|
|
| Line 1,413: |
Line 1,413: |
| |} | | |} |
|
| |
|
| As a consequence of this particular scale structure, you have the following chords- note that this list is not exhaustive... | | As a consequence of this particular scale structure, you have the following basic chords- note that this list is not exhaustive... |
|
| |
|
| {| class="mw-collapsible mw-collapsed wikitable center-1" | | {| class="mw-collapsible mw-collapsed wikitable center-1" |
| |+ style="font-size: 105%; white-space: nowrap;" | Table of Ionian triads | | |+ style="font-size: 105%; white-space: nowrap;" | Table of basic Ionian triads |
| |- | | |- |
| ! Name | | ! Name |
| Line 1,466: |
Line 1,466: |
| | 45:54:64 | | | 45:54:64 |
| | This dissonant triad is one of two possible diatonic diminished triads in the 5-limit | | | This dissonant triad is one of two possible diatonic diminished triads in the 5-limit |
| |-
| |
| | Pythagorean Suspended Second
| |
| | D, E, A
| |
| | 0, 27, 93
| |
| | I, IV, V
| |
| | 8:9:12
| |
| | This dissonant triad is a common suspension in both 3-limit and 5-limit diatonic music
| |
| |-
| |
| | Pythagorean Suspended Fourth
| |
| | D, G, A
| |
| | 0, 66, 93
| |
| | I, II, V
| |
| | 1/(8:9:12)
| |
| | This dissonant triad is a common suspension in both 3-limit and 5-limit diatonic music
| |
| |-
| |
| | Ptolemaic Suspended Synflat Second
| |
| | D, E↓, A
| |
| | 0, 24, 93
| |
| | II
| |
| | 18:20:27
| |
| | This dissonant triad is an uncommon suspension in 5-limit diatonic music
| |
| |-
| |
| | Ptolemaic Suspended Synsharp Fourth
| |
| | D, G↑, A
| |
| | 0, 69, 93
| |
| | III
| |
| | 1/(18:20:27)
| |
| | This dissonant triad is an uncommon suspension in 5-limit diatonic music
| |
| |-
| |
| | Ptolemaic Suspended Flat Second
| |
| | D, Eb↑, A
| |
| | 0, 15, 93
| |
| | VII
| |
| | 1/(32:45:48)
| |
| | This dissonant triad is an interesting suspension in 5-limit diatonic music, commonly used in modulations
| |
| |-
| |
| | Ptolemaic Suspended Sharp Fourth
| |
| | D, G#↓, A
| |
| | 0, 78, 93
| |
| | IV
| |
| | 32:45:48
| |
| | This dissonant triad is an interesting suspension in 5-limit diatonic music, commonly used in modulations
| |
| |-
| |
| | Supradusthumic Suspended Synflat Second
| |
| | D, E↓, A↓
| |
| | 0, 24, 90
| |
| | VI
| |
| | 27:30:40
| |
| | This dissonant triad is an unusual suspension in 5-limit diatonic music
| |
| |-
| |
| | Supradusthumic Suspended Fourth
| |
| | D, G, A↓
| |
| | 0, 66, 90
| |
| | VI
| |
| | 1/(27:30:40)
| |
| | This dissonant triad is an unusual suspension in 5-limit diatonic music
| |
| |} | | |} |
|
| |
|
| {| class="mw-collapsible mw-collapsed wikitable center-1" | | {| class="mw-collapsible mw-collapsed wikitable center-1" |
| |+ style="font-size: 105%; white-space: nowrap;" | Table of Ionian tetrads | | |+ style="font-size: 105%; white-space: nowrap;" | Table of basic Ionian tetrads |
| |- | | |- |
| ! Name | | ! Name |
| Line 1,582: |
Line 1,526: |
| | 45:54:64:81 | | | 45:54:64:81 |
| | This dissonant tetrad is an unexpected option for imperfect half cadences in the 5-limit | | | This dissonant tetrad is an unexpected option for imperfect half cadences in the 5-limit |
| |-
| |
| | Pythagorean Suspended Fourth with Ptolemaic Major Seventh
| |
| | D, G, A, C#↓
| |
| | 0, 66, 93, 144
| |
| | I
| |
| | 24:32:36:45
| |
| | This dissonant tetrad is a great option for suspensions at minimum
| |
| |-
| |
| | Pythagorean Dominant Seventh Suspended Fourth
| |
| | D, G, A, C
| |
| | 0, 66, 93, 132
| |
| | II, V
| |
| | 18:24:27:32
| |
| | This version of a dominant seventh chord occurs on multiple scale degrees, enabling a form of secondary dominant progression
| |
| |-
| |
| | Ptolemaic Minor Seventh Suspended Synsharp Fourth
| |
| | D, G↑, A, C↑
| |
| | 0, 69, 93, 135
| |
| | III
| |
| | 20:27:30:36
| |
| | This dissonant tetrad is an uncommon suspension in 5-limit diatonic music
| |
| |-
| |
| | Ptolemaic Major Seventh Suspended Sharp Fourth
| |
| | D, G#↓, A, C#↓
| |
| | 0, 78, 93, 144
| |
| | IV
| |
| | 32:45:48, 60
| |
| | This dissonant tetrad is an interesting suspension in 5-limit diatonic music, commonly used in modulations
| |
| |-
| |
|
| |
| |} | | |} |
|
| |
|