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User:VectorGraphics/Vector's introduction to 15edo/Chord names and functions: Difference between revisions

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== Functional harmony ==
Functional harmony in zarlino should work similarly to 12edo; here are some key points to keep in mind.
1) The seventh chords on each degree of the LH Ionian scale
{| class="wikitable"
|+
!Degree
!Chord
!Equivalent voicings
!Third
!Fifth
!Seventh
|-
|1
|Imaj7
|
|5
|9
|14
|-
|2
|IImin7
|
|4
|9
|13
|-
|3
|IIIminh7
|Vwmaj/dim7, VIIsl/aug5
|4
|9
|12
|-
|4
|IVmaj7
|
|5
|9
|14
|-
|5
|Vwmajh7
|VIIdmin/aug5, IIdmajh7
|5
|8
|12
|-
|6
|VImin7
|
|4
|9
|13
|-
|7
|VIIdminh7
|IIminh7, IVwmaj/dim7
|3
|7
|12
|}
2) The seventh chords on each degree of the RH Ionian scale
{| class="wikitable"
!Degree
!Chord
!Equivalent voicings
!Third
!Fifth
!Seventh
|-
|1
|Imaj7
|
|5
|9
|14
|-
|2
|IIwminh7
|IVh7, VIdmajh7
|4
|9
|13
|-
|3
|IIImin7
|
|4
|9
|12
|-
|4
|IVmaj7
|
|5
|9
|14
|-
|5
|Vh7
|VIIdmaj/aug5, IIsl/dim7
|5
|8
|12
|-
|6
|VImin7
|
|4
|9
|13
|-
|7
|VIIdmajh7
|IIwmin/dim7, IVwmajh7
|3
|7
|12
|}
|}
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