User:Aura/Aura's introduction to 159edo: Difference between revisions
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| This dissonant triad is common in Western Classical, Medieval, and Neo-Medieval Harmony | | This dissonant triad is common in Western Classical, Medieval, and Neo-Medieval Harmony | ||
|- | |- | ||
| | | Supradusthumic Pythagorean Minor | ||
| D, F, A↓ | | D, F, A↓ | ||
| 0, 39, 90 | | 0, 39, 90 | ||
| Line 1,497: | Line 1,497: | ||
| This dissonant triad is an interesting suspension in 5-limit diatonic music, commonly used in modulations | | This dissonant triad is an interesting suspension in 5-limit diatonic music, commonly used in modulations | ||
|- | |- | ||
| | | Supradusthumic Suspended Synflat-2 | ||
| 0, 24, 90 | | 0, 24, 90 | ||
| D, E↓, A↓ | | D, E↓, A↓ | ||
| Line 1,504: | Line 1,504: | ||
| This dissonant triad is an unusual suspension in 5-limit diatonic music | | This dissonant triad is an unusual suspension in 5-limit diatonic music | ||
|- | |- | ||
| | | Supradusthumic Suspended 4 | ||
| 0, 66, 90 | | 0, 66, 90 | ||
| D, G, A↓ | | D, G, A↓ | ||
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| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | | This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | ||
|- | |- | ||
| Ptolemaic Major | | Pythagorean Major with Ptolemaic Major Seventh | ||
| D, F#, A, C#↓ | | D, F#, A, C#↓ | ||
| 0, 54, 93, 144 | | 0, 54, 93, 144 | ||
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| 64:81:96:120 | | 64:81:96:120 | ||
| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | | This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | ||
|- | |||
| Ptolemaic Dominant Seventh | |||
| D, F#↓, A, C | |||
| 0, 51, 93, 132 | |||
| V | |||
| 36:45:54:64 | |||
| This tetrad is a typical dominant seventh for 5-limit music | |||
|- | |||
| Supradusthumic Pythagorean Minor Seventh | |||
| D, F, A↓, C | |||
| 0, 39, 93, 132 | |||
| V | |||
| 36:45:54:64 | |||
| This tetrad is a typical dominant seventh for 5-limit music | |||
|- | |- | ||
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