br /> | ||
</td> | </td> | ||
<td>4 5 | <td>4 5 9 13 17 18 22 26 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 385: | Line 385: | ||
<td>Mode 6<br /> | <td>Mode 6<br /> | ||
</td> | </td> | ||
<td>1 4 | <td>1 4 7 10 11 14 17 18 21<br /> | ||
</td> | </td> | ||
<td>1 5 | <td>1 5 9 13 14 18 22 23 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 393: | Line 393: | ||
<td>Mode 7<br /> | <td>Mode 7<br /> | ||
</td> | </td> | ||
<td>3 6 | <td>3 6 9 10 13 16 17 20 23<br /> | ||
</td> | </td> | ||
<td>4 | <td>4 8 12 13 17 21 22 26 30<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 401: | Line 401: | ||
<td>Mode 8<br /> | <td>Mode 8<br /> | ||
</td> | </td> | ||
<td>3 6 | <td>3 6 7 10 13 14 17 20 21<br /> | ||
</td> | </td> | ||
<td>4 8 | <td>4 8 9 13 17 18 22 26 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 409: | Line 409: | ||
<td>Mode 9<br /> | <td>Mode 9<br /> | ||
</td> | </td> | ||
<td>3 4 | <td>3 4 7 10 11 14 17 18 21<br /> | ||
</td> | </td> | ||
<td>4 5 | <td>4 5 9 13 14 18 22 23 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 417: | Line 417: | ||
<td>Mode 10<br /> | <td>Mode 10<br /> | ||
</td> | </td> | ||
<td>1 4 7 | <td>1 4 7 8 11 14 15 18 21<br /> | ||
</td> | </td> | ||
<td>1 4 | <td>1 4 9 10 14 18 19 23 27<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||