7/6: Difference between revisions
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{{Wikipedia|Septimal minor third}} | {{Wikipedia|Septimal minor third}} | ||
In [[7-limit]] [[just intonation]], '''7/6''' is the '''subminor third''' or '''septimal minor third'''. At about 267 cents, it is smaller than both the [[5-limit]] minor third ([[6/5]], ~316 cents) and the familiar [[12edo]] minor third (300 cents). In contrast to [[5/4]] and [[6/5]], 7/6 is noticeably more consonant than it's counterpart [[9/7]], and a 6:7:9 minor triad can sound very stable compared to 14:18:21 . | In [[7-limit]] [[just intonation]], '''7/6''' is the '''subminor third''' <ref>Hermann L. F. von Helmholtz (1875). ''On the sensations of tone as a physiological basis for the theory of music'', p. 284.</ref> or '''septimal minor third'''. At about 267 cents, it is smaller than both the [[5-limit]] minor third ([[6/5]], ~316 cents) and the familiar [[12edo]] minor third (300 cents). In contrast to [[5/4]] and [[6/5]], 7/6 is noticeably more consonant than it's counterpart [[9/7]], and a 6:7:9 minor triad can sound very stable compared to 14:18:21 . | ||
== See also == | == See also == | ||
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* [[7/3]] – the interval plus one [[octave]] may sound even more [[consonant]] | * [[7/3]] – the interval plus one [[octave]] may sound even more [[consonant]] | ||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
== References == | |||
<references /> | |||
[[Category:Third]] | [[Category:Third]] | ||