7/6: Difference between revisions
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sounds -> may sound, some people's perception of relation between notes at all is diminished by pitch distance |
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* [[9/7]] – its [[fifth complement]] | * [[9/7]] – its [[fifth complement]] | ||
* [[8/7]] – its [[fourth complement]] | * [[8/7]] – its [[fourth complement]] | ||
* [[7/3]] – the interval plus one [[octave]] | * [[7/3]] – the interval plus one [[octave]] may sound even more [[consonant]] | ||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
Revision as of 16:58, 14 April 2025
| Interval information |
septimal minor third
reduced
[sound info]
In 7-limit just intonation, 7/6 is the septimal (sub)minor third. At about 267 cents, it is smaller than both the 5-limit minor third (6/5, ~316 cents) and the familiar 12edo minor third (300 cents). In contrast to 5/4 and 6/5, 7/6 is noticeably more consonant than it's counterpart 9/7, and a 6:7:9 minor triad can sound very stable compared to 14:18:21 .
See also
- 12/7 – its octave complement
- 9/7 – its fifth complement
- 8/7 – its fourth complement
- 7/3 – the interval plus one octave may sound even more consonant
- Gallery of just intervals
